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   "content" : "# Et nasjonalt rop! Vurder alternativet «Ny framtid for Nationaltheatret» før det er for sent.\n\n## Rimeligere, raskere og bedre\n\n## Mytene må legges bort\n\n## Regjeringen: teater uten biscener – ferdig i 2040\n\n## «Vi har svært få identitetsskapende bygg i Norge»\n\n## Et alternativ som kan samle\n\n## En bønn til våre folkevalgte\n\nNationaltheatret, et drama i altfor mange akter.\n\nNationaltheatret forfaller. Etter tiår med utredninger står vårt nasjonale teater fortsatt uten en løsning som både bevarer kulturarven og gir bygget funksjonaliteten et moderne hovedsceneteater trenger.\n\nNå reiser et bredt lag av norske kulturpersonligheter, fagfolk og tidligere teaterledere seg og ber Stortinget om én ting:\n\nVurder alternativet «Ny framtid for Nationaltheatret» før det er for sent.\n\nDette handler ikke om snarveier. Det handler om fornuft – og om vilje til å handle.\n\nForslaget «Ny framtid for Nationaltheatret» er utviklet av en arbeidsgruppe ledet av sivilingeniør Eilif Holte, med LPO arkitekter som hovedarkitekter. De representerer erfarne fagmiljøer innen arkitektur, byggeledelse og offentlig prosjektstyring.\n\nKonklusjonen er tydelig: Det er fullt mulig å rehabilitere teateret og bygge et moderne, funksjonelt tilbygg – innen 2030.\n\nLøsningen med et nytt tilbygg bevarer hovedbygget, moderniserer bakscene-arealene og sikrer at alle biscener kan forbli under samme tak. Samtidig skapes Teaterplassen – et nytt utendørs byrom mellom Nationaltheatret og Universitetsplassen. Med dette får Oslo et kulturkvartal i europeisk format, midt i hjertet av hovedstaden.\n\nDette er ikke et visjonsprosjekt. Det er en faglig gjennomarbeidet plan, teknisk, praktisk og økonomisk.\n\nI debatten har det festet seg myter som står i veien for gode beslutninger: at grunnforholdene er for dårlige, at bygget ligger for tett på T-banen, at scener må rives, at gjennomføringen er for komplisert.\n\nAlt dette er tilbakevist av prosjektets fagfolk. Prosjektet kommer ikke i konflikt med kollektivtrafikken. Ingen scener må vekk. Grunnforholdene er gode nok. Og byggingen kan gjennomføres uten dramatiske, flerårige stengninger.\n\nVi trenger ikke frykte utfordringene ved dette grepet. Det farlige er at feil premisser får styre fremtiden til Norges viktigste teaterhus.\n\nLike før sommeren 2025 gikk regjeringen inn for en løsning som i realiteten skyver hele prosjektet tiår frem i tid. Ifølge vedtaket skal Nationaltheatret stå ferdig først i 2040–41 – uten biscener. Teatret reduseres til et skall: én scene igjen, resten omgjort til tekniske rom og kantine. Samtidig skal det vurderes en mulig «teater-hub» i Oslo øst.\n\nForslaget er både dyrt, omstendelig og byutviklingsmessig uklokt. Det krever nye lokaliseringsutredninger, ny reguleringsplan og vurdering av hele 14 mulige tomter. Det er et enormt arbeid som skyver reell oppstart av selve rehabiliteringen langt frem i tid.\n\nFor kunstnere og ansatte som allerede er utslitt etter år med uvisshet, er dette som en endeløs generalprøve der ingen får vite når forestillingen skal begynne.\n\nSom Aftenpostens Frank Rossavik[ skriver](/meninger/kommentar/i/rPwWAK/nationaltheatret-kan-bli-forstoerret):\n\n«Jafferys forsøksvise avklaring [er] lite utredet. Løsningen hadde ikke modnet. Den kom i desperasjon.»\n\nJon Fosse uttrykker det grunnleggende poenget: «Eg støtter forslaget uten tvil. Vi har svært få identitetsskapende bygg i Norge, og dei få vi har må vi ta vare på.»