Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)

Kilde: Nordnorsk debatt Author: Ulrikke Benestad, Tromsø Published: 2026-05-14 22:57:59

På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.

Det er jo et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.

17. mai ernemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.

Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?

Mens ordlyden (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)

Smartembed for https://www.nordnorskdebatt.no/api/graff/v1/component/enkel-poll?id=92498

Gir klump i halsen, tårer i øynene og en følelse av fellesskap

Ukraina svarerikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.

I fjor ble kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som kritisk infrastruktur. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.

Når det er sagt skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.

Hvis vi barberer vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.

Ha en flott 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.

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🏷️ Extracted Entities (10)

Nordahl Grieg (person) Bjørnson (entity) Gammel Jegermarsj (entity) Gude (entity) Luhansk (entity) Lyuba Yakimchuk (person) Norge (entity) Times (entity) Ukraina (entity) Wergeland (place)

Article Version History (3 versions)

This article has been updated since it was first fetched. Below are all versions:

Version 3 Current 2026-05-16 05:35:02

Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)

UPDATE

Author: Ulrikke Benestad, Tromsø Published: 2026-05-14 22:57:59 Updated: 2026-05-14 22:57:59

📄 Full Content (3279 chars)

Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?

Smartembed for https://www.nordnorskdebatt.no/api/graff/v1/component/enkel-poll?id=92498

Gir klump i halsen, tårer i øynene og en følelse av fellesskap

Ha en flott 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.

🖼️ Image

URL: http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Korps%2B2.jpg

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Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>\n <p><amedia-embed id=\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429288\" inlineid=\"_72551ac3-dfcd-4c6d-910d-5225a0780f74\">\n   <img align=\"undefined\" alt=\"\" src=\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778797103000/nndb/2026/5/15/0/Ulrikke+Benestad%2C+Troms%C3%B8+kommune.jpg\">\n  </amedia-embed></p>\n <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p>\n <p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>\n <p><amedia-embed id=\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429313\" inlineid=\"_0cbf89e4-c955-4641-bc65-cdc30b571295\">\n   <img align=\"undefined\" alt=\"\" src=\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799408000/nndb/2026/5/15/0/folk+i+tog.jpg\">\n  </amedia-embed><strong><br></strong></p>\n <p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p>\n <p><amedia-embed inlineid=\"c76d0bbf167df864\">\n   <a href=\"https://www.nordnorskdebatt.no/api/graff/v1/component/enkel-poll?id=92498\">Smartembed for https://www.nordnorskdebatt.no/api/graff/v1/component/enkel-poll?id=92498</a>\n  </amedia-embed></p>\n <p><amedia-embed id=\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429354\" inlineid=\"_e7c70384-ca20-4943-a5f2-6917ea9ff1ec\">\n   <a href=\"/gir-klump-i-halsen-tarer-i-oynene-og-en-folelse-av-fellesskap/o/5-124-429354\">Gir klump i halsen, tårer i øynene og en følelse av fellesskap</a>\n  </amedia-embed></p>\n <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p>\n <p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>\n <p><amedia-embed id=\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429307\" inlineid=\"_e0ddb3cc-e9ff-48c4-aca5-0de629dc2d04\">\n   <img align=\"undefined\" alt=\"\" src=\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799197000/nndb/2026/5/15/0/Ukraina+konsert.jpg\">\n  </amedia-embed></p>\n <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p>\n <p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p>\n <p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>\n</div>]]></api:body><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Korps%2B2.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Korps%2B2.jpg\" /><api:description><![CDATA[– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.]]></api:description><api:credit><![CDATA[Yngve Olsen]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup></item>",
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<item><title>Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)</title><link>https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240</link><description /><pubDate>Fri, 15 May 2026 00:57:59 +0200</pubDate><api:modifiedDate>Fri, 15 May 2026 15:38:03 +0200</api:modifiedDate><api:contentType>opinion</api:contentType><guid isPermaLink="false">5-124-429240</guid><dc:creator>Ulrikke Benestad, Tromsø</dc:creator><api:subscription>false</api:subscription><api:body><![CDATA[<div>
 <p><b>På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.</b></p>
 <p><b>Det er jo</b> et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>
 <p><amedia-embed id="http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429288" inlineid="_72551ac3-dfcd-4c6d-910d-5225a0780f74">
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  </amedia-embed></p>
 <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p>
 <p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>
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  </amedia-embed><strong><br></strong></p>
 <p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p>
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 <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p>
 <p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>
 <p><amedia-embed id="http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429307" inlineid="_e0ddb3cc-e9ff-48c4-aca5-0de629dc2d04">
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 <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p>
 <p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p>
 <p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>
</div>]]></api:body><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Korps%2B2.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Korps%2B2.jpg" /><api:description><![CDATA[– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.]]></api:description><api:credit><![CDATA[Yngve Olsen]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup></item>

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        Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)
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   <brick-image-v6 brick-component="brick-image" class="brick-c-dKCgrw" data-alt-text="TOF  stilte med korpsmusikk i Trollringen. Naboene hadde pyntet hele gata med flagg og faner, og beboerne stod (stort sett) på egne balkonger og lot seg begeistre.
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      <span>– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.</span>
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      <p class="vignette">Kronikk</p>
      <p class="disclaimer">Dette er en kronikk, skrevet av en ekstern bidragsyter. Kronikken gir uttrykk for skribentens holdninger.</p>
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       <div class="brick-c-iwkzXG article-body">  <amedia-placeholder index="0" wordcount="0" /><p><b>På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.</b></p><amedia-placeholder index="1" wordcount="46" /><p><b>Det er jo</b> et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>
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      <span>Kronikkforfatter Ulrikke Benestad | </span>
      <span class="image-photographer">Foto: Tromsø kommune</span>
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  <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p><amedia-placeholder index="2" wordcount="151" /><p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>
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      <span>Fra barnetoget i Tromsø 17. mai 2025 | </span>
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  <p><strong><br /></strong></p><p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p>
    