\n\nDette handler ikke om nostalgi. Det handler om ansvar for et bygg som bærer deler av vår nasjonale selvforståelse.\n\nNationaltheatret er ikke bare en arbeidsplass. Det er et symbol på norsk modernitet – et kulturelt kraftsenter plassert der landet tok form som nasjon. Å splitte teaterets scener mellom sentrum og en uspesifisert lokasjon, bryter med både kunstneriske behov og historisk fornuft.\n\nIngen nasjon med respekt for seg selv fragmenterer sitt fremste teater.\n\n«Ny framtid for Nationaltheatret» tilbyr en løsning som bevarer og moderniserer, som samler alle scener under samme tak, som er billigere og raskere, og som kan gjennomføres nå.\n\nForslaget styrker sentrum, styrker teaterkunsten og styrker kulturarven. Det gir oss et teaterhus som tåler fremtiden – og samtidig bærer historien videre.\n\nVi ber Stortinget om to ting:\n\n1. Stans foreliggende løsning, som hverken er kunstnerisk, økonomisk eller kulturpolitisk bærekraftig.\n\n2. Sørg for at «Ny framtid for Nationaltheatret» blir utredet av regjeringen som et reelt alternativ. Det kreves bare en brøkdel av midlene Statsbygg allerede har fått – og skal få – for å utrede en langt mer omfattende og kostbar løsning.\n\nHer får politikerne den sjeldne muligheten til å gjøre noe riktig i tide.\n\nDenne gangen har Stortinget den muligheten.\n\nSats på en ny fremtid for Nationaltheatret – før det er for sent.\n\nForslaget «Ny framtid for Nationaltheatret» støttes av:\n\n*Håvard Gimse, Stephan Barratt-Due, Linda Øvrebø, Kjell Nordstrøm, Morten Borgersen, Ingar Helge Gimle, Lars Saabye Christensen, Håkon Gullvåg, Liv Ullmann, Jon Fosse, Anders Baasmo, Kari Simonsen, Anne Katrine Dolven, Lars Elling, Kjell Erik Killi Olsen, Trine Skei Grande, Kåre Conradi, Bentein Baardson, Joachim Trier, Per Horn, Valgerd Svarstad Haugland, Ellen Holager Andenæs, Åse Kleveland, Oddvar Bull Tuhus, Jan Vincents Johansen, Terje Mærli, Ragnhild Mærli, Kari-Ann Grønsund, Bjarte Hjelmeland, Henrik Mestad, Sverre Bjærtnes, Hanna-Maria Grønneberg Bjærtnes, Thea Stabell, Anne Karen Hytten, Catrine Telle, Hilde Andersen, Laila Goody, Karin Hellansjø, Kjetil Bang-Hansen, Sverre Anker Ousdal, Cecilie Broch Knudsen, Annelita Meinich, Anne Enger, Bjørn Ransve, Jan Kjærstad, Anne Marie Ransve, Dag Hofseth, Anne Weiglin, Ine Jansen, Linn Skåber, Christine Stoesen, Margrethe Aabye, Kirsti Holm Glad, Agnete Haaland, Per Frøystein Gørvel, Hege Schøyen, Gerd Holmboe Ottesen, Sissel Berdal Haga Thon, Øyvind Fjeldstad, Rune Slagstad, Knut Olav Åmås, Nils Ole Oftebro, Leif Engh, Marianne Hellum, Sigmund Larsen, Hildegunn Rise, Mari Maurstad, Thomas Thiis-Evensen og Andreas Diesen.*\n\n**Arbeidsgruppen for Ny framtid for Nationaltheatret: ***Eilif Holte (prosjektleder),*** ***Lars Haukeland og Alexsander Tunby Rossland (LPO Arkitekter), Ellen Horn, Erik Rudeng, Peter Butenschøn og Erik Collett.*\n\n- [Lise FjeldstadSkuespiller](http://aftenposten.no/av/lise-fjeldstad)\n- [William NygaardForlegger](http://aftenposten.no/av/william-nygaard)\n- [Mads OusdalSkuespiller](http://aftenposten.no/av/mads-ousdal)",
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   "metadata" : "{\"source_updated_at\":\"2025-11-27 15:09:13\",\"is_paywalled\":1,\"twitter\":{},\"description\":\"Les oppropet fra kulturpersonligheter, fagfolk og tidligere teaterledere.\",\"meta\":{\"description\":\"Et opprop for «Ny framtid for Nationaltheatret» signert av kulturpersonligheter, fagfolk og tidligere teaterledere.\",\"theme-color\":\"#fff\",\"apple-mobile-web-app-capable\":\"yes\",\"msapplication-config\":\"/cnp-assets/favicon-6c399f1f/browserconfig.xml\",\"robots\":\"max-image-preview:large\",\"msapplication-TileColor\":\"#fff\",\"apple-mobile-web-app-title\":\"Aftenposten\",\"application-name\":\"Aftenposten\",\"viewport\":\"width=device-width, initial-scale=1.0\",\"mobile-web-app-capable\":\"yes\",\"apple-mobile-web-app-status-bar-style\":\"black-translucent\",\"msapplication-TileImage\":\"/cnp-assets/favicon-6c399f1f/mstile-144x144.png\"},\"author\":\"\",\"title\":\"Vurder alternativet «Ny framtid for Nationaltheatret» før det er for sent!\",\"raw_feed_item\":\"<item>\\n            <title><![CDATA[Ingen nasjon med respekt for seg selv fragmenterer sitt fremste teater]]></title>\\n            <link>https://www.aftenposten.no/meninger/kronikk/i/e7Ww7M/vurder-alternativet-ny-framtid-for-nationaltheatret-foer-det-er-for-sent</link>\\n            <guid>https://www.aftenposten.no/i/e7Ww7M</guid>\\n            <pubDate>Fri, 28 Nov 2025 10:31:07 GMT</pubDate>\\n            <description><![CDATA[Les oppropet fra kulturpersonligheter, fagfolk og tidligere teaterledere.]]></description>\\n            <enclosure length=\\\"65535\\\" type=\\\"image/jpeg\\\" url=\\\"https://premium.vgc.no/v2/images/20266a12-2eb3-47ce-af35-f177fe4f4caa?fit=crop&amp;format=auto&amp;h=1152&amp;tight=true&amp;w=2048&amp;s=4318f6dc0b1c324d03fa7d2533cee4d876938566\\\" />\\n        </item>\",\"published_at\":\"2025-11-28 10:31:07\",\"keywords\":[],\"schema\":{\"microdata\":{\"datePublished\":\"22. november\"}},\"content\":\"# Et nasjonalt rop! Vurder alternativet «Ny framtid for Nationaltheatret» før det er for sent.\\n\\n## Rimeligere, raskere og bedre\\n\\n## Mytene må legges bort\\n\\n## Regjeringen: teater uten biscener – ferdig i 2040\\n\\n## «Vi har svært få identitetsskapende bygg i Norge»\\n\\n## Et alternativ som kan samle\\n\\n## En bønn til våre folkevalgte\\n\\nNationaltheatret, et drama i altfor mange akter.\\n\\nNationaltheatret forfaller. Etter tiår med utredninger står vårt nasjonale teater fortsatt uten en løsning som både bevarer kulturarven og gir bygget funksjonaliteten et moderne hovedsceneteater trenger.\\n\\nNå reiser et bredt lag av norske kulturpersonligheter, fagfolk og tidligere teaterledere seg og ber Stortinget om én ting:\\n\\nVurder alternativet «Ny framtid for Nationaltheatret» før det er for sent.\\n\\nDette handler ikke om snarveier. Det handler om fornuft – og om vilje til å handle.\\n\\nForslaget «Ny framtid for Nationaltheatret» er utviklet av en arbeidsgruppe ledet av sivilingeniør Eilif Holte, med LPO arkitekter som hovedarkitekter. De representerer erfarne fagmiljøer innen arkitektur, byggeledelse og offentlig prosjektstyring.\\n\\nKonklusjonen er tydelig: Det er fullt mulig å rehabilitere teateret og bygge et moderne, funksjonelt tilbygg – innen 2030.\\n\\nLøsningen med et nytt tilbygg bevarer hovedbygget, moderniserer bakscene-arealene og sikrer at alle biscener kan forbli under samme tak. Samtidig skapes Teaterplassen – et nytt utendørs byrom mellom Nationaltheatret og Universitetsplassen. Med dette får Oslo et kulturkvartal i europeisk format, midt i hjertet av hovedstaden.\\n\\nDette er ikke et visjonsprosjekt. Det er en faglig gjennomarbeidet plan, teknisk, praktisk og økonomisk.