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  <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p><amedia-placeholder index="3" wordcount="307" /><p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>
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      <span>Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.</span>
      <span class="image-photographer">Foto: Anton Shtuka, AP/NTB</span>
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  <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p><amedia-placeholder index="4" wordcount="439" /><p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p><amedia-placeholder index="5" wordcount="478" /><p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>
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   "article_id" : 215834,
   "author" : "Ulrikke Benestad, Tromsø",
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   "content" : "**På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.**\n\n**Det er jo** et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk\\-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar\\- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.\n\n**17. mai er**nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.\n\n**Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?**\n\n**Mens ordlyden** \\(spesielt lokalt\\) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV\\-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» \\(The Times, mai 2026\\)\n\nSmartembed for https://www.nordnorskdebatt.no/api/graff/v1/component/enkel\\-poll?id=92498\n\nGir klump i halsen, tårer i øynene og en følelse av fellesskap\n\n**Ukraina svarer**ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.\n\n**I fjor ble** kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som *kritisk infrastruktur*. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.\n\n**Når det er sagt** skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.\n\n**Hvis vi barberer** vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.\n\n**Ha en flott** 17. mai\\-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.",
   "created_at" : "2026-05-16 05:35:02",
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   "image_url" : "http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Korps%2B2.jpg",
   "image_url_normalized" : "http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Korps%2B2.jpg",
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   "metadata" : "{\"raw_feed_item\":\"<item><title>Hvorfor grÃ¥ter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspÃ¸rsmÃ¥l)</title><link>https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240</link><description /><pubDate>Fri, 15 May 2026 00:57:59 +0200</pubDate><api:modifiedDate>Fri, 15 May 2026 15:38:03 +0200</api:modifiedDate><api:contentType>opinion</api:contentType><guid isPermaLink=\\\"false\\\">5-124-429240</guid><dc:creator>Ulrikke Benestad, TromsÃ¸</dc:creator><api:subscription>false</api:subscription><api:body><![CDATA[<div>\\n <p><b>PÃ¥ sÃ¸ndag vÃ¥kner Norge til lyden av korps i gatene og Grieg pÃ¥ statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegÃ¥rder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: VÃ¥r kollektive motstandskraft.</b></p>\\n <p><b>Det er jo</b> et artig fenomen. Hvert Ã¥r stÃ¥r voksne, sindige mennesker og ser pÃ¥ tog med sikksakk-smil, og kjenner at det klumper seg i halsen nÃ¥r det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nÃ¸dvendigvis handler om at Â«Gammel JegermarsjÂ» er sÃ¥ enestÃ¥ende vakker, men fordi musikken treffer noe dypt i oss â lyden av det vi deler.</p>\\n <p><amedia-embed id=\\\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429288\\\" inlineid=\\\"_72551ac3-dfcd-4c6d-910d-5225a0780f74\\\">\\n   <img align=\\\"undefined\\\" alt=\\\"\\\" src=\\\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778797103000/nndb/2026/5/15/0/Ulrikke+Benestad%2C+Troms%C3%B8+kommune.jpg\\\">\\n  </amedia-embed></p>\\n <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En hÃ¸ytid hvor nasjonalromantikken blir allemannseie. PÃ¥ denne dagen stiller ingen spÃ¸rsmÃ¥l ved om Grieg, Gude, Wergeland eller BjÃ¸rnson er Â«relevantÂ» eller Â«finkulturÂ». Vi aksepterer det som en Ã¥rlig Ã¸velse i fellesskap og demokratisk tilhÃ¸righet.</p>\\n <p><strong>Men spÃ¸rsmÃ¥let vi bÃ¸r stille oss, er hvorfor vi bare anerkjenner denne verdien nÃ¥r vi har finstasen pÃ¥?</strong></p>\\n <p><amedia-embed id=\\\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429313\\\" inlineid=\\\"_0cbf89e4-c955-4641-bc65-cdc30b571295\\\">\\n   <img align=\\\"undefined\\\" alt=\\\"\\\" src=\\\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799408000/nndb/2026/5/15/0/folk+i+tog.jpg\\\">\\n  </amedia-embed><strong><br></strong></p>\\n <p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unÃ¸dvendig utgiftspost, og offentlig finansiert Â«hobbyÂ» for de fÃ¥, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt bÃ¥de metode og mÃ¥l i krigfÃ¸ringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nÃ¥delÃ¸st: Â«Etter de russiske tanksene kom de russiske skolebÃ¸kene, de russiske TV-kanalene og de russiske sangene â for Ã¥ fullfÃ¸re jobben stridsvognene begynte.Â» (The Times, mai 2026)</p>\\n <p><amedia-embed inlineid=\\\"c76d0bbf167df864\\\">\\n   <a href=\\\"https://www.nordnorskdebatt.no/api/graff/v1/component/enkel-poll?id=92498\\\">Smartembed for https://www.nordnorskdebatt.no/api/graff/v1/component/enkel-poll?id=92498</a>\\n  </amedia-embed></p>\\n <p><amedia-embed id=\\\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429354\\\" inlineid=\\\"_e7c70384-ca20-4943-a5f2-6917ea9ff1ec\\\">\\n   <a href=\\\"/gir-klump-i-halsen-tarer-i-oynene-og-en-folelse-av-fellesskap/o/5-124-429354\\\">Gir klump i halsen, tÃ¥rer i Ã¸ynene og en fÃ¸lelse av fellesskap</a>\\n  </amedia-embed></p>\\n <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har Ã¸kt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstÃ¥tt det vi er i ferd med Ã¥ glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p>\\n <p><b>I fjor ble</b> kultur endelig lÃ¸ftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er bÃ¥de et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene â fra biblioteket til teater â og konserthusene er de de siste stedene vi mÃ¸tes pÃ¥ tvers av algoritmer og politiske skyttergraver.</p>\\n <p><amedia-embed id=\\\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429307\\\" inlineid=\\\"_e0ddb3cc-e9ff-48c4-aca5-0de629dc2d04\\\">\\n   <img align=\\\"undefined\\\" alt=\\\"\\\" src=\\\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799197000/nndb/2026/5/15/0/Ukraina+konsert.jpg\\\">\\n  </amedia-embed></p>\\n <p><b>NÃ¥r det er sagt</b> skal vi vÃ¦re forsiktige med Ã¥ sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke vÃ¦re blinde for hva ekstreme erfaringer lÃ¦rer oss. NÃ¥r vi fÃ¥r tÃ¥rer i Ã¸ynene av korpsmusikk pÃ¥ sÃ¸ndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hÃ¸rer til i en stÃ¸rre fortelling. Og denne opplevelsen av tilhÃ¸righet og felles klangbunn er vÃ¥r viktigste forsvarsskanse mot polarisering og fremmedgjÃ¸ring.</p>\\n <p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits Ã¥ spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, stÃ¥r vi langt svakere den dagen fellesskapet virkelig blir satt pÃ¥ prÃ¸ve.</p>\\n <p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med Ã¸ving og sÃ¸ndagens gnagsÃ¥r.</p>\\n</div>]]></api:body><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Korps%2B2.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Korps%2B2.jpg\\\" /><api:description><![CDATA[â Hvis vi ikke investerer i det som holder oss sammen i fredstid, stÃ¥r vi langt svakere den dagen fellesskapet virkelig blir satt pÃ¥ prÃ¸ve, skriver Ulrikke Benestad. Bildet viser TromsÃ¸ orkesterforening 17. mai 2020.]]></api:description><api:credit><![CDATA[Yngve Olsen]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:description><![CDATA[Fra barnetoget i TromsÃ¸ 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den Ã¥rlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[TromsÃ¸ kommune]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den Ã¥rlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[TromsÃ¸ kommune]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778906200257/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:description><![CDATA[Fra barnetoget i TromsÃ¸ 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup></item>\",\"og\":{}}",
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(Og hvorfor det er et sikkerhetsspørsmål)</title>\n\n<meta content=\"På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.\" name=\"description\" />\n\n<meta content=\"Ulrikke Benestad, Tromsø\" property=\"article:author\" />\n<meta content=\"article\" property=\"og:type\" />\n<meta content=\"Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)\" property=\"og:title\" />\n<meta content=\"På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.\" property=\"og:description\" />\n<meta content=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_2000_2000_s_f/1778798273000/nndb/2026/5/15/0/Korps%2B2.jpg?chk=0E7F3B\" property=\"og:image\" />\n<meta content=\"TOF  stilte med korpsmusikk i Trollringen. Naboene hadde pyntet hele gata med flagg og faner, og beboerne stod (stort sett) på egne balkonger og lot seg begeistre.\nFoto: \" property=\"og:image:alt\" />\n<meta content=\"5184\" property=\"og:image:width\" /> <meta content=\"3456\" property=\"og:image:height\" />\n\n<meta content=\"on\" name=\"twitter:widgets:csp\" />\n<meta content=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_2000_2000_s_f/1778798273000/nndb/2026/5/15/0/Korps%2B2.jpg?chk=0E7F3B\" name=\"twitter:image\" />\n<meta content=\"summary_large_image\" name=\"twitter:card\" />\n<meta content=\"Hvorfor gråter vi av korpsmusikk? 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itemprop=\"https://www.adplogger.no/json-schema/meta-article#presentationMode\" />\n\n<meta content=\"5-124-429240\" itemprop=\"identifier\" />\n\n\n  <meta content=\"17. mai-feiring,Kultur,Korpsmusikk,Sikkerhet og beredskap,Nasjonalisme,Musikkorps,\" itemprop=\"https://www.adplogger.no/json-schema/meta-article#tags\" />\n\n  <div class=\"inner-article brick-c-eufUcx\">\n    <!-- Default toppbanner-->\n    <div class=\"brick-c-iQMKdy\"><ad-placeholder display=\"desktop\" labeled=\"true\" position=\"toppbanner\" publication=\"www.nordnorskdebatt.no\" /></div>\n    <!-- Default skyscraperads-->\n    <div class=\"skyscraper-ads--container skyscraper-ads-container-left\">\n  <div class=\"skyscraper-ads--inner\">\n    <div class=\"top-sky-container\">\n      <div class=\"article-sticky-sky\" id=\"sticky-skyskraper-left\"><ad-placeholder display=\"desktop\" labeled=\"true\" position=\"skyskraper\" publication=\"www.nordnorskdebatt.no\" /></div>\n    </div>\n  </div>\n</div>\n <div 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brick-c-eWHWbH\">\n      <h1 class=\"title brick-c-gIvHiF\" itemprop=\"headline\" tabIndex=\"-1\">\n        \n        Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)\n      </h1>\n    </div>\n  \n\n    <!-- Lead text for odd article IDs (A/B test - www.dt.no only) -->\n    \n\n    <div class=\"media-top-relation article--c-lgSNPV article--c-lgSNPV-bGpYD-cv article--c-lgSNPV-jcQkYo-cv \">\n      <!-- If mulitple images in topRelation, show slider -->\n      \n      <!-- Single image -->\n      \n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-csKCqe-isTopImage-true\" style=\"--brick-image-ratio:5184 / 3456;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg\" itemprop=\"image\" />\n   <click-enlarge class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"TOF  stilte med korpsmusikk i Trollringen. Naboene hadde pyntet hele gata med flagg og faner, og beboerne stod (stort sett) på egne balkonger og lot seg begeistre.\nFoto: \" data-fetch-priority=\"high\" data-height=\"3456\" data-loading=\"eager\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Korps+2.jpg 1200w\" data-width=\"5184\" is-rendered=\"is-rendered\"><img alt=\"TOF  stilte med korpsmusikk i Trollringen. Naboene hadde pyntet hele gata med flagg og faner, og beboerne stod (stort sett) på egne balkonger og lot seg begeistre.\nFoto: \" class=\"brick-c-cFOWSL\" fetchpriority=\"high\" height=\"3456\" loading=\"eager\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Korps+2.jpg 1200w\" style=\"--brick-image-ratio: 5184 / 3456;\" width=\"5184\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div aria-controls=\"top-image-caption-content\" aria-expanded=\"false\" aria-label=\"Vis mer\" class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-jejgBa-isTopImage-true article--c-hFqxKw-kfcYBa-design-default article--c-hFqxKw-haxWh-cv\" data-show-more-label=\"Vis mer\" id=\"top-image-caption\" role=\"button\" tabindex=\"0\">\n    <div class=\"caption-content\" id=\"top-image-caption-content\">\n      \n      <span>– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.</span>\n      <span class=\"image-photographer\">Foto: Yngve Olsen</span>\n    </div>\n  </div>\n   </div> \n  \n    </div>\n\n    <div class=\"article-top brick-c-djylTE\">\n      <!-- Article Meta-->\n      \n        <div class=\"article-meta-wrapper brick-c-cGhTJe opinion\">\n        \n  <div class=\"brick-c-ifFDXZ opinion-byline article-meta-byline\">\n    <span aria-hidden=\"true\">Av </span>\n    <brick-byline-v0 class=\"brick-c-iuqwzh\" data-name=\"Ulrikke Benestad, Tromsø\" is-rendered=\"is-rendered\">\n        <div aria-label=\"Forfatter av artikkelen Ulrikke Benestad, Tromsø\" itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"http://schema.org/Person\">\n            <span class=\"brick-byline-author\"><span class=\"brick-byline-name\" itemprop=\"name\">Ulrikke Benestad, Tromsø</span></span>\n        </div></brick-byline-v0>\n  </div>\n        <div class=\"article-meta-published\"><brick-published-v4 brick-component=\"brick-published\" class=\"brick-c-iNstTK\" data-datetime=\"2026-05-15T13:38:03.000Z\" data-display-date=\"15.05.26 15:38\" data-itemprop=\"dateModified\" data-label=\"Oppdatert:\" is-rendered=\"is-rendered\"><time datetime=\"2026-05-15T13:38:03.000Z\" itemprop=\"dateModified\"><span>Oppdatert: </span>15.05.26 15:38</time></brick-published-v4><brick-published-v4 brick-component=\"brick-published\" class=\"brick-c-iNstTK\" data-datetime=\"2026-05-15T00:57:59.000+0200\" data-display-date=\"15.05.26 00:57\" data-itemprop=\"datePublished\" data-label=\"Publisert:\" is-rendered=\"is-rendered\"><time datetime=\"2026-05-15T00:57:59.000+0200\" itemprop=\"datePublished\"><span>Publisert: </span>15.05.26 00:57</time></brick-published-v4></div>\n        \n  <div class=\"article-meta-share\">\n    \n    <span class=\"share-mobile-wrapper brick-c-cMaFVp\">\n      <brick-share brick-component=\"brick-share\" data-aria-label=\"Del denne artikkelen.\" data-copy-error=\"Kunne ikke kopiere lenken, prøv å kopiere manuelt.\" data-copy-success=\"Lenken er kopiert\" data-title=\"Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)\" data-url=\"https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240\" is-rendered=\"true\"><brick-button-v9 brick-component=\"brick-button\" class=\"brick-c-erRvjT\" data-adplabel=\"brick_share_button\" data-adpvalue=\"share\" data-aria-label=\"Del denne artikkelen.\" data-icon-id=\"share\" data-label=\"Del\" data-size=\"medium\" data-version=\"secondary\" is-rendered=\"is-rendered\"><button aria-label=\"Del denne artikkelen.\" class=\"brick-c-cAQiLM\" data-adp-clicklabel=\"brick_share_button\" data-adp-clickvalue=\"share\">\n          <brick-icon-v2 brick-component=\"brick-icon\" class=\"brick-c-cHZnbS\" data-icon-id=\"share\" data-icon-size=\"undefined\" is-rendered=\"is-rendered\"><div class=\"svg-wrap brick-c-fkGePD\">\n    <svg aria-hidden=\"true\">\n    \n    <use href=\"#share\" />\n    </svg>\n    </div>\n    </brick-icon-v2>\n          <span>Del</span>\n        </button></brick-button-v9></brick-share>\n    </span>\n\n    <span class=\"share-desktop-wrapper brick-c-bUMNCY\">\n      <brick-share brick-component=\"brick-share\" data-aria-label=\"Del denne artikkelen.\" data-copy-error=\"Kunne ikke kopiere lenken, prøv å kopiere manuelt.\" data-copy-success=\"Lenken er kopiert\" data-url=\"https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240\" data-version=\"copy\" is-rendered=\"true\"><brick-button-v9 brick-component=\"brick-button\" class=\"brick-c-erRvjT\" data-adplabel=\"brick_share_button\" data-adpvalue=\"copy\" data-aria-label=\"Del denne artikkelen.\" data-icon-id=\"share-url\" data-label=\"Kopier\" data-size=\"medium\" data-version=\"secondary\" is-rendered=\"is-rendered\"><button aria-label=\"Del denne artikkelen.\" class=\"brick-c-cAQiLM\" data-adp-clicklabel=\"brick_share_button\" data-adp-clickvalue=\"copy\">\n          <brick-icon-v2 brick-component=\"brick-icon\" class=\"brick-c-cHZnbS\" data-icon-id=\"share-url\" data-icon-size=\"undefined\" is-rendered=\"is-rendered\"><div class=\"svg-wrap brick-c-fkGePD\">\n    <svg aria-hidden=\"true\">\n    \n    <use href=\"#share-url\" />\n    </svg>\n    </div>\n    </brick-icon-v2>\n          <span>Kopier</span>\n        </button></brick-button-v9></brick-share>\n    </span>\n\n  </div>\n        \n        </div>\n        \n    \n      <!-- Lead text for even article IDs (A/B test - www.dt.no only) OR default position for all other cases -->\n      \n      <!-- Icon for premium articles -->\n      \n    </div>\n\n    \n    <!-- data-content is mainly used by aID for testing purposes. DO NOT REMOVE! -->\n    <div class=\"body-text brick-c-cXQGoQ\" data-content=\"body-text\" itemprop=\"articleBody\">\n      <!-- BeyondWords text-to-speech -->\n      \n\n      <!-- Commercial label top -->\n      \n      <!-- Smartembeds automated-->\n      \n\n      <!-- For Opinion, otherwise empty -->\n      \n    <div class=\"brick-c-fdojcf\">\n      <p class=\"vignette\">Kronikk</p>\n      <p class=\"disclaimer\">Dette er en kronikk, skrevet av en ekstern bidragsyter. Kronikken gir uttrykk for skribentens holdninger.</p>\n    </div>\n  \n      <!-- Article body -->\n       <div class=\"brick-c-iwkzXG article-body\">  <amedia-placeholder index=\"0\" wordcount=\"0\" /><p><b>På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.</b></p><amedia-placeholder index=\"1\" wordcount=\"46\" /><p><b>Det er jo</b> et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>\n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-iPCOPk-isTopImage-false article--c-bByWVC-fFcife-cv\" style=\"--brick-image-ratio:1920 / 1080;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg\" itemprop=\"image\" />\n   <click-enlarge aria-label=\"Denne knappen åpner bildet i full bredde. Bildet mangler alternativ tekst.\" class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-fetch-priority=\"low\" data-height=\"1080\" data-loading=\"lazy\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 1200w\" data-width=\"1920\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" fetchpriority=\"low\" height=\"1080\" loading=\"lazy\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 1200w\" style=\"--brick-image-ratio: 1920 / 1080;\" width=\"1920\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-kfcYBa-design-default\" data-show-more-label=\"Vis mer\">\n    <div class=\"caption-content\">\n      \n      <span>Kronikkforfatter Ulrikke Benestad | </span>\n      <span class=\"image-photographer\">Foto: Tromsø kommune</span>\n    </div>\n  </div>\n   </div> \n  <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p><amedia-placeholder index=\"2\" wordcount=\"151\" /><p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>\n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-iPCOPk-isTopImage-false article--c-bByWVC-fFcife-cv\" style=\"--brick-image-ratio:6720 / 4480;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg\" itemprop=\"image\" />\n   <click-enlarge class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"17. mai 2025 småbarnstoget\" data-fetch-priority=\"low\" data-height=\"4480\" data-loading=\"lazy\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 1200w\" data-width=\"6720\" is-rendered=\"is-rendered\"><img alt=\"17. mai 2025 småbarnstoget\" class=\"brick-c-cFOWSL\" fetchpriority=\"low\" height=\"4480\" loading=\"lazy\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 1200w\" style=\"--brick-image-ratio: 6720 / 4480;\" width=\"6720\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-kfcYBa-design-default\" data-show-more-label=\"Vis mer\">\n    <div class=\"caption-content\">\n      \n      <span>Fra barnetoget i Tromsø 17. mai 2025 | </span>\n      <span class=\"image-photographer\">Foto: Vidar Dons Lindrupsen</span>\n    </div>\n  </div>\n   </div> \n  <p><strong><br /></strong></p><p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p>\n    \n    <amedia-smartembed class=\"lp_smartembed_smartembed-poll_v2\" itemscope=\"itemscope\" itemtype=\"https://www.adplogger.no/json-schema/MetaEmbed\">\n        <meta content=\"component\" itemprop=\"adpType\" />\n        <meta content=\"smartembed-poll_v2\" itemprop=\"name\" />\n        <meta content=\"https://www.nordnorskdebatt.no/api/graff/v1/component/enkel-poll?id=92498\" itemprop=\"url\" />\n        \n<graff-enkel-poll data-adp-log=\"false\" data-component-layout=\"editorial\" data-id=\"92498\" data-is-test-site=\"false\" data-locale=\"nb_NO\" data-publication=\"www.nordnorskdebatt.no\" />\n\n    </amedia-smartembed>\n  <a class=\"related-teaser has-image article--c-MkAkR\" href=\"//www.nordnorskdebatt.no/5-124-429354\">\n    <article class=\"article--c-bzUawH\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\">\n    <meta content=\"teaser\" itemprop=\"adpType\" />\n    <meta content=\"5-124-429354\" itemprop=\"identifier\" />\n    <meta content=\"https://www.nordnorskdebatt.no/5-124-429354\" itemprop=\"url\">\n     <meta content=\"free\" itemprop=\"contentModel\" />\n      <figure class=\"article--c-fWvOKR\">\n    <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-loading=\"lazy\" data-sizes=\"200px\" data-src=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_400_1200_s_f/0000/nndb/2026/5/15/10/TOF%2B2020.jpg?chk=81E98C\" data-srcset=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_400_1200_s_f/0000/nndb/2026/5/15/10/TOF%2B2020.jpg?chk=81E98C 400w\" data-width=\"155\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" loading=\"lazy\" sizes=\"200px\" src=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_400_1200_s_f/0000/nndb/2026/5/15/10/TOF%2B2020.jpg?chk=81E98C\" srcset=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_400_1200_s_f/0000/nndb/2026/5/15/10/TOF%2B2020.jpg?chk=81E98C 400w\" style=\"\" width=\"155\" /></brick-image-v6>\n    \n    </figure>\n        <div class=\"article--c-kaKffF\">\n            <span class=\"article--c-hqzvBt\">Les også</span>\n            \n            <h3 class=\"article--c-ZGkrs\" itemprop=\"headline name\">Gir klump i halsen, tårer i øynene og en følelse av fellesskap</h3>\n        </div>\n        \n    </meta></article>\n  </a>\n  <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p><amedia-placeholder index=\"3\" wordcount=\"307\" /><p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>\n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-iPCOPk-isTopImage-false article--c-bByWVC-fFcife-cv\" style=\"--brick-image-ratio:5829 / 3886;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg\" itemprop=\"image\" />\n   <click-enlarge class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"People enjoy a concert at the Atlas Festival in Kyiv, Ukraine, Sunday, July 21, 2024. This year, Ukraine&#39;s largest music festival struck a different chord. Gone were the international headliners, the massive performance halls and the hundreds of thousands of visitors. (AP Photo/Anton Shtuka)\" data-fetch-priority=\"low\" data-height=\"3886\" data-loading=\"lazy\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 1200w\" data-width=\"5829\" is-rendered=\"is-rendered\"><img alt=\"People enjoy a concert at the Atlas Festival in Kyiv, Ukraine, Sunday, July 21, 2024. This year, Ukraine&#39;s largest music festival struck a different chord. Gone were the international headliners, the massive performance halls and the hundreds of thousands of visitors. (AP Photo/Anton Shtuka)\" class=\"brick-c-cFOWSL\" fetchpriority=\"low\" height=\"3886\" loading=\"lazy\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 1200w\" style=\"--brick-image-ratio: 5829 / 3886;\" width=\"5829\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-kfcYBa-design-default\" data-show-more-label=\"Vis mer\">\n    <div class=\"caption-content\">\n      \n      <span>Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.</span>\n      <span class=\"image-photographer\">Foto: Anton Shtuka, AP/NTB</span>\n    </div>\n  </div>\n   </div> \n  <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p><amedia-placeholder index=\"4\" wordcount=\"439\" /><p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p><amedia-placeholder index=\"5\" wordcount=\"478\" /><p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>\n</div> \n    <ul class=\"brick-c-fgvofI article-tags-bottom \">\n      <li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 1: 17. mai-feiring\" data-link=\"/tag/17.-mai-feiring\" data-size=\"small\" data-text=\"17. mai-feiring\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 1: 17. mai-feiring\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/17.-mai-feiring\" role=\"link\" tabindex=\"0\">17. mai-feiring</a></brick-tag-v0>\n      </li><li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 2: Kultur\" data-link=\"/tag/kultur\" data-size=\"small\" data-text=\"Kultur\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 2: Kultur\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/kultur\" role=\"link\" tabindex=\"0\">Kultur</a></brick-tag-v0>\n      </li><li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 3: Korpsmusikk\" data-link=\"/tag/korpsmusikk\" data-size=\"small\" data-text=\"Korpsmusikk\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 3: Korpsmusikk\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/korpsmusikk\" role=\"link\" tabindex=\"0\">Korpsmusikk</a></brick-tag-v0>\n      </li><li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 4: Sikkerhet og beredskap\" data-link=\"/tag/sikkerhet-og-beredskap\" data-size=\"small\" data-text=\"Sikkerhet og beredskap\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 4: Sikkerhet og beredskap\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/sikkerhet-og-beredskap\" role=\"link\" tabindex=\"0\">Sikkerhet og beredskap</a></brick-tag-v0>\n      </li><li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 5: Nasjonalisme\" data-link=\"/tag/nasjonalisme\" data-size=\"small\" data-text=\"Nasjonalisme\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 5: Nasjonalisme\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/nasjonalisme\" role=\"link\" tabindex=\"0\">Nasjonalisme</a></brick-tag-v0>\n      </li>\n    </ul>\n  \n      <!-- Commercial label bottom -->\n      \n      <!-- Call to action button for Meninger/Opinion -->\n      \n    <div class=\"brick-c-ckiqHY\">\n      <brick-card-v7 brick-component=\"brick-card\" class=\"brick-c-ZlvZC\" 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heading\">\n\t\t<h2>Flere saker</h2>\n\t</div>\n</div>\n        \n      <!-- AMEDIA-COMPONENT-START -->\n      \n    <!--googleoff: all-->\n    <div class=\"relatedContentContainer adp-inscreen lp_related\">\n      <brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429518\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-long-word=\"true\" data-theme=\"alfa\" data-title-words=\"5\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        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data-width=\"1024\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"768\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/15/Kai+Eide+ny.JPG\" style=\"--brick-image-ratio: 1024 / 768;\" width=\"1024\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">En toppdiplomats vilje til fred</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22><div><bazaar-ad labeled=\"true\" position=\"artikkelboard\" /></div><brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429497\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-theme=\"alfa\" data-title-words=\"5\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        --_teaser-title-length:25;\n        --_teaser-title-length-percentage:4.00;\n        --_teaser-long-word:14.29\n        \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429497\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/en-tale-for-gitta-jonsson/o/5-124-429497\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" itemprop=\"teaser_image\">\n      <div class=\"imagewrapper brick-c-jLLCWt\" style=\"--_image-padding-top:112%;\">\n        <div>\n          <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-height=\"954\" data-loading=\"lazy\" data-sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/14/Gitta+J%25C3%25B8nsson%252C+Arbeiderbevegelsens+arkiv.JPG\" data-srcsize=\"480\" data-width=\"850\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"954\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/14/Gitta+J%25C3%25B8nsson%252C+Arbeiderbevegelsens+arkiv.JPG\" style=\"--brick-image-ratio: 850 / 954;\" width=\"850\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">En tale for Gitta Jønsson</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22><brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429009\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-long-word=\"true\" data-theme=\"alfa\" data-title-words=\"5\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        --_teaser-title-length:42;\n        --_teaser-title-length-percentage:2.38;\n        --_teaser-long-word:7.14\n        \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429009\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/avskaff-normprisradet-la-markedet-fungere/o/5-124-429009\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" itemprop=\"teaser_image\">\n      <div class=\"imagewrapper brick-c-jLLCWt\" style=\"--_image-padding-top:100%;\">\n        <div>\n          <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-height=\"2048\" data-loading=\"lazy\" data-sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/12/20/e235d99e-2ed7-4e45-8508-811e49b48ba9.bin\" data-srcsize=\"480\" data-width=\"2048\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"2048\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/12/20/e235d99e-2ed7-4e45-8508-811e49b48ba9.bin\" style=\"--brick-image-ratio: 2048 / 2048;\" width=\"2048\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">Avskaff normprisrådet, la markedet fungere</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22><brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429441\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-theme=\"alfa\" data-title-words=\"7\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        --_teaser-title-length:44;\n        --_teaser-title-length-percentage:2.27;\n        --_teaser-long-word:8.33\n        \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429441\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/hvor-mange-groftekanter-finnes-langs-en-vei/o/5-124-429441\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" itemprop=\"teaser_image\">\n      <div class=\"imagewrapper brick-c-jLLCWt\" style=\"--_image-padding-top:142%;\">\n        <div>\n          <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-height=\"1077\" data-loading=\"lazy\" data-sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/12/e5f04094-b214-4f05-a19f-7de623d77616.bin\" data-srcsize=\"480\" data-width=\"754\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"1077\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/12/e5f04094-b214-4f05-a19f-7de623d77616.bin\" style=\"--brick-image-ratio: 754 / 1077;\" width=\"754\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">Hvor mange grøftekanter finnes langs en vei?</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22><brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429456\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-theme=\"alfa\" data-title-words=\"13\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        --_teaser-title-length:69;\n        --_teaser-title-length-percentage:1.45;\n        --_teaser-long-word:8.33\n        \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429456\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/store-hus-sma-liv-og-et-boligproblem-ingen-vil-snakke-ordentlig-om/o/5-124-429456\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" itemprop=\"teaser_image\">\n      <div class=\"imagewrapper brick-c-jLLCWt\" style=\"--_image-padding-top:56%;\">\n        <div>\n          <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-height=\"2160\" data-loading=\"lazy\" data-sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/14/nyhus.JPG\" data-srcsize=\"480\" data-width=\"3840\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"2160\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/14/nyhus.JPG\" style=\"--brick-image-ratio: 3840 / 2160;\" width=\"3840\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        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   "title" : "Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)",
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Version 2 2026-05-15 13:31:41

Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)

UPDATE

Author: Ulrikke Benestad, Tromsø Published: 2026-05-14 22:57:59 Updated: 2026-05-14 22:57:59

📄 Full Content (3188 chars)

Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?

Gir klump i halsen, tårer i øynene og en følelse av fellesskap

Ha en flott 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.

🖼️ Image

URL: http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Korps%2B2.jpg

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Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>\n <p><amedia-embed id=\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429288\" inlineid=\"_72551ac3-dfcd-4c6d-910d-5225a0780f74\">\n   <img align=\"undefined\" alt=\"\" src=\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778797103000/nndb/2026/5/15/0/Ulrikke+Benestad%2C+Troms%C3%B8+kommune.jpg\">\n  </amedia-embed></p>\n <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p>\n <p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>\n <p><amedia-embed id=\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429313\" inlineid=\"_0cbf89e4-c955-4641-bc65-cdc30b571295\">\n   <img align=\"undefined\" alt=\"\" src=\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799408000/nndb/2026/5/15/0/folk+i+tog.jpg\">\n  </amedia-embed><strong><br></strong></p>\n <p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p>\n <p><amedia-embed id=\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429354\" inlineid=\"_e7c70384-ca20-4943-a5f2-6917ea9ff1ec\">\n   <a href=\"/gir-klump-i-halsen-tarer-i-oynene-og-en-folelse-av-fellesskap/o/5-124-429354\">Gir klump i halsen, tårer i øynene og en følelse av fellesskap</a>\n  </amedia-embed></p>\n <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p>\n <p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>\n <p><amedia-embed id=\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429307\" inlineid=\"_e0ddb3cc-e9ff-48c4-aca5-0de629dc2d04\">\n   <img align=\"undefined\" alt=\"\" src=\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799197000/nndb/2026/5/15/0/Ukraina+konsert.jpg\">\n  </amedia-embed></p>\n <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p>\n <p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p>\n <p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>\n</div>]]></api:body><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Korps%2B2.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Korps%2B2.jpg\" /><api:description><![CDATA[– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.]]></api:description><api:credit><![CDATA[Yngve Olsen]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup></item>",
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<item><title>Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)</title><link>https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240</link><description /><pubDate>Fri, 15 May 2026 00:57:59 +0200</pubDate><api:modifiedDate>Fri, 15 May 2026 10:08:53 +0200</api:modifiedDate><api:contentType>opinion</api:contentType><guid isPermaLink="false">5-124-429240</guid><dc:creator>Ulrikke Benestad, Tromsø</dc:creator><api:subscription>false</api:subscription><api:body><![CDATA[<div>
 <p><b>På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.</b></p>
 <p><b>Det er jo</b> et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>
 <p><amedia-embed id="http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429288" inlineid="_72551ac3-dfcd-4c6d-910d-5225a0780f74">
   <img align="undefined" alt="" src="https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778797103000/nndb/2026/5/15/0/Ulrikke+Benestad%2C+Troms%C3%B8+kommune.jpg">
  </amedia-embed></p>
 <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p>
 <p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>
 <p><amedia-embed id="http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429313" inlineid="_0cbf89e4-c955-4641-bc65-cdc30b571295">
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  </amedia-embed><strong><br></strong></p>
 <p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p>
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   <a href="/gir-klump-i-halsen-tarer-i-oynene-og-en-folelse-av-fellesskap/o/5-124-429354">Gir klump i halsen, tårer i øynene og en følelse av fellesskap</a>
  </amedia-embed></p>
 <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p>
 <p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>
 <p><amedia-embed id="http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429307" inlineid="_e0ddb3cc-e9ff-48c4-aca5-0de629dc2d04">
   <img align="undefined" alt="" src="https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799197000/nndb/2026/5/15/0/Ukraina+konsert.jpg">
  </amedia-embed></p>
 <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p>
 <p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p>
 <p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>
</div>]]></api:body><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Korps%2B2.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Korps%2B2.jpg" /><api:description><![CDATA[– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.]]></api:description><api:credit><![CDATA[Yngve Olsen]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup></item>

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        Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)
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      <span>– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.</span>
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      <p class="vignette">Kronikk</p>
      <p class="disclaimer">Dette er en kronikk, skrevet av en ekstern bidragsyter. Kronikken gir uttrykk for skribentens holdninger.</p>
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       <div class="brick-c-iwkzXG article-body">  <amedia-placeholder index="0" wordcount="0" /><p><b>På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.</b></p><amedia-placeholder index="1" wordcount="46" /><p><b>Det er jo</b> et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>
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      <span>Kronikkforfatter Ulrikke Benestad | </span>
      <span class="image-photographer">Foto: Tromsø kommune</span>
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  <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p><amedia-placeholder index="2" wordcount="151" /><p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>
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      <span>Fra barnetoget i Tromsø 17. mai 2025 | </span>
      <span class="image-photographer">Foto: Vidar Dons Lindrupsen</span>
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  <p><strong><br /></strong></p><p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p>
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            <span class="article--c-hqzvBt">Les også</span>
            
            <h3 class="article--c-ZGkrs" itemprop="headline name">Gir klump i halsen, tårer i øynene og en følelse av fellesskap</h3>
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  <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p><amedia-placeholder index="3" wordcount="307" /><p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>
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      <span>Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.</span>
      <span class="image-photographer">Foto: Anton Shtuka, AP/NTB</span>
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  <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p><amedia-placeholder index="4" wordcount="439" /><p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p><amedia-placeholder index="5" wordcount="478" /><p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>
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   "article_id" : 215834,
   "author" : "Ulrikke Benestad, Tromsø",
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   "content" : "**På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.**\n\n**Det er jo** et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk\\-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar\\- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.\n\n**17. mai er**nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.\n\n**Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?**\n\n**Mens ordlyden** \\(spesielt lokalt\\) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV\\-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» \\(The Times, mai 2026\\)\n\nGir klump i halsen, tårer i øynene og en følelse av fellesskap\n\n**Ukraina svarer**ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.\n\n**I fjor ble** kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som *kritisk infrastruktur*. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.\n\n**Når det er sagt** skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.\n\n**Hvis vi barberer** vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.\n\n**Ha en flott** 17. mai\\-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.",
   "created_at" : "2026-05-15 13:31:41",
   "id" : 265097,
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   "image_url" : "http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Korps%2B2.jpg",
   "image_url_normalized" : "http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Korps%2B2.jpg",
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   "metadata" : "{\"og\":{},\"raw_feed_item\":\"<item><title>Hvorfor grÃ¥ter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspÃ¸rsmÃ¥l)</title><link>https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240</link><description /><pubDate>Fri, 15 May 2026 00:57:59 +0200</pubDate><api:modifiedDate>Fri, 15 May 2026 10:08:53 +0200</api:modifiedDate><api:contentType>opinion</api:contentType><guid isPermaLink=\\\"false\\\">5-124-429240</guid><dc:creator>Ulrikke Benestad, TromsÃ¸</dc:creator><api:subscription>false</api:subscription><api:body><![CDATA[<div>\\n <p><b>PÃ¥ sÃ¸ndag vÃ¥kner Norge til lyden av korps i gatene og Grieg pÃ¥ statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegÃ¥rder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: VÃ¥r kollektive motstandskraft.</b></p>\\n <p><b>Det er jo</b> et artig fenomen. Hvert Ã¥r stÃ¥r voksne, sindige mennesker og ser pÃ¥ tog med sikksakk-smil, og kjenner at det klumper seg i halsen nÃ¥r det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nÃ¸dvendigvis handler om at Â«Gammel JegermarsjÂ» er sÃ¥ enestÃ¥ende vakker, men fordi musikken treffer noe dypt i oss â lyden av det vi deler.</p>\\n <p><amedia-embed id=\\\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429288\\\" inlineid=\\\"_72551ac3-dfcd-4c6d-910d-5225a0780f74\\\">\\n   <img align=\\\"undefined\\\" alt=\\\"\\\" src=\\\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778797103000/nndb/2026/5/15/0/Ulrikke+Benestad%2C+Troms%C3%B8+kommune.jpg\\\">\\n  </amedia-embed></p>\\n <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En hÃ¸ytid hvor nasjonalromantikken blir allemannseie. PÃ¥ denne dagen stiller ingen spÃ¸rsmÃ¥l ved om Grieg, Gude, Wergeland eller BjÃ¸rnson er Â«relevantÂ» eller Â«finkulturÂ». Vi aksepterer det som en Ã¥rlig Ã¸velse i fellesskap og demokratisk tilhÃ¸righet.</p>\\n <p><strong>Men spÃ¸rsmÃ¥let vi bÃ¸r stille oss, er hvorfor vi bare anerkjenner denne verdien nÃ¥r vi har finstasen pÃ¥?</strong></p>\\n <p><amedia-embed id=\\\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429313\\\" inlineid=\\\"_0cbf89e4-c955-4641-bc65-cdc30b571295\\\">\\n   <img align=\\\"undefined\\\" alt=\\\"\\\" src=\\\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799408000/nndb/2026/5/15/0/folk+i+tog.jpg\\\">\\n  </amedia-embed><strong><br></strong></p>\\n <p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unÃ¸dvendig utgiftspost, og offentlig finansiert Â«hobbyÂ» for de fÃ¥, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt bÃ¥de metode og mÃ¥l i krigfÃ¸ringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nÃ¥delÃ¸st: Â«Etter de russiske tanksene kom de russiske skolebÃ¸kene, de russiske TV-kanalene og de russiske sangene â for Ã¥ fullfÃ¸re jobben stridsvognene begynte.Â» (The Times, mai 2026)</p>\\n <p><amedia-embed id=\\\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429354\\\" inlineid=\\\"_e7c70384-ca20-4943-a5f2-6917ea9ff1ec\\\">\\n   <a href=\\\"/gir-klump-i-halsen-tarer-i-oynene-og-en-folelse-av-fellesskap/o/5-124-429354\\\">Gir klump i halsen, tÃ¥rer i Ã¸ynene og en fÃ¸lelse av fellesskap</a>\\n  </amedia-embed></p>\\n <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har Ã¸kt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstÃ¥tt det vi er i ferd med Ã¥ glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p>\\n <p><b>I fjor ble</b> kultur endelig lÃ¸ftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er bÃ¥de et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene â fra biblioteket til teater â og konserthusene er de de siste stedene vi mÃ¸tes pÃ¥ tvers av algoritmer og politiske skyttergraver.</p>\\n <p><amedia-embed id=\\\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429307\\\" inlineid=\\\"_e0ddb3cc-e9ff-48c4-aca5-0de629dc2d04\\\">\\n   <img align=\\\"undefined\\\" alt=\\\"\\\" src=\\\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799197000/nndb/2026/5/15/0/Ukraina+konsert.jpg\\\">\\n  </amedia-embed></p>\\n <p><b>NÃ¥r det er sagt</b> skal vi vÃ¦re forsiktige med Ã¥ sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke vÃ¦re blinde for hva ekstreme erfaringer lÃ¦rer oss. NÃ¥r vi fÃ¥r tÃ¥rer i Ã¸ynene av korpsmusikk pÃ¥ sÃ¸ndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hÃ¸rer til i en stÃ¸rre fortelling. Og denne opplevelsen av tilhÃ¸righet og felles klangbunn er vÃ¥r viktigste forsvarsskanse mot polarisering og fremmedgjÃ¸ring.</p>\\n <p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits Ã¥ spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, stÃ¥r vi langt svakere den dagen fellesskapet virkelig blir satt pÃ¥ prÃ¸ve.</p>\\n <p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med Ã¸ving og sÃ¸ndagens gnagsÃ¥r.</p>\\n</div>]]></api:body><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Korps%2B2.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Korps%2B2.jpg\\\" /><api:description><![CDATA[â Hvis vi ikke investerer i det som holder oss sammen i fredstid, stÃ¥r vi langt svakere den dagen fellesskapet virkelig blir satt pÃ¥ prÃ¸ve, skriver Ulrikke Benestad. Bildet viser TromsÃ¸ orkesterforening 17. mai 2020.]]></api:description><api:credit><![CDATA[Yngve Olsen]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:description><![CDATA[Fra barnetoget i TromsÃ¸ 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den Ã¥rlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[TromsÃ¸ kommune]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den Ã¥rlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[TromsÃ¸ kommune]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778847048417/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:description><![CDATA[Fra barnetoget i TromsÃ¸ 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup></item>\"}",
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(Og hvorfor det er et sikkerhetsspørsmål)</title>\n\n<meta content=\"På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.\" name=\"description\" />\n\n<meta content=\"Ulrikke Benestad, Tromsø\" property=\"article:author\" />\n<meta content=\"article\" property=\"og:type\" />\n<meta content=\"Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)\" property=\"og:title\" />\n<meta content=\"På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.\" property=\"og:description\" />\n<meta content=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_2000_2000_s_f/1778798273000/nndb/2026/5/15/0/Korps%2B2.jpg?chk=0E7F3B\" property=\"og:image\" />\n<meta content=\"TOF  stilte med korpsmusikk i Trollringen. Naboene hadde pyntet hele gata med flagg og faner, og beboerne stod (stort sett) på egne balkonger og lot seg begeistre.\nFoto: \" property=\"og:image:alt\" />\n<meta content=\"5184\" property=\"og:image:width\" /> <meta content=\"3456\" property=\"og:image:height\" />\n\n<meta content=\"on\" name=\"twitter:widgets:csp\" />\n<meta content=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_2000_2000_s_f/1778798273000/nndb/2026/5/15/0/Korps%2B2.jpg?chk=0E7F3B\" name=\"twitter:image\" />\n<meta content=\"summary_large_image\" name=\"twitter:card\" />\n<meta content=\"Hvorfor gråter vi av korpsmusikk? 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itemprop=\"https://www.adplogger.no/json-schema/meta-article#presentationMode\" />\n\n<meta content=\"5-124-429240\" itemprop=\"identifier\" />\n\n\n  <meta content=\"17. mai-feiring,Kultur,Korpsmusikk,Sikkerhet og beredskap,Nasjonalisme,Musikkorps,\" itemprop=\"https://www.adplogger.no/json-schema/meta-article#tags\" />\n\n  <div class=\"inner-article brick-c-eufUcx\">\n    <!-- Default toppbanner-->\n    <div class=\"brick-c-iQMKdy\"><ad-placeholder display=\"desktop\" labeled=\"true\" position=\"toppbanner\" publication=\"www.nordnorskdebatt.no\" /></div>\n    <!-- Default skyscraperads-->\n    <div class=\"skyscraper-ads--container skyscraper-ads-container-left\">\n  <div class=\"skyscraper-ads--inner\">\n    <div class=\"top-sky-container\">\n      <div class=\"article-sticky-sky\" id=\"sticky-skyskraper-left\"><ad-placeholder display=\"desktop\" labeled=\"true\" position=\"skyskraper\" publication=\"www.nordnorskdebatt.no\" /></div>\n    </div>\n  </div>\n</div>\n <div 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brick-c-eWHWbH\">\n      <h1 class=\"title brick-c-gIvHiF\" itemprop=\"headline\" tabIndex=\"-1\">\n        \n        Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)\n      </h1>\n    </div>\n  \n\n    <!-- Lead text for odd article IDs (A/B test - www.dt.no only) -->\n    \n\n    <div class=\"media-top-relation article--c-lgSNPV article--c-lgSNPV-bGpYD-cv article--c-lgSNPV-jcQkYo-cv \">\n      <!-- If mulitple images in topRelation, show slider -->\n      \n      <!-- Single image -->\n      \n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-csKCqe-isTopImage-true\" style=\"--brick-image-ratio:5184 / 3456;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg\" itemprop=\"image\" />\n   <click-enlarge class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"TOF  stilte med korpsmusikk i Trollringen. Naboene hadde pyntet hele gata med flagg og faner, og beboerne stod (stort sett) på egne balkonger og lot seg begeistre.\nFoto: \" data-fetch-priority=\"high\" data-height=\"3456\" data-loading=\"eager\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Korps+2.jpg 1200w\" data-width=\"5184\" is-rendered=\"is-rendered\"><img alt=\"TOF  stilte med korpsmusikk i Trollringen. Naboene hadde pyntet hele gata med flagg og faner, og beboerne stod (stort sett) på egne balkonger og lot seg begeistre.\nFoto: \" class=\"brick-c-cFOWSL\" fetchpriority=\"high\" height=\"3456\" loading=\"eager\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Korps+2.jpg 1200w\" style=\"--brick-image-ratio: 5184 / 3456;\" width=\"5184\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div aria-controls=\"top-image-caption-content\" aria-expanded=\"false\" aria-label=\"Vis mer\" class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-jejgBa-isTopImage-true article--c-hFqxKw-kfcYBa-design-default article--c-hFqxKw-haxWh-cv\" data-show-more-label=\"Vis mer\" id=\"top-image-caption\" role=\"button\" tabindex=\"0\">\n    <div class=\"caption-content\" id=\"top-image-caption-content\">\n      \n      <span>– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.</span>\n      <span class=\"image-photographer\">Foto: Yngve Olsen</span>\n    </div>\n  </div>\n   </div> \n  \n    </div>\n\n    <div class=\"article-top brick-c-djylTE\">\n      <!-- Article Meta-->\n      \n        <div class=\"article-meta-wrapper brick-c-cGhTJe opinion\">\n        \n  <div class=\"brick-c-ifFDXZ opinion-byline article-meta-byline\">\n    <span aria-hidden=\"true\">Av </span>\n    <brick-byline-v0 class=\"brick-c-iuqwzh\" data-name=\"Ulrikke Benestad, Tromsø\" is-rendered=\"is-rendered\">\n        <div aria-label=\"Forfatter av artikkelen Ulrikke Benestad, Tromsø\" itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"http://schema.org/Person\">\n            <span class=\"brick-byline-author\"><span class=\"brick-byline-name\" itemprop=\"name\">Ulrikke Benestad, Tromsø</span></span>\n        </div></brick-byline-v0>\n  </div>\n        <div class=\"article-meta-published\"><brick-published-v4 brick-component=\"brick-published\" class=\"brick-c-iNstTK\" data-datetime=\"2026-05-15T08:08:53.000Z\" data-display-date=\"15.05.26 10:08\" data-itemprop=\"dateModified\" data-label=\"Oppdatert:\" is-rendered=\"is-rendered\"><time datetime=\"2026-05-15T08:08:53.000Z\" itemprop=\"dateModified\"><span>Oppdatert: </span>15.05.26 10:08</time></brick-published-v4><brick-published-v4 brick-component=\"brick-published\" class=\"brick-c-iNstTK\" data-datetime=\"2026-05-15T00:57:59.000+0200\" data-display-date=\"15.05.26 00:57\" data-itemprop=\"datePublished\" data-label=\"Publisert:\" is-rendered=\"is-rendered\"><time datetime=\"2026-05-15T00:57:59.000+0200\" itemprop=\"datePublished\"><span>Publisert: </span>15.05.26 00:57</time></brick-published-v4></div>\n        \n  <div class=\"article-meta-share\">\n    \n    <span class=\"share-mobile-wrapper brick-c-cMaFVp\">\n      <brick-share brick-component=\"brick-share\" data-aria-label=\"Del denne artikkelen.\" data-copy-error=\"Kunne ikke kopiere lenken, prøv å kopiere manuelt.\" data-copy-success=\"Lenken er kopiert\" data-title=\"Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)\" data-url=\"https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240\" is-rendered=\"true\"><brick-button-v9 brick-component=\"brick-button\" class=\"brick-c-erRvjT\" data-adplabel=\"brick_share_button\" data-adpvalue=\"share\" data-aria-label=\"Del denne artikkelen.\" data-icon-id=\"share\" data-label=\"Del\" data-size=\"medium\" data-version=\"secondary\" is-rendered=\"is-rendered\"><button aria-label=\"Del denne artikkelen.\" class=\"brick-c-cAQiLM\" data-adp-clicklabel=\"brick_share_button\" data-adp-clickvalue=\"share\">\n          <brick-icon-v2 brick-component=\"brick-icon\" class=\"brick-c-cHZnbS\" data-icon-id=\"share\" data-icon-size=\"undefined\" is-rendered=\"is-rendered\"><div class=\"svg-wrap brick-c-fkGePD\">\n    <svg aria-hidden=\"true\">\n    \n    <use href=\"#share\" />\n    </svg>\n    </div>\n    </brick-icon-v2>\n          <span>Del</span>\n        </button></brick-button-v9></brick-share>\n    </span>\n\n    <span class=\"share-desktop-wrapper brick-c-bUMNCY\">\n      <brick-share brick-component=\"brick-share\" data-aria-label=\"Del denne artikkelen.\" data-copy-error=\"Kunne ikke kopiere lenken, prøv å kopiere manuelt.\" data-copy-success=\"Lenken er kopiert\" data-url=\"https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240\" data-version=\"copy\" is-rendered=\"true\"><brick-button-v9 brick-component=\"brick-button\" class=\"brick-c-erRvjT\" data-adplabel=\"brick_share_button\" data-adpvalue=\"copy\" data-aria-label=\"Del denne artikkelen.\" data-icon-id=\"share-url\" data-label=\"Kopier\" data-size=\"medium\" data-version=\"secondary\" is-rendered=\"is-rendered\"><button aria-label=\"Del denne artikkelen.\" class=\"brick-c-cAQiLM\" data-adp-clicklabel=\"brick_share_button\" data-adp-clickvalue=\"copy\">\n          <brick-icon-v2 brick-component=\"brick-icon\" class=\"brick-c-cHZnbS\" data-icon-id=\"share-url\" data-icon-size=\"undefined\" is-rendered=\"is-rendered\"><div class=\"svg-wrap brick-c-fkGePD\">\n    <svg aria-hidden=\"true\">\n    \n    <use href=\"#share-url\" />\n    </svg>\n    </div>\n    </brick-icon-v2>\n          <span>Kopier</span>\n        </button></brick-button-v9></brick-share>\n    </span>\n\n  </div>\n        \n        </div>\n        \n    \n      <!-- Lead text for even article IDs (A/B test - www.dt.no only) OR default position for all other cases -->\n      \n      <!-- Icon for premium articles -->\n      \n    </div>\n\n    \n    <!-- data-content is mainly used by aID for testing purposes. DO NOT REMOVE! -->\n    <div class=\"body-text brick-c-cXQGoQ\" data-content=\"body-text\" itemprop=\"articleBody\">\n      <!-- BeyondWords text-to-speech -->\n      \n\n      <!-- Commercial label top -->\n      \n      <!-- Smartembeds automated-->\n      \n\n      <!-- For Opinion, otherwise empty -->\n      \n    <div class=\"brick-c-fdojcf\">\n      <p class=\"vignette\">Kronikk</p>\n      <p class=\"disclaimer\">Dette er en kronikk, skrevet av en ekstern bidragsyter. Kronikken gir uttrykk for skribentens holdninger.</p>\n    </div>\n  \n      <!-- Article body -->\n       <div class=\"brick-c-iwkzXG article-body\">  <amedia-placeholder index=\"0\" wordcount=\"0\" /><p><b>På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.</b></p><amedia-placeholder index=\"1\" wordcount=\"46\" /><p><b>Det er jo</b> et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>\n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-iPCOPk-isTopImage-false article--c-bByWVC-fFcife-cv\" style=\"--brick-image-ratio:1920 / 1080;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg\" itemprop=\"image\" />\n   <click-enlarge aria-label=\"Denne knappen åpner bildet i full bredde. Bildet mangler alternativ tekst.\" class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-fetch-priority=\"low\" data-height=\"1080\" data-loading=\"lazy\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 1200w\" data-width=\"1920\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" fetchpriority=\"low\" height=\"1080\" loading=\"lazy\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 1200w\" style=\"--brick-image-ratio: 1920 / 1080;\" width=\"1920\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-kfcYBa-design-default\" data-show-more-label=\"Vis mer\">\n    <div class=\"caption-content\">\n      \n      <span>Kronikkforfatter Ulrikke Benestad | </span>\n      <span class=\"image-photographer\">Foto: Tromsø kommune</span>\n    </div>\n  </div>\n   </div> \n  <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p><amedia-placeholder index=\"2\" wordcount=\"151\" /><p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>\n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-iPCOPk-isTopImage-false article--c-bByWVC-fFcife-cv\" style=\"--brick-image-ratio:6720 / 4480;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg\" itemprop=\"image\" />\n   <click-enlarge class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"17. mai 2025 småbarnstoget\" data-fetch-priority=\"low\" data-height=\"4480\" data-loading=\"lazy\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 1200w\" data-width=\"6720\" is-rendered=\"is-rendered\"><img alt=\"17. mai 2025 småbarnstoget\" class=\"brick-c-cFOWSL\" fetchpriority=\"low\" height=\"4480\" loading=\"lazy\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 1200w\" style=\"--brick-image-ratio: 6720 / 4480;\" width=\"6720\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-kfcYBa-design-default\" data-show-more-label=\"Vis mer\">\n    <div class=\"caption-content\">\n      \n      <span>Fra barnetoget i Tromsø 17. mai 2025 | </span>\n      <span class=\"image-photographer\">Foto: Vidar Dons Lindrupsen</span>\n    </div>\n  </div>\n   </div> \n  <p><strong><br /></strong></p><p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p>\n  <a class=\"related-teaser has-image article--c-MkAkR\" href=\"//www.nordnorskdebatt.no/5-124-429354\">\n    <article class=\"article--c-bzUawH\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\">\n    <meta content=\"teaser\" itemprop=\"adpType\" />\n    <meta content=\"5-124-429354\" itemprop=\"identifier\" />\n    <meta content=\"https://www.nordnorskdebatt.no/5-124-429354\" itemprop=\"url\">\n     <meta content=\"free\" itemprop=\"contentModel\" />\n      <figure class=\"article--c-fWvOKR\">\n    <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-loading=\"lazy\" data-sizes=\"200px\" data-src=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_400_1200_s_f/0000/nndb/2026/5/15/10/TOF%2B2020.jpg?chk=81E98C\" data-srcset=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_400_1200_s_f/0000/nndb/2026/5/15/10/TOF%2B2020.jpg?chk=81E98C 400w\" data-width=\"155\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" loading=\"lazy\" sizes=\"200px\" src=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_400_1200_s_f/0000/nndb/2026/5/15/10/TOF%2B2020.jpg?chk=81E98C\" srcset=\"https://g.acdn.no/obscura/API/dynamic/r1/ece5/tr_400_1200_s_f/0000/nndb/2026/5/15/10/TOF%2B2020.jpg?chk=81E98C 400w\" style=\"\" width=\"155\" /></brick-image-v6>\n    \n    </figure>\n        <div class=\"article--c-kaKffF\">\n            <span class=\"article--c-hqzvBt\">Les også</span>\n            \n            <h3 class=\"article--c-ZGkrs\" itemprop=\"headline name\">Gir klump i halsen, tårer i øynene og en følelse av fellesskap</h3>\n        </div>\n        \n    </meta></article>\n  </a>\n  <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p><amedia-placeholder index=\"3\" wordcount=\"307\" /><p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>\n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-iPCOPk-isTopImage-false article--c-bByWVC-fFcife-cv\" style=\"--brick-image-ratio:5829 / 3886;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg\" itemprop=\"image\" />\n   <click-enlarge class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"People enjoy a concert at the Atlas Festival in Kyiv, Ukraine, Sunday, July 21, 2024. This year, Ukraine&#39;s largest music festival struck a different chord. Gone were the international headliners, the massive performance halls and the hundreds of thousands of visitors. (AP Photo/Anton Shtuka)\" data-fetch-priority=\"low\" data-height=\"3886\" data-loading=\"lazy\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 1200w\" data-width=\"5829\" is-rendered=\"is-rendered\"><img alt=\"People enjoy a concert at the Atlas Festival in Kyiv, Ukraine, Sunday, July 21, 2024. This year, Ukraine&#39;s largest music festival struck a different chord. Gone were the international headliners, the massive performance halls and the hundreds of thousands of visitors. (AP Photo/Anton Shtuka)\" class=\"brick-c-cFOWSL\" fetchpriority=\"low\" height=\"3886\" loading=\"lazy\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 1200w\" style=\"--brick-image-ratio: 5829 / 3886;\" width=\"5829\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-kfcYBa-design-default\" data-show-more-label=\"Vis mer\">\n    <div class=\"caption-content\">\n      \n      <span>Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.</span>\n      <span class=\"image-photographer\">Foto: Anton Shtuka, AP/NTB</span>\n    </div>\n  </div>\n   </div> \n  <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p><amedia-placeholder index=\"4\" wordcount=\"439\" /><p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p><amedia-placeholder index=\"5\" wordcount=\"478\" /><p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>\n</div> \n    <ul class=\"brick-c-fgvofI article-tags-bottom \">\n      <li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 1: 17. mai-feiring\" data-link=\"/tag/17.-mai-feiring\" data-size=\"small\" data-text=\"17. mai-feiring\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 1: 17. mai-feiring\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/17.-mai-feiring\" role=\"link\" tabindex=\"0\">17. mai-feiring</a></brick-tag-v0>\n      </li><li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 2: Kultur\" data-link=\"/tag/kultur\" data-size=\"small\" data-text=\"Kultur\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 2: Kultur\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/kultur\" role=\"link\" tabindex=\"0\">Kultur</a></brick-tag-v0>\n      </li><li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 3: Korpsmusikk\" data-link=\"/tag/korpsmusikk\" data-size=\"small\" data-text=\"Korpsmusikk\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 3: Korpsmusikk\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/korpsmusikk\" role=\"link\" tabindex=\"0\">Korpsmusikk</a></brick-tag-v0>\n      </li><li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 4: Sikkerhet og beredskap\" data-link=\"/tag/sikkerhet-og-beredskap\" data-size=\"small\" data-text=\"Sikkerhet og beredskap\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 4: Sikkerhet og beredskap\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/sikkerhet-og-beredskap\" role=\"link\" tabindex=\"0\">Sikkerhet og beredskap</a></brick-tag-v0>\n      </li><li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 5: Nasjonalisme\" data-link=\"/tag/nasjonalisme\" data-size=\"small\" data-text=\"Nasjonalisme\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 5: Nasjonalisme\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/nasjonalisme\" role=\"link\" tabindex=\"0\">Nasjonalisme</a></brick-tag-v0>\n      </li>\n    </ul>\n  \n      <!-- Commercial label bottom -->\n      \n      <!-- Call to action button for Meninger/Opinion -->\n      \n    <div class=\"brick-c-ckiqHY\">\n      <brick-card-v7 brick-component=\"brick-card\" class=\"brick-c-ZlvZC\" 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data-srcsize=\"480\" data-width=\"2048\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"2048\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/12/20/e235d99e-2ed7-4e45-8508-811e49b48ba9.bin\" style=\"--brick-image-ratio: 2048 / 2048;\" width=\"2048\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">Avskaff normprisrådet, la markedet fungere</span></span>\n    </span></h2>\n    </div>\n\n          \n     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 \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429441\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/hvor-mange-groftekanter-finnes-langs-en-vei/o/5-124-429441\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" itemprop=\"teaser_image\">\n      <div class=\"imagewrapper brick-c-jLLCWt\" style=\"--_image-padding-top:142%;\">\n        <div>\n          <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-height=\"1077\" data-loading=\"lazy\" data-sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/12/e5f04094-b214-4f05-a19f-7de623d77616.bin\" data-srcsize=\"480\" data-width=\"754\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"1077\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/12/e5f04094-b214-4f05-a19f-7de623d77616.bin\" style=\"--brick-image-ratio: 754 / 1077;\" width=\"754\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">Hvor mange grøftekanter finnes langs en vei?</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22><brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429456\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-theme=\"alfa\" data-title-words=\"13\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        --_teaser-title-length:69;\n        --_teaser-title-length-percentage:1.45;\n        --_teaser-long-word:8.33\n        \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429456\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/store-hus-sma-liv-og-et-boligproblem-ingen-vil-snakke-ordentlig-om/o/5-124-429456\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" itemprop=\"teaser_image\">\n      <div class=\"imagewrapper brick-c-jLLCWt\" style=\"--_image-padding-top:56%;\">\n        <div>\n          <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-height=\"2160\" data-loading=\"lazy\" data-sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/14/nyhus.JPG\" data-srcsize=\"480\" data-width=\"3840\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"2160\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/14/nyhus.JPG\" style=\"--brick-image-ratio: 3840 / 2160;\" width=\"3840\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">Store hus, små liv – og et boligproblem ingen vil snakke ordentlig om</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22><brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429459\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-theme=\"alfa\" data-title-words=\"6\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        --_teaser-title-length:37;\n        --_teaser-title-length-percentage:2.70;\n        --_teaser-long-word:9.09\n        \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429459\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/frp-frykten-kan-bli-trumfkortet-til-ap/o/5-124-429459\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" itemprop=\"teaser_image\">\n      <div class=\"imagewrapper brick-c-jLLCWt\" style=\"--_image-padding-top:56%;\">\n        <div>\n          <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-height=\"2160\" data-loading=\"lazy\" data-sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/13/kommunetrio.JPG\" data-srcsize=\"480\" data-width=\"3840\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"2160\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/13/kommunetrio.JPG\" style=\"--brick-image-ratio: 3840 / 2160;\" width=\"3840\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">Frp-frykten kan bli trumfkortet til Ap</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22><brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429387\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-theme=\"alfa\" data-title-words=\"13\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        --_teaser-title-length:67;\n        --_teaser-title-length-percentage:1.49;\n        --_teaser-long-word:12.50\n        \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429387\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/fra-laste-dorer-til-digitale-murer-et-svar-til-pappa-44-ar-senere/o/5-124-429387\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" 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   "title" : "Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)",
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Version 1 2026-05-15 02:38:24

Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)

NEW

Author: Ulrikke Benestad, Tromsø Published: 2026-05-14 22:57:59 Updated: 2026-05-14 22:57:59

📄 Full Content (3124 chars)

Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?

Ha en flott 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.

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URL: http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Korps%2B2.jpg

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   "raw_feed_item" : "<item><title>Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)</title><link>https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240</link><description /><pubDate>Fri, 15 May 2026 00:57:59 +0200</pubDate><api:modifiedDate>Fri, 15 May 2026 00:58:33 +0200</api:modifiedDate><api:contentType>opinion</api:contentType><guid isPermaLink=\"false\">5-124-429240</guid><dc:creator>Ulrikke Benestad, Tromsø</dc:creator><api:subscription>false</api:subscription><api:body><![CDATA[<div>\n <p><b>På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.</b></p>\n <p><b>Det er jo</b> et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>\n <p><amedia-embed id=\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429288\" inlineid=\"_72551ac3-dfcd-4c6d-910d-5225a0780f74\">\n   <img align=\"undefined\" alt=\"\" src=\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778797103000/nndb/2026/5/15/0/Ulrikke+Benestad%2C+Troms%C3%B8+kommune.jpg\">\n  </amedia-embed></p>\n <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p>\n <p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>\n <p><amedia-embed id=\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429313\" inlineid=\"_0cbf89e4-c955-4641-bc65-cdc30b571295\">\n   <img align=\"undefined\" alt=\"\" src=\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799408000/nndb/2026/5/15/0/folk+i+tog.jpg\">\n  </amedia-embed><strong><br></strong></p>\n <p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p>\n <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p>\n <p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>\n <p><amedia-embed id=\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429307\" inlineid=\"_e0ddb3cc-e9ff-48c4-aca5-0de629dc2d04\">\n   <img align=\"undefined\" alt=\"\" src=\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799197000/nndb/2026/5/15/0/Ukraina+konsert.jpg\">\n  </amedia-embed></p>\n <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p>\n <p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p>\n <p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>\n</div>]]></api:body><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Korps%2B2.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Korps%2B2.jpg\" /><api:description><![CDATA[– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.]]></api:description><api:credit><![CDATA[Yngve Olsen]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length=\"75000\" type=\"image/jpeg\" url=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:multimediaGroup type=\"image\"><api:multimedia filename=\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup></item>"
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<item><title>Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)</title><link>https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240</link><description /><pubDate>Fri, 15 May 2026 00:57:59 +0200</pubDate><api:modifiedDate>Fri, 15 May 2026 00:58:33 +0200</api:modifiedDate><api:contentType>opinion</api:contentType><guid isPermaLink="false">5-124-429240</guid><dc:creator>Ulrikke Benestad, Tromsø</dc:creator><api:subscription>false</api:subscription><api:body><![CDATA[<div>
 <p><b>På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.</b></p>
 <p><b>Det er jo</b> et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>
 <p><amedia-embed id="http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429288" inlineid="_72551ac3-dfcd-4c6d-910d-5225a0780f74">
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  </amedia-embed></p>
 <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p>
 <p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>
 <p><amedia-embed id="http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429313" inlineid="_0cbf89e4-c955-4641-bc65-cdc30b571295">
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  </amedia-embed><strong><br></strong></p>
 <p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p>
 <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p>
 <p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>
 <p><amedia-embed id="http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429307" inlineid="_e0ddb3cc-e9ff-48c4-aca5-0de629dc2d04">
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  </amedia-embed></p>
 <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p>
 <p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p>
 <p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>
</div>]]></api:body><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Korps%2B2.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Korps%2B2.jpg" /><api:description><![CDATA[– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.]]></api:description><api:credit><![CDATA[Yngve Olsen]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[Tromsø kommune]]></api:credit></api:multimediaGroup><enclosure length="75000" type="image/jpeg" url="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:multimediaGroup type="image"><api:multimedia filename="http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg" /><api:description><![CDATA[Fra barnetoget i Tromsø 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup></item>

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        Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)
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   <brick-image-v6 brick-component="brick-image" class="brick-c-dKCgrw" data-alt-text="TOF  stilte med korpsmusikk i Trollringen. Naboene hadde pyntet hele gata med flagg og faner, og beboerne stod (stort sett) på egne balkonger og lot seg begeistre.
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      <span>– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.</span>
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      <p class="vignette">Kronikk</p>
      <p class="disclaimer">Dette er en kronikk, skrevet av en ekstern bidragsyter. Kronikken gir uttrykk for skribentens holdninger.</p>
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       <div class="brick-c-iwkzXG article-body">  <amedia-placeholder index="0" wordcount="0" /><p><b>På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.</b></p><amedia-placeholder index="1" wordcount="46" /><p><b>Det er jo</b> et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>
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      <span>Kronikkforfatter Ulrikke Benestad | </span>
      <span class="image-photographer">Foto: Tromsø kommune</span>
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  <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p><amedia-placeholder index="2" wordcount="151" /><p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>
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      <span>Fra barnetoget i Tromsø 17. mai 2025 | </span>
      <span class="image-photographer">Foto: Vidar Dons Lindrupsen</span>
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  <p><strong><br /></strong></p><p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p><amedia-placeholder index="3" wordcount="243" /><p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p><amedia-placeholder index="4" wordcount="307" /><p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>
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      <span>Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.</span>
      <span class="image-photographer">Foto: Anton Shtuka, AP/NTB</span>
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  <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p><amedia-placeholder index="5" wordcount="439" /><p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p><amedia-placeholder index="6" wordcount="478" /><p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>
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   "content" : "**På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.**\n\n**Det er jo** et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk\\-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar\\- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.\n\n**17. mai er**nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.\n\n**Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?**\n\n**Mens ordlyden** \\(spesielt lokalt\\) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV\\-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» \\(The Times, mai 2026\\)\n\n**Ukraina svarer**ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.\n\n**I fjor ble** kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som *kritisk infrastruktur*. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.\n\n**Når det er sagt** skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.\n\n**Hvis vi barberer** vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.\n\n**Ha en flott** 17. mai\\-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.",
   "created_at" : "2026-05-15 02:38:24",
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   "metadata" : "{\"raw_feed_item\":\"<item><title>Hvorfor grÃ¥ter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspÃ¸rsmÃ¥l)</title><link>https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240</link><description /><pubDate>Fri, 15 May 2026 00:57:59 +0200</pubDate><api:modifiedDate>Fri, 15 May 2026 00:58:33 +0200</api:modifiedDate><api:contentType>opinion</api:contentType><guid isPermaLink=\\\"false\\\">5-124-429240</guid><dc:creator>Ulrikke Benestad, TromsÃ¸</dc:creator><api:subscription>false</api:subscription><api:body><![CDATA[<div>\\n <p><b>PÃ¥ sÃ¸ndag vÃ¥kner Norge til lyden av korps i gatene og Grieg pÃ¥ statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegÃ¥rder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: VÃ¥r kollektive motstandskraft.</b></p>\\n <p><b>Det er jo</b> et artig fenomen. Hvert Ã¥r stÃ¥r voksne, sindige mennesker og ser pÃ¥ tog med sikksakk-smil, og kjenner at det klumper seg i halsen nÃ¥r det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nÃ¸dvendigvis handler om at Â«Gammel JegermarsjÂ» er sÃ¥ enestÃ¥ende vakker, men fordi musikken treffer noe dypt i oss â lyden av det vi deler.</p>\\n <p><amedia-embed id=\\\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429288\\\" inlineid=\\\"_72551ac3-dfcd-4c6d-910d-5225a0780f74\\\">\\n   <img align=\\\"undefined\\\" alt=\\\"\\\" src=\\\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778797103000/nndb/2026/5/15/0/Ulrikke+Benestad%2C+Troms%C3%B8+kommune.jpg\\\">\\n  </amedia-embed></p>\\n <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En hÃ¸ytid hvor nasjonalromantikken blir allemannseie. PÃ¥ denne dagen stiller ingen spÃ¸rsmÃ¥l ved om Grieg, Gude, Wergeland eller BjÃ¸rnson er Â«relevantÂ» eller Â«finkulturÂ». Vi aksepterer det som en Ã¥rlig Ã¸velse i fellesskap og demokratisk tilhÃ¸righet.</p>\\n <p><strong>Men spÃ¸rsmÃ¥let vi bÃ¸r stille oss, er hvorfor vi bare anerkjenner denne verdien nÃ¥r vi har finstasen pÃ¥?</strong></p>\\n <p><amedia-embed id=\\\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429313\\\" inlineid=\\\"_0cbf89e4-c955-4641-bc65-cdc30b571295\\\">\\n   <img align=\\\"undefined\\\" alt=\\\"\\\" src=\\\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799408000/nndb/2026/5/15/0/folk+i+tog.jpg\\\">\\n  </amedia-embed><strong><br></strong></p>\\n <p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unÃ¸dvendig utgiftspost, og offentlig finansiert Â«hobbyÂ» for de fÃ¥, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt bÃ¥de metode og mÃ¥l i krigfÃ¸ringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nÃ¥delÃ¸st: Â«Etter de russiske tanksene kom de russiske skolebÃ¸kene, de russiske TV-kanalene og de russiske sangene â for Ã¥ fullfÃ¸re jobben stridsvognene begynte.Â» (The Times, mai 2026)</p>\\n <p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har Ã¸kt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstÃ¥tt det vi er i ferd med Ã¥ glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p>\\n <p><b>I fjor ble</b> kultur endelig lÃ¸ftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er bÃ¥de et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene â fra biblioteket til teater â og konserthusene er de de siste stedene vi mÃ¸tes pÃ¥ tvers av algoritmer og politiske skyttergraver.</p>\\n <p><amedia-embed id=\\\"http://services-acp.api.no/api/acpcomposer/v1.1/content/5-124-429307\\\" inlineid=\\\"_e0ddb3cc-e9ff-48c4-aca5-0de629dc2d04\\\">\\n   <img align=\\\"undefined\\\" alt=\\\"\\\" src=\\\"https://g.acdn.no/obscura/API/image/r1/ece5/978x1200r/1778799197000/nndb/2026/5/15/0/Ukraina+konsert.jpg\\\">\\n  </amedia-embed></p>\\n <p><b>NÃ¥r det er sagt</b> skal vi vÃ¦re forsiktige med Ã¥ sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke vÃ¦re blinde for hva ekstreme erfaringer lÃ¦rer oss. NÃ¥r vi fÃ¥r tÃ¥rer i Ã¸ynene av korpsmusikk pÃ¥ sÃ¸ndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hÃ¸rer til i en stÃ¸rre fortelling. Og denne opplevelsen av tilhÃ¸righet og felles klangbunn er vÃ¥r viktigste forsvarsskanse mot polarisering og fremmedgjÃ¸ring.</p>\\n <p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits Ã¥ spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, stÃ¥r vi langt svakere den dagen fellesskapet virkelig blir satt pÃ¥ prÃ¸ve.</p>\\n <p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med Ã¸ving og sÃ¸ndagens gnagsÃ¥r.</p>\\n</div>]]></api:body><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Korps%2B2.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Korps%2B2.jpg\\\" /><api:description><![CDATA[â Hvis vi ikke investerer i det som holder oss sammen i fredstid, stÃ¥r vi langt svakere den dagen fellesskapet virkelig blir satt pÃ¥ prÃ¸ve, skriver Ulrikke Benestad. Bildet viser TromsÃ¸ orkesterforening 17. mai 2020.]]></api:description><api:credit><![CDATA[Yngve Olsen]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:description><![CDATA[Fra barnetoget i TromsÃ¸ 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den Ã¥rlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[TromsÃ¸ kommune]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ukraina%2Bkonsert.jpg\\\" /><api:description><![CDATA[Ukrainere nyter et avbrekk fra krigen under den Ã¥rlige Atlas-festivalen i Kyiv i juli 2024.]]></api:description><api:credit><![CDATA[Anton Shtuka, AP/NTB]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/Ulrikke%2BBenestad%252C%2BTroms%25C3%25B8%2Bkommune.jpg\\\" /><api:description><![CDATA[Kronikkforfatter Ulrikke Benestad | ]]></api:description><api:credit><![CDATA[TromsÃ¸ kommune]]></api:credit></api:multimediaGroup><enclosure length=\\\"75000\\\" type=\\\"image/jpeg\\\" url=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:multimediaGroup type=\\\"image\\\"><api:multimedia filename=\\\"http://g.api.no/obscura/API/image/r1/ece5/tr_1920x1332_l_f/1778810623144/nndb/2026/5/15/0/folk%2Bi%2Btog.jpg\\\" /><api:description><![CDATA[Fra barnetoget i TromsÃ¸ 17. mai 2025 | ]]></api:description><api:credit><![CDATA[Vidar Dons Lindrupsen]]></api:credit></api:multimediaGroup></item>\",\"og\":{}}",
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itemprop=\"https://www.adplogger.no/json-schema/meta-article#presentationMode\" />\n\n<meta content=\"5-124-429240\" itemprop=\"identifier\" />\n\n\n  <meta content=\"17. mai-feiring,Kultur,Korpsmusikk,Sikkerhet og beredskap,Nasjonalisme,Musikkorps,\" itemprop=\"https://www.adplogger.no/json-schema/meta-article#tags\" />\n\n  <div class=\"inner-article brick-c-eufUcx\">\n    <!-- Default toppbanner-->\n    <div class=\"brick-c-iQMKdy\"><ad-placeholder display=\"desktop\" labeled=\"true\" position=\"toppbanner\" publication=\"www.nordnorskdebatt.no\" /></div>\n    <!-- Default skyscraperads-->\n    <div class=\"skyscraper-ads--container skyscraper-ads-container-left\">\n  <div class=\"skyscraper-ads--inner\">\n    <div class=\"top-sky-container\">\n      <div class=\"article-sticky-sky\" id=\"sticky-skyskraper-left\"><ad-placeholder display=\"desktop\" labeled=\"true\" position=\"skyskraper\" publication=\"www.nordnorskdebatt.no\" /></div>\n    </div>\n  </div>\n</div>\n <div 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brick-c-eWHWbH\">\n      <h1 class=\"title brick-c-gIvHiF\" itemprop=\"headline\" tabIndex=\"-1\">\n        \n        Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)\n      </h1>\n    </div>\n  \n\n    <!-- Lead text for odd article IDs (A/B test - www.dt.no only) -->\n    \n\n    <div class=\"media-top-relation article--c-lgSNPV article--c-lgSNPV-bGpYD-cv article--c-lgSNPV-jcQkYo-cv \">\n      <!-- If mulitple images in topRelation, show slider -->\n      \n      <!-- Single image -->\n      \n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-csKCqe-isTopImage-true\" style=\"--brick-image-ratio:5184 / 3456;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg\" itemprop=\"image\" />\n   <click-enlarge class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"TOF  stilte med korpsmusikk i Trollringen. Naboene hadde pyntet hele gata med flagg og faner, og beboerne stod (stort sett) på egne balkonger og lot seg begeistre.\nFoto: \" data-fetch-priority=\"high\" data-height=\"3456\" data-loading=\"eager\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Korps+2.jpg 1200w\" data-width=\"5184\" is-rendered=\"is-rendered\"><img alt=\"TOF  stilte med korpsmusikk i Trollringen. Naboene hadde pyntet hele gata med flagg og faner, og beboerne stod (stort sett) på egne balkonger og lot seg begeistre.\nFoto: \" class=\"brick-c-cFOWSL\" fetchpriority=\"high\" height=\"3456\" loading=\"eager\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Korps+2.jpg 1200w\" style=\"--brick-image-ratio: 5184 / 3456;\" width=\"5184\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div aria-controls=\"top-image-caption-content\" aria-expanded=\"false\" aria-label=\"Vis mer\" class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-jejgBa-isTopImage-true article--c-hFqxKw-kfcYBa-design-default article--c-hFqxKw-haxWh-cv\" data-show-more-label=\"Vis mer\" id=\"top-image-caption\" role=\"button\" tabindex=\"0\">\n    <div class=\"caption-content\" id=\"top-image-caption-content\">\n      \n      <span>– Hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve, skriver Ulrikke Benestad. Bildet viser Tromsø orkesterforening 17. mai 2020.</span>\n      <span class=\"image-photographer\">Foto: Yngve Olsen</span>\n    </div>\n  </div>\n   </div> \n  \n    </div>\n\n    <div class=\"article-top brick-c-djylTE\">\n      <!-- Article Meta-->\n      \n        <div class=\"article-meta-wrapper brick-c-cGhTJe opinion\">\n        \n  <div class=\"brick-c-ifFDXZ opinion-byline article-meta-byline\">\n    <span aria-hidden=\"true\">Av </span>\n    <brick-byline-v0 class=\"brick-c-iuqwzh\" data-name=\"Ulrikke Benestad, Tromsø\" is-rendered=\"is-rendered\">\n        <div aria-label=\"Forfatter av artikkelen Ulrikke Benestad, Tromsø\" itemprop=\"author\" itemscope=\"itemscope\" itemtype=\"http://schema.org/Person\">\n            <span class=\"brick-byline-author\"><span class=\"brick-byline-name\" itemprop=\"name\">Ulrikke Benestad, Tromsø</span></span>\n        </div></brick-byline-v0>\n  </div>\n        <div class=\"article-meta-published\"><brick-published-v4 brick-component=\"brick-published\" class=\"brick-c-iNstTK\" data-datetime=\"2026-05-14T22:58:33.000Z\" data-display-date=\"15.05.26 00:58\" data-itemprop=\"dateModified\" data-label=\"Oppdatert:\" is-rendered=\"is-rendered\"><time datetime=\"2026-05-14T22:58:33.000Z\" itemprop=\"dateModified\"><span>Oppdatert: </span>15.05.26 00:58</time></brick-published-v4><brick-published-v4 brick-component=\"brick-published\" class=\"brick-c-iNstTK\" data-datetime=\"2026-05-15T00:57:59.000+0200\" data-display-date=\"15.05.26 00:57\" data-itemprop=\"datePublished\" data-label=\"Publisert:\" is-rendered=\"is-rendered\"><time datetime=\"2026-05-15T00:57:59.000+0200\" itemprop=\"datePublished\"><span>Publisert: </span>15.05.26 00:57</time></brick-published-v4></div>\n        \n  <div class=\"article-meta-share\">\n    \n    <span class=\"share-mobile-wrapper brick-c-cMaFVp\">\n      <brick-share brick-component=\"brick-share\" data-aria-label=\"Del denne artikkelen.\" data-copy-error=\"Kunne ikke kopiere lenken, prøv å kopiere manuelt.\" data-copy-success=\"Lenken er kopiert\" data-title=\"Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)\" data-url=\"https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240\" is-rendered=\"true\"><brick-button-v9 brick-component=\"brick-button\" class=\"brick-c-erRvjT\" data-adplabel=\"brick_share_button\" data-adpvalue=\"share\" data-aria-label=\"Del denne artikkelen.\" data-icon-id=\"share\" data-label=\"Del\" data-size=\"medium\" data-version=\"secondary\" is-rendered=\"is-rendered\"><button aria-label=\"Del denne artikkelen.\" class=\"brick-c-cAQiLM\" data-adp-clicklabel=\"brick_share_button\" data-adp-clickvalue=\"share\">\n          <brick-icon-v2 brick-component=\"brick-icon\" class=\"brick-c-cHZnbS\" data-icon-id=\"share\" data-icon-size=\"undefined\" is-rendered=\"is-rendered\"><div class=\"svg-wrap brick-c-fkGePD\">\n    <svg aria-hidden=\"true\">\n    \n    <use href=\"#share\" />\n    </svg>\n    </div>\n    </brick-icon-v2>\n          <span>Del</span>\n        </button></brick-button-v9></brick-share>\n    </span>\n\n    <span class=\"share-desktop-wrapper brick-c-bUMNCY\">\n      <brick-share brick-component=\"brick-share\" data-aria-label=\"Del denne artikkelen.\" data-copy-error=\"Kunne ikke kopiere lenken, prøv å kopiere manuelt.\" data-copy-success=\"Lenken er kopiert\" data-url=\"https://www.nordnorskdebatt.no/hvorfor-grater-vi-av-korpsmusikk-og-hvorfor-det-er-et-sikkerhetssporsmal/o/5-124-429240\" data-version=\"copy\" is-rendered=\"true\"><brick-button-v9 brick-component=\"brick-button\" class=\"brick-c-erRvjT\" data-adplabel=\"brick_share_button\" data-adpvalue=\"copy\" data-aria-label=\"Del denne artikkelen.\" data-icon-id=\"share-url\" data-label=\"Kopier\" data-size=\"medium\" data-version=\"secondary\" is-rendered=\"is-rendered\"><button aria-label=\"Del denne artikkelen.\" class=\"brick-c-cAQiLM\" data-adp-clicklabel=\"brick_share_button\" data-adp-clickvalue=\"copy\">\n          <brick-icon-v2 brick-component=\"brick-icon\" class=\"brick-c-cHZnbS\" data-icon-id=\"share-url\" data-icon-size=\"undefined\" is-rendered=\"is-rendered\"><div class=\"svg-wrap brick-c-fkGePD\">\n    <svg aria-hidden=\"true\">\n    \n    <use href=\"#share-url\" />\n    </svg>\n    </div>\n    </brick-icon-v2>\n          <span>Kopier</span>\n        </button></brick-button-v9></brick-share>\n    </span>\n\n  </div>\n        \n        </div>\n        \n    \n      <!-- Lead text for even article IDs (A/B test - www.dt.no only) OR default position for all other cases -->\n      \n      <!-- Icon for premium articles -->\n      \n    </div>\n\n    \n    <!-- data-content is mainly used by aID for testing purposes. DO NOT REMOVE! -->\n    <div class=\"body-text brick-c-cXQGoQ\" data-content=\"body-text\" itemprop=\"articleBody\">\n      <!-- BeyondWords text-to-speech -->\n      \n\n      <!-- Commercial label top -->\n      \n      <!-- Smartembeds automated-->\n      \n\n      <!-- For Opinion, otherwise empty -->\n      \n    <div class=\"brick-c-fdojcf\">\n      <p class=\"vignette\">Kronikk</p>\n      <p class=\"disclaimer\">Dette er en kronikk, skrevet av en ekstern bidragsyter. Kronikken gir uttrykk for skribentens holdninger.</p>\n    </div>\n  \n      <!-- Article body -->\n       <div class=\"brick-c-iwkzXG article-body\">  <amedia-placeholder index=\"0\" wordcount=\"0\" /><p><b>På søndag våkner Norge til lyden av korps i gatene og Grieg på statskanalen. Vi skal vifte med flagg og sitere Nordahl Grieg fra talerstoler i skolegårder med elendige lydanlegg. Men bak den nasjonalromantiske fasaden finner vi noe langt viktigere enn bare tradisjon: Vår kollektive motstandskraft.</b></p><amedia-placeholder index=\"1\" wordcount=\"46\" /><p><b>Det er jo</b> et artig fenomen. Hvert år står voksne, sindige mennesker og ser på tog med sikksakk-smil, og kjenner at det klumper seg i halsen når det lokale janitsjar- eller skolekorpset stemmer i. Jeg tror ikke det nødvendigvis handler om at «Gammel Jegermarsj» er så enestående vakker, men fordi musikken treffer noe dypt i oss – lyden av det vi deler.</p>\n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-iPCOPk-isTopImage-false article--c-bByWVC-fFcife-cv\" style=\"--brick-image-ratio:1920 / 1080;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg\" itemprop=\"image\" />\n   <click-enlarge aria-label=\"Denne knappen åpner bildet i full bredde. Bildet mangler alternativ tekst.\" class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-fetch-priority=\"low\" data-height=\"1080\" data-loading=\"lazy\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 1200w\" data-width=\"1920\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" fetchpriority=\"low\" height=\"1080\" loading=\"lazy\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ulrikke+Benestad%252C+Troms%25C3%25B8+kommune.jpg 1200w\" style=\"--brick-image-ratio: 1920 / 1080;\" width=\"1920\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-kfcYBa-design-default\" data-show-more-label=\"Vis mer\">\n    <div class=\"caption-content\">\n      \n      <span>Kronikkforfatter Ulrikke Benestad | </span>\n      <span class=\"image-photographer\">Foto: Tromsø kommune</span>\n    </div>\n  </div>\n   </div> \n  <p><b>17. mai er </b>nemlig kulturell hukommelse i praksis. En høytid hvor nasjonalromantikken blir allemannseie. På denne dagen stiller ingen spørsmål ved om Grieg, Gude, Wergeland eller Bjørnson er «relevant» eller «finkultur». Vi aksepterer det som en årlig øvelse i fellesskap og demokratisk tilhørighet.</p><amedia-placeholder index=\"2\" wordcount=\"151\" /><p><strong>Men spørsmålet vi bør stille oss, er hvorfor vi bare anerkjenner denne verdien når vi har finstasen på?</strong></p>\n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-iPCOPk-isTopImage-false article--c-bByWVC-fFcife-cv\" style=\"--brick-image-ratio:6720 / 4480;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg\" itemprop=\"image\" />\n   <click-enlarge class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"17. mai 2025 småbarnstoget\" data-fetch-priority=\"low\" data-height=\"4480\" data-loading=\"lazy\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 1200w\" data-width=\"6720\" is-rendered=\"is-rendered\"><img alt=\"17. mai 2025 småbarnstoget\" class=\"brick-c-cFOWSL\" fetchpriority=\"low\" height=\"4480\" loading=\"lazy\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/folk+i+tog.jpg 1200w\" style=\"--brick-image-ratio: 6720 / 4480;\" width=\"6720\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-kfcYBa-design-default\" data-show-more-label=\"Vis mer\">\n    <div class=\"caption-content\">\n      \n      <span>Fra barnetoget i Tromsø 17. mai 2025 | </span>\n      <span class=\"image-photographer\">Foto: Vidar Dons Lindrupsen</span>\n    </div>\n  </div>\n   </div> \n  <p><strong><br /></strong></p><p><b>Mens ordlyden</b> (spesielt lokalt) ofte tilspisses rundt kultur som en unødvendig utgiftspost, og offentlig finansiert «hobby» for de få, viser Ukraina oss kulturens brutale realiteter. Der har kunst og kultur blitt både metode og mål i krigføringen. Den ukrainske poeten Lyuba Yakimchuk fra okkuperte Luhansk beskrev det nådeløst: «Etter de russiske tanksene kom de russiske skolebøkene, de russiske TV-kanalene og de russiske sangene – for å fullføre jobben stridsvognene begynte.» (The Times, mai 2026)</p><amedia-placeholder index=\"3\" wordcount=\"243\" /><p><b>Ukraina svarer </b>ikke bare med ammunisjon. De har økt kulturbudsjettet med nesten 50 prosent fra 2025 til 2026. Midt i en eksistensiell krig prioriterer de teatre, litteratur og musikk. De har forstått det vi er i ferd med å glemme i samtaler om prioriteringer: Du kan ikke forsvare et land hvis du ikke lenger vet hvem du er, og hva og hvem du forsvarer.</p><amedia-placeholder index=\"4\" wordcount=\"307\" /><p><b>I fjor ble</b> kultur endelig løftet inn som en del av den nasjonale beredskapen. Likevel er ikke kultursektoren definert som <em>kritisk infrastruktur</em>. Det er både et paradoks og en sikkerhetspolitisk blindsone. Kulturarenaene – fra biblioteket til teater – og konserthusene er de de siste stedene vi møtes på tvers av algoritmer og politiske skyttergraver.</p>\n<div class=\"amedia-image-wrap  regularImage article--c-bByWVC article--c-bByWVC-gBKlVr-design-default article--c-bByWVC-iPCOPk-isTopImage-false article--c-bByWVC-fFcife-cv\" style=\"--brick-image-ratio:5829 / 3886;\">\n   <meta content=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg\" itemprop=\"image\" />\n   <click-enlarge class=\"article--c-gVhFwi\" data-enlarge=\"true\" data-model=\"opinion\" role=\"button\" style=\"\" tabindex=\"0\">\n   <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"People enjoy a concert at the Atlas Festival in Kyiv, Ukraine, Sunday, July 21, 2024. This year, Ukraine&#39;s largest music festival struck a different chord. Gone were the international headliners, the massive performance halls and the hundreds of thousands of visitors. (AP Photo/Anton Shtuka)\" data-fetch-priority=\"low\" data-height=\"3886\" data-loading=\"lazy\" data-sizes=\"(max-width: 500px) 90vw, 980px\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg\" data-srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 1200w\" data-width=\"5829\" is-rendered=\"is-rendered\"><img alt=\"People enjoy a concert at the Atlas Festival in Kyiv, Ukraine, Sunday, July 21, 2024. This year, Ukraine&#39;s largest music festival struck a different chord. Gone were the international headliners, the massive performance halls and the hundreds of thousands of visitors. (AP Photo/Anton Shtuka)\" class=\"brick-c-cFOWSL\" fetchpriority=\"low\" height=\"3886\" loading=\"lazy\" sizes=\"(max-width: 500px) 90vw, 980px\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg\" srcset=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 600w, https://g.acdn.no/api/lumina/backend/ami-large/ece5/nndb/2026/5/15/0/Ukraina+konsert.jpg 1200w\" style=\"--brick-image-ratio: 5829 / 3886;\" width=\"5829\" /></brick-image-v6>\n    </click-enlarge>\n     \n  <div class=\"article-img-caption-wrap article--c-hFqxKw article--c-hFqxKw-kfcYBa-design-default\" data-show-more-label=\"Vis mer\">\n    <div class=\"caption-content\">\n      \n      <span>Ukrainere nyter et avbrekk fra krigen under den årlige Atlas-festivalen i Kyiv i juli 2024.</span>\n      <span class=\"image-photographer\">Foto: Anton Shtuka, AP/NTB</span>\n    </div>\n  </div>\n   </div> \n  <p><b>Når det er sagt</b> skal vi være forsiktige med å sammenligne norsk stabilitet med ukrainsk krig. Men poenget mitt er at vi skal ikke være blinde for hva ekstreme erfaringer lærer oss. Når vi får tårer i øynene av korpsmusikk på søndag, er det ikke bare nostalgi. Det er en ubevisst erkjennelse av at vi hører til i en større fortelling. Og denne opplevelsen av tilhørighet og felles klangbunn er vår viktigste forsvarsskanse mot polarisering og fremmedgjøring.</p><amedia-placeholder index=\"5\" wordcount=\"439\" /><p><b>Hvis vi barberer</b> vekk grunnmuren, er det ikke noe vits å spare til vedlikeholdet. Og hvis vi ikke investerer i det som holder oss sammen i fredstid, står vi langt svakere den dagen fellesskapet virkelig blir satt på prøve.</p><amedia-placeholder index=\"6\" wordcount=\"478\" /><p><b>Ha en flott</b> 17. mai-samling alle sammen, og takk til alle byens flotte musikkorps for timer med øving og søndagens gnagsår.</p>\n</div> \n    <ul class=\"brick-c-fgvofI article-tags-bottom \">\n      <li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 1: 17. mai-feiring\" data-link=\"/tag/17.-mai-feiring\" data-size=\"small\" data-text=\"17. mai-feiring\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 1: 17. mai-feiring\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/17.-mai-feiring\" role=\"link\" tabindex=\"0\">17. mai-feiring</a></brick-tag-v0>\n      </li><li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 2: Kultur\" data-link=\"/tag/kultur\" data-size=\"small\" data-text=\"Kultur\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 2: Kultur\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/kultur\" role=\"link\" tabindex=\"0\">Kultur</a></brick-tag-v0>\n      </li><li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 3: Korpsmusikk\" data-link=\"/tag/korpsmusikk\" data-size=\"small\" data-text=\"Korpsmusikk\" data-version=\"capsule\" is-rendered=\"true\"><a aria-label=\"Emne 3: Korpsmusikk\" data-size=\"small\" data-version=\"capsule\" href=\"/tag/korpsmusikk\" role=\"link\" tabindex=\"0\">Korpsmusikk</a></brick-tag-v0>\n      </li><li class=\"brick-c-kZLXGY\">\n      <brick-tag-v0 brick-component=\"brick-tag\" class=\"brick-c-eMDPuB\" data-aria-label=\"Emne 4: Sikkerhet og beredskap\" data-link=\"/tag/sikkerhet-og-beredskap\" data-size=\"small\" 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heading\">\n\t\t<h2>Flere saker</h2>\n\t</div>\n</div>\n        \n      <!-- AMEDIA-COMPONENT-START -->\n      \n    <!--googleoff: all-->\n    <div class=\"relatedContentContainer adp-inscreen lp_related\">\n      <brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429240\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-long-word=\"true\" data-theme=\"alfa\" data-title-words=\"11\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        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data-srcsize=\"480\" data-width=\"5184\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"3456\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/15/0/Korps+2.jpg\" style=\"--brick-image-ratio: 5184 / 3456;\" width=\"5184\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22><div><bazaar-ad labeled=\"true\" position=\"artikkelboard\" /></div><brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429237\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-theme=\"alfa\" data-title-words=\"15\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        --_teaser-title-length:78;\n        --_teaser-title-length-percentage:1.28;\n        --_teaser-long-word:12.50\n        \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429237\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/eu-har-forstatt-det-kanskje-det-er-pa-tide-for-norske-mediehus-ogsa-gjor-det/o/5-124-429237\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" itemprop=\"teaser_image\">\n      <div class=\"imagewrapper brick-c-jLLCWt\" style=\"--_image-padding-top:99%;\">\n        <div>\n          <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-height=\"1811\" data-loading=\"lazy\" data-sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/14/9/c6bd737f-87e7-450f-b86e-0d3d1f572878.bin\" data-srcsize=\"480\" data-width=\"1826\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"1811\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/14/9/c6bd737f-87e7-450f-b86e-0d3d1f572878.bin\" style=\"--brick-image-ratio: 1826 / 1811;\" width=\"1826\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">EU har forstått det. Kanskje det er på tide for norske mediehus også gjør det?</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22><brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429252\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-theme=\"alfa\" data-title-words=\"3\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        --_teaser-title-length:20;\n        --_teaser-title-length-percentage:5.00;\n        --_teaser-long-word:12.50\n        \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429252\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/lidelse-som-strategi/o/5-124-429252\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" itemprop=\"teaser_image\">\n      <div class=\"imagewrapper brick-c-jLLCWt\" style=\"--_image-padding-top:66%;\">\n        <div>\n          <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-height=\"4480\" data-loading=\"lazy\" data-sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/14/23/funeral.jpg\" data-srcsize=\"480\" data-width=\"6720\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"4480\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/14/23/funeral.jpg\" style=\"--brick-image-ratio: 6720 / 4480;\" width=\"6720\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">Lidelse som strategi</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22><brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429216\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-theme=\"alfa\" data-title-words=\"7\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        --_teaser-title-length:59;\n        --_teaser-title-length-percentage:1.69;\n        --_teaser-long-word:5.26\n        \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429216\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/uit-skal-fortsatt-utdanne-sykepleiere-til-nord-troms-regionen/o/5-124-429216\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" itemprop=\"teaser_image\">\n      <div class=\"imagewrapper brick-c-jLLCWt\" style=\"--_image-padding-top:56%;\">\n        <div>\n          <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-height=\"2160\" data-loading=\"lazy\" data-sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/14/1/rikke+og+gunbj%25C3%25B8rg.jpg\" data-srcsize=\"480\" data-width=\"3840\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"2160\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/14/1/rikke+og+gunbj%25C3%25B8rg.jpg\" style=\"--brick-image-ratio: 3840 / 2160;\" width=\"3840\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">UiT skal fortsatt utdanne sykepleiere til Nord-Troms-regionen</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22><brick-teaser-v22 brick-component=\"brick-teaser\" class=\"brick-c-hKCSxo brick-c-cPtkKz\" data-has-image=\"true\" data-horizontal-layout-teaser-placement=\"right\" data-id=\"5-124-429030\" data-self=\"brick-teaser\" data-skin=\"none\" data-teaser-type=\"story\" data-theme=\"alfa\" is-rendered=\"is-rendered\">\n      <div class=\"b-teaser-container\n        \n    story  themeAlfa has-image    \n        brick-c-kOPZCG\n        brick-c-kVbhBt\n        \" data-theme=\"alfa\" data-title-words=\"3\" itemscope=\"itemscope\" itemtype=\"http://schema.org/NewsArticle\" style=\"--_teaser-padding-m:var(--brick-space-teaserYInsetM) var(--brick-space-teaserXInsetM); --_teaser-padding-l:var(--brick-space-teaserYInsetL) var(--brick-space-teaserXInsetL); \n        --_teaser-title-length:20;\n        --_teaser-title-length-percentage:5.00;\n        --_teaser-long-word:8.33\n        \">\n         \n  <meta content=\"teaser\" itemprop=\"adpType\" />\n  <meta content=\"free\" itemprop=\"contentModel\" />\n  <meta content=\"5-124-429030\" itemprop=\"identifier\" />\n  \n  \n  \n         <a class=\"teaser_body brick-c-ffHwOH mirror\" href=\"/beite-i-bakvendtland/o/5-124-429030\" itemprop=\"url\" style=\"\">\n        \n    <div class=\"teaser_image   brick-c-cdUKdU\" itemprop=\"teaser_image\">\n      <div class=\"imagewrapper brick-c-jLLCWt\" style=\"--_image-padding-top:66%;\">\n        <div>\n          <brick-image-v6 brick-component=\"brick-image\" class=\"brick-c-dKCgrw\" data-alt-text=\"\" data-height=\"2695\" data-loading=\"lazy\" data-sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" data-src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/13/16/beite.jpg\" data-srcsize=\"480\" data-width=\"4043\" is-rendered=\"is-rendered\"><img alt=\"\" class=\"brick-c-cFOWSL\" height=\"2695\" loading=\"lazy\" sizes=\"(min-width: 960px) 680px, (min-width: 769px) 480px, 100vw\" src=\"https://g.acdn.no/api/lumina/backend/ami-medium/ece5/nndb/2026/5/13/16/beite.jpg\" style=\"--brick-image-ratio: 4043 / 2695;\" width=\"4043\" /></brick-image-v6>\n        </div>\n           \n        <div class=\"overlay_container brick-c-icSZik mirror\" data-theme=\"alfa\">\n        \n        \n       </div>\n      </div>\n    </div>\n    \n        \n        <div class=\"body\">\n          \n          \n    <div class=\"title_container has-image brick-c-fdsRaE\">\n    <h2 class=\"title normal brick-c-JbDTi\" itemprop=\"teaser_title\"><span class=\"titleWrapper brick-c-dyeqpo\">\n    <span itemprop=\"headline\"><span itemprop=\"titleText\">Beite i bakvendtland</span></span>\n    </span></h2>\n    </div>\n\n          \n        </div>\n      </a>\n      </div>\n</brick-teaser-v22>\n    </div>\n    <!--googleon: all-->\n  \n      <!-- AMEDIA-COMPONENT-END -->\n</div></footer>\n\n\n            </main>\n\n            \n        </div>\n\n\n        \n      <!-- AMEDIA-COMPONENT-START -->\n      <footer class=\"brandheader-footer lp_footer\" role=\"contentinfo\">\n    <a aria-label=\"Gå til Nordnorsk debatt hovedside\" class=\"logo\" href=\"/\">\n        <img alt=\"Gå til Nordnorsk debatt hovedside\" height=\"66\" loading=\"lazy\" src=\"//assets.acdn.no/local/v3/publications/www.nordnorskdebatt.no/gfx/small.svg\" width=\"auto\" />\n    </a>\n    <ul>\n                <li>\n                    Ansvarlig redaktør:\n                        <a href=\"mailto:helge.nitteberg@nordlys.no\">                       \n                            Helge Nitteberg\n                        </a>\n                </li>\n                <li>Rådhusgata 3, boks 2515, 9272 Tromsø</li>\n                <li>Tlf: 915 07 760</li>\n                <li><a href=\"https://personvern.amedia.no/\">Personvernpolicy / Informasjonskapsler</a></li>\n                <li><a href=\"http://www.pfu.no\">PFU</a></li>\n                <li>Utgitt av Bladet Nordlys AS</li>\n        <li>\n            <a href=\"/vis/annonseinnstillinger\">Personverninnstillinger</a>\n        </li>\n    </ul>\n    <p>Nordnorsk debatt © 2026</p>\n    <a href=\"https://www.redaktor.no/ressurser/temaer/redaktoransvar\" rel=\"noopener\">\n        <img alt=\"Gå til redaktor.no for å lese om redaktøransvar\" class=\"redaktoransvar\" height=\"85\" loading=\"lazy\" src=\"https://r.acdn.no/brandheader/default/redaktoransvar.svg\" width=\"85\" />\n    </a>\n</footer>\n\n\n      <!-- AMEDIA-COMPONENT-END -->\n\n        <!-- external -->\n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    \n\n<!-- bundles -->\n\n<!-- js -->\n\n\n        <smart-banner appid=\"no.nyhetsvarsel.nordnorskdebatt\" author=\"Nordnorsk debatt\" icon=\"https://play-lh.googleusercontent.com/faXhhQz_12FvdoO-LWVBjb7dS5yT9Jt8rvkJblQDN5Xb3uUpS98TsOB3BCNeFthc3xxH=w240-h480-rw\" title=\"Nordnorsk debatt\">\n    </smart-banner>\n        \n      <!-- AMEDIA-COMPONENT-START -->\n      <rabarbara-log class=\"themeAlfa\" publication=\"www.nordnorskdebatt.no\" services-host=\"services.api.no\">\n  \n</rabarbara-log>\n\n      <!-- AMEDIA-COMPONENT-END -->\n        \n\n        \n\n    </link></body>\n</html>",
   "source_updated_at" : "2026-05-14 22:57:59",
   "summary" : "",
   "tags" : null,
   "title" : "Hvorfor gråter vi av korpsmusikk? (Og hvorfor det er et sikkerhetsspørsmål)",
   "twitter_title" : null,
   "version" : 1
}