\\n\\nI debatten har det festet seg myter som står i veien for gode beslutninger: at grunnforholdene er for dårlige, at bygget ligger for tett på T-banen, at scener må rives, at gjennomføringen er for komplisert.\\n\\nAlt dette er tilbakevist av prosjektets fagfolk. Prosjektet kommer ikke i konflikt med kollektivtrafikken. Ingen scener må vekk. Grunnforholdene er gode nok. Og byggingen kan gjennomføres uten dramatiske, flerårige stengninger.\\n\\nVi trenger ikke frykte utfordringene ved dette grepet. Det farlige er at feil premisser får styre fremtiden til Norges viktigste teaterhus.\\n\\nLike før sommeren 2025 gikk regjeringen inn for en løsning som i realiteten skyver hele prosjektet tiår frem i tid. Ifølge vedtaket skal Nationaltheatret stå ferdig først i 2040–41 – uten biscener. Teatret reduseres til et skall: én scene igjen, resten omgjort til tekniske rom og kantine. Samtidig skal det vurderes en mulig «teater-hub» i Oslo øst.\\n\\nForslaget er både dyrt, omstendelig og byutviklingsmessig uklokt. Det krever nye lokaliseringsutredninger, ny reguleringsplan og vurdering av hele 14 mulige tomter. Det er et enormt arbeid som skyver reell oppstart av selve rehabiliteringen langt frem i tid.\\n\\nFor kunstnere og ansatte som allerede er utslitt etter år med uvisshet, er dette som en endeløs generalprøve der ingen får vite når forestillingen skal begynne.\\n\\nSom Aftenpostens Frank Rossavik[ skriver](/meninger/kommentar/i/rPwWAK/nationaltheatret-kan-bli-forstoerret):\\n\\n«Jafferys forsøksvise avklaring [er] lite utredet. Løsningen hadde ikke modnet. Den kom i desperasjon.»\\n\\nJon Fosse uttrykker det grunnleggende poenget: «Eg støtter forslaget uten tvil. Vi har svært få identitetsskapende bygg i Norge, og dei få vi har må vi ta vare på.»\\n\\nDette handler ikke om nostalgi. Det handler om ansvar for et bygg som bærer deler av vår nasjonale selvforståelse.\\n\\nNationaltheatret er ikke bare en arbeidsplass. Det er et symbol på norsk modernitet – et kulturelt kraftsenter plassert der landet tok form som nasjon. Å splitte teaterets scener mellom sentrum og en uspesifisert lokasjon, bryter med både kunstneriske behov og historisk fornuft.\\n\\nIngen nasjon med respekt for seg selv fragmenterer sitt fremste teater.\\n\\n«Ny framtid for Nationaltheatret» tilbyr en løsning som bevarer og moderniserer, som samler alle scener under samme tak, som er billigere og raskere, og som kan gjennomføres nå.\\n\\nForslaget styrker sentrum, styrker teaterkunsten og styrker kulturarven. Det gir oss et teaterhus som tåler fremtiden – og samtidig bærer historien videre.\\n\\nVi ber Stortinget om to ting:\\n\\n1. Stans foreliggende løsning, som hverken er kunstnerisk, økonomisk eller kulturpolitisk bærekraftig.\\n\\n2. Sørg for at «Ny framtid for Nationaltheatret» blir utredet av regjeringen som et reelt alternativ. Det kreves bare en brøkdel av midlene Statsbygg allerede har fått – og skal få – for å utrede en langt mer omfattende og kostbar løsning.\\n\\nHer får politikerne den sjeldne muligheten til å gjøre noe riktig i tide.\\n\\nDenne gangen har Stortinget den muligheten.\\n\\nSats på en ny fremtid for Nationaltheatret – før det er for sent.\\n\\nForslaget «Ny framtid for Nationaltheatret» støttes av:\\n\\n*Håvard Gimse, Stephan Barratt-Due, Linda Øvrebø, Kjell Nordstrøm, Morten Borgersen, Ingar Helge Gimle, Lars Saabye Christensen, Håkon Gullvåg, Liv Ullmann, Jon Fosse, Anders Baasmo, Kari Simonsen, Anne Katrine Dolven, Lars Elling, Kjell Erik Killi Olsen, Trine Skei Grande, Kåre Conradi, Bentein Baardson, Joachim Trier, Per Horn, Valgerd Svarstad Haugland, Ellen Holager Andenæs, Åse Kleveland, Oddvar Bull Tuhus, Jan Vincents Johansen, Terje Mærli, Ragnhild Mærli, Kari-Ann Grønsund, Bjarte Hjelmeland, Henrik Mestad, Sverre Bjærtnes, Hanna-Maria Grønneberg Bjærtnes, Thea Stabell, Anne Karen Hytten, Catrine Telle, Hilde Andersen, Laila Goody, Karin Hellansjø, Kjetil Bang-Hansen, Sverre Anker Ousdal, Cecilie Broch Knudsen, Annelita Meinich, Anne Enger, Bjørn Ransve, Jan Kjærstad, Anne Marie Ransve, Dag Hofseth, Anne Weiglin, Ine Jansen, Linn Skåber, Christine Stoesen, Margrethe Aabye, Kirsti Holm Glad, Agnete Haaland, Per Frøystein Gørvel, Hege Schøyen, Gerd Holmboe Ottesen, Sissel Berdal Haga Thon, Øyvind Fjeldstad, Rune Slagstad, Knut Olav Åmås, Nils Ole Oftebro, Leif Engh, Marianne Hellum, Sigmund Larsen, Hildegunn Rise, Mari Maurstad, Thomas Thiis-Evensen og Andreas Diesen.*\\n\\n**Arbeidsgruppen for Ny framtid for Nationaltheatret: ***Eilif Holte (prosjektleder),*** ***Lars Haukeland og Alexsander Tunby Rossland (LPO Arkitekter), Ellen Horn, Erik Rudeng, Peter Butenschøn og Erik Collett.*\\n\\n- [Lise FjeldstadSkuespiller](http://aftenposten.no/av/lise-fjeldstad)\\n- [William NygaardForlegger](http://aftenposten.no/av/william-nygaard)\\n- [Mads OusdalSkuespiller](http://aftenposten.no/av/mads-ousdal)\",\"og\":{\"url\":\"https://www.aftenposten.no/meninger/kronikk/i/e7Ww7M/vurder-alternativet-ny-framtid-for-nationaltheatret-foer-det-er-for-sent\",\"type\":\"article\",\"description\":\"Les oppropet fra kulturpersonligheter, fagfolk og tidligere teaterledere.\",\"image\":\"https://premium.vgc.no/v2/images/8e9d2cc9-e95f-44f0-90f5-9785c1dde558?fit=crop&format=auto&h=1915&w=2048&s=eb693781643d0feb3686e5a1176ca84ffaa7ea1b\",\"image:width\":\"2048\",\"image:height\":\"1915\",\"title\":\"Vurder alternativet «Ny framtid for Nationaltheatret» før det er for sent!\"},\"image_url\":\"https://premium.vgc.no/v2/images/8e9d2cc9-e95f-44f0-90f5-9785c1dde558?fit=crop&format=auto&h=1915&w=2048&s=eb693781643d0feb3686e5a1176ca84ffaa7ea1b\"}",
   "og_title" : "Vurder alternativet «Ny framtid for Nationaltheatret» før det er for sent!",
   "published_at" : "2025-11-28 10:31:07",
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 </script>\n\n</header>\n</div><div id=\"main\" role=\"main\" class=\"hyperion-css-c9g7d0\"><div class=\"hyperion-css-roozon\"><div class=\"advertory-aftenposten-skyscraperleft_1-wrapper\"><div id=\"skyscraperleft_1\" class=\"advertory-aftenposten-skyscraperleft_1\"></div></div></div><div class=\"hyperion-css-yck6b5\"><div class=\"page-layout-supertop hyperion-css-1499hb2\"><div class=\"advertory-aftenposten-topboard-wrapper\"><div id=\"topboard\" style=\"min-height:150px\" class=\"advertory-aftenposten-topboard\"></div></div><div class=\"advertory-wrapper-common-wallpaper wallpaper\"><div id=\"wallpaper\" class=\"advertory-common-wallpaper disable-cogwheel\"></div></div></div><div class=\"hyperion-css-dz5hzo\"><article class=\"article-wrapper-e7Ww7M\"><div class=\"opinion running-head extendedContent hyperion-css-1z06dqh\" data-test-tag=\"running-head\"><div class=\"hyperion-css-7enjca\"><a data-test-tag=\"internal-link\" href=\"/meninger/kronikk\" class=\"hyperion-css-1raymq9\" rel=\"\" target=\"\" aria-label=\"Kronikk\" theme=\"opinion\">Kronikk</a></div><div class=\"hyperion-css-semo9s\"><a data-test-tag=\"internal-link\" href=\"/tag/nationaltheatret\" class=\"hyperion-css-1raymq9\" rel=\"\" target=\"\" aria-label=\"Nationaltheatret\" theme=\"opinion\">Nationaltheatret</a></div></div><h1 class=\"extendedContent h1 hyperion-css-j2lk82\" data-test-tag=\"headline\">Et nasjonalt rop! Vurder alternativet «Ny framtid for Nationaltheatret» før det er for sent.</h1><div class=\"extendedContent hyperion-css-cgw1f6\"><div class=\"hyperion-css-13cyg6p\" data-test-tag=\"byline\" data-testid=\"byline\"><ul data-test-tag=\"byline:authors\" data-testid=\"byline:authors\" class=\"hyperion-css-zsib83\"><li class=\"hyperion-css-10c38m6\"><a title=\"Se journalistens profil: Lise Fjeldstad\" aria-label=\"Se journalistens profil: Lise Fjeldstad\" href=\"http://aftenposten.no/av/lise-fjeldstad\" class=\"hyperion-css-1u7c6r7\"><div class=\"hyperion-css-0\"><span class=\"byline-name hyperion-css-1ftacoo\" data-test-tag=\"byline:author-name\" data-testid=\"byline:author-name\">Lise Fjeldstad</span><div class=\"hyperion-css-c2jcik\">Skuespiller</div></div></a></li><li class=\"hyperion-css-10c38m6\"><a title=\"Se journalistens profil: William Nygaard\" aria-label=\"Se journalistens profil: William Nygaard\" href=\"http://aftenposten.no/av/william-nygaard\" class=\"hyperion-css-1u7c6r7\"><div class=\"hyperion-css-0\"><span class=\"byline-name hyperion-css-1ftacoo\" data-test-tag=\"byline:author-name\" data-testid=\"byline:author-name\">William Nygaard</span><div class=\"hyperion-css-c2jcik\">Forlegger</div></div></a></li><li class=\"hyperion-css-10c38m6\"><a title=\"Se journalistens profil: Mads Ousdal\" aria-label=\"Se journalistens profil: Mads Ousdal\" href=\"http://aftenposten.no/av/mads-ousdal\" class=\"hyperion-css-1u7c6r7\"><div class=\"hyperion-css-0\"><span class=\"byline-name hyperion-css-1ftacoo\" data-test-tag=\"byline:author-name\" data-testid=\"byline:author-name\">Mads Ousdal</span><div class=\"hyperion-css-c2jcik\">Skuespiller</div></div></a></li></ul></div></div><div class=\"hyperion-css-ytalhi\"><div class=\"hyperion-css-upuxee\"><div class=\"contentWidth hyperion-css-eemj7d\"><div class=\"hyperion-css-152x5og\"><div class=\"hyperion-css-1xdhyk6\"></div></div></div></div><div class=\"hyperion-css-6kzd76\"></div></div><figure data-test-tag=\"image\" class=\"image fullWidthDesktop top stretch-image-asset-on-mobile portrait hyperion-css-mochwu\"><img class=\"image-asset hyperion-css-11id1ok\" data-test-tag=\"image-asset\" src=\"https://premium.vgc.no/v2/images/6f574e20-4ce7-4143-a2e6-2489510f9b34?fit=crop&amp;format=auto&amp;h=2048&amp;w=2048&amp;s=772f7a62a50f269393d14e695adc60419c245c69\" srcSet=\"https://premium.vgc.no/v2/images/6f574e20-4ce7-4143-a2e6-2489510f9b34?fit=crop&amp;format=auto&amp;h=2048&amp;w=2048&amp;s=772f7a62a50f269393d14e695adc60419c245c69 2048w,https://premium.vgc.no/v2/images/6f574e20-4ce7-4143-a2e6-2489510f9b34?fit=crop&amp;format=auto&amp;h=1440&amp;w=1440&amp;s=87098140c162af217c54ebca8cb10392cb88abf8 1440w,https://premium.vgc.no/v2/images/6f574e20-4ce7-4143-a2e6-2489510f9b34?fit=crop&amp;format=auto&amp;h=1024&amp;w=1024&amp;s=bde2812498a4e2a390a1332b625a56f459412c7a 1024w,https://premium.vgc.no/v2/images/6f574e20-4ce7-4143-a2e6-2489510f9b34?fit=crop&amp;format=auto&amp;h=980&amp;w=980&amp;s=ea525e48c4bce68b6f109fa9c685491b528d7dde 980w,https://premium.vgc.no/v2/images/6f574e20-4ce7-4143-a2e6-2489510f9b34?fit=crop&amp;format=auto&amp;h=780&amp;w=780&amp;s=e5c1bc553052b7a1c86fd4273cfb2a8ef5e602ae 780w,https://premium.vgc.no/v2/images/6f574e20-4ce7-4143-a2e6-2489510f9b34?fit=crop&amp;format=auto&amp;h=580&amp;w=580&amp;s=e174d5b91d0b01a302e2da6aa4f3a4ea51d5cf1d 580w,https://premium.vgc.no/v2/images/6f574e20-4ce7-4143-a2e6-2489510f9b34?fit=crop&amp;format=auto&amp;h=380&amp;w=380&amp;s=bafde0d0b98792424f6de9d43b13dea475c65d52 380w,https://premium.vgc.no/v2/images/6f574e20-4ce7-4143-a2e6-2489510f9b34?fit=crop&amp;format=auto&amp;h=200&amp;w=200&amp;s=9ce4a7429f39a072133e0947215cc81561b25bee 200w,https://premium.vgc.no/v2/images/6f574e20-4ce7-4143-a2e6-2489510f9b34?fit=crop&amp;format=auto&amp;h=100&amp;w=100&amp;s=1157be2de2de3f4c6d5d7a312404f4cc74e53c50 100w\" alt=\"Forslaget «Ny framtid for Nationaltheatret» er utviklet av en arbeidsgruppe ledet av sivilingeniør Eilif Holte, med LPO arkitekter som hovedarkitekter.\" sizes=\"(min-width: 380px) 980px, 100vw\" loading=\"eager\" fetchpriority=\"high\" style=\"aspect-ratio:2048 / 2048\"/><figcaption class=\"image-figcaption hyperion-css-1ksg4fz\" data-test-tag=\"image:caption\"><span class=\"image-caption\" aria-hidden=\"true\">Forslaget «Ny framtid for Nationaltheatret» er utviklet av en arbeidsgruppe ledet av sivilingeniør Eilif Holte, med LPO arkitekter som hovedarkitekter.</span><span class=\"image-byline hyperion-css-161dy2i\"> Illustrasjon: LPO Arkitekter</span></figcaption></figure><p class=\"contentWidth hyperion-css-1mepuqa\" data-test-tag=\"lead-text\">Nationaltheatret, et drama i altfor mange akter.</p><div class=\"paywall hyperion-css-h9wc15\" data-test-tag=\"timestamp\"><div><time itemProp=\"datePublished\" dateTime=\"2025-11-28T10:31:07Z\" aria-label=\"Publisert: 28.11.2025 11:31\">Publisert: 28.11.2025 11:31</time></div></div><p class=\"paywall hyperion-css-1j42uic\">Nationaltheatret forfaller. Etter tiår med utredninger står vårt nasjonale teater fortsatt uten en løsning som både bevarer kulturarven og gir bygget funksjonaliteten et moderne hovedsceneteater trenger. </p><p class=\"paywall hyperion-css-1j42uic\">Nå reiser et bredt lag av norske kulturpersonligheter, fagfolk og tidligere teaterledere seg og ber Stortinget om én ting:</p><div class=\"advertory-aftenposten-netboard-wrapper__article \"><div id=\"netboard_1\" class=\"advertory-aftenposten-netboard__article\"></div></div><p class=\"paywall hyperion-css-1j42uic\">Vurder alternativet «Ny framtid for Nationaltheatret» før det er for sent.</p><p class=\"paywall hyperion-css-1j42uic\">Dette handler ikke om snarveier. Det handler om fornuft – og om vilje til å handle.</p><h2 class=\"paywall hyperion-css-npxxyf\" data-test-tag=\"paragraph-header\">Rimeligere, raskere og bedre</h2><p class=\"paywall hyperion-css-1j42uic\">Forslaget «Ny framtid for Nationaltheatret» er utviklet av en arbeidsgruppe ledet av sivilingeniør Eilif Holte, med LPO arkitekter som hovedarkitekter. De representerer erfarne fagmiljøer innen arkitektur, byggeledelse og offentlig prosjektstyring.</p><p class=\"paywall hyperion-css-1j42uic\">Konklusjonen er tydelig: Det er fullt mulig å rehabilitere teateret og bygge et moderne, funksjonelt tilbygg – innen 2030.</p><p class=\"paywall hyperion-css-1j42uic\">Løsningen med et nytt tilbygg bevarer hovedbygget, moderniserer bakscene-arealene og sikrer at alle biscener kan forbli under samme tak. Samtidig skapes Teaterplassen – et nytt utendørs byrom mellom Nationaltheatret og Universitetsplassen. Med dette får Oslo et kulturkvartal i europeisk format, midt i hjertet av hovedstaden.</p><p class=\"paywall hyperion-css-1j42uic\">Dette er ikke et visjonsprosjekt. Det er en faglig gjennomarbeidet plan, teknisk, praktisk og økonomisk.</p><figure data-test-tag=\"image\" class=\"image extendedContent stretch-image-asset-on-mobile landscape hyperion-css-1dzjuby\"><img class=\"image-asset hyperion-css-wbp082\" data-test-tag=\"image-asset\" src=\"https://premium.vgc.no/v2/images/38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&amp;format=auto&amp;h=1915&amp;w=2048&amp;s=30a6eb239f00a9eb704562ca6a9db1abe7125551\" srcSet=\"https://premium.vgc.no/v2/images/38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&amp;format=auto&amp;h=1915&amp;w=2048&amp;s=30a6eb239f00a9eb704562ca6a9db1abe7125551 2048w,https://premium.vgc.no/v2/images/38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&amp;format=auto&amp;h=1346&amp;w=1440&amp;s=d1854545b84b23dbd39a82ae65c35d513009f927 1440w,https://premium.vgc.no/v2/images/38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&amp;format=auto&amp;h=957&amp;w=1024&amp;s=8d71a126d059844de64f2013a12f9cf4f5cfd359 1024w,https://premium.vgc.no/v2/images/38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&amp;format=auto&amp;h=916&amp;w=980&amp;s=6c8360ca49a13ff20f2e4a5256f10ab615220921 980w,https://premium.vgc.no/v2/images/38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&amp;format=auto&amp;h=729&amp;w=780&amp;s=38dbc37265d8edc34451475dd87af5c428a41e62 780w,https://premium.vgc.no/v2/images/38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&amp;format=auto&amp;h=542&amp;w=580&amp;s=0a014d784770036cb5d3b0886fff1c6454ad1c1b 580w,https://premium.vgc.no/v2/images/38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&amp;format=auto&amp;h=355&amp;w=380&amp;s=f72b315ef7d920244133535269bdb22dd90cc0fc 380w,https://premium.vgc.no/v2/images/38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&amp;format=auto&amp;h=187&amp;w=200&amp;s=74e92778102f96ae91b98f5a26dc7bb41c6c7c68 200w,https://premium.vgc.no/v2/images/38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&amp;format=auto&amp;h=94&amp;w=100&amp;s=17de39018991c7bc8006c88e3e01844401eb1509 100w\" alt=\"Det er fullt mulig å rehabilitere teateret og bygge et moderne, funksjonelt tilbygg – innen 2030, skriver innleggsforfatterne.\" sizes=\"(min-width: 380px) 980px, 100vw\" loading=\"eager\" fetchpriority=\"high\" style=\"aspect-ratio:2048 / 1915\"/><figcaption class=\"image-figcaption hyperion-css-1ksg4fz\" data-test-tag=\"image:caption\"><span class=\"image-caption\" aria-hidden=\"true\">Det er fullt mulig å rehabilitere teateret og bygge et moderne, funksjonelt tilbygg – innen 2030, skriver innleggsforfatterne.</span></figcaption></figure><h2 class=\"paywall hyperion-css-npxxyf\" data-test-tag=\"paragraph-header\">Mytene må legges bort</h2><p class=\"paywall hyperion-css-1j42uic\">I debatten har det festet seg myter som står i veien for gode beslutninger: at grunnforholdene er for dårlige, at bygget ligger for tett på T-banen, at scener må rives, at gjennomføringen er for komplisert.</p><div class=\"advertory-aftenposten-netboard-wrapper__article \"><div id=\"brandboard\" class=\"advertory-aftenposten-netboard__article\"></div></div><p class=\"paywall hyperion-css-1j42uic\">Alt dette er tilbakevist av prosjektets fagfolk. Prosjektet kommer ikke i konflikt med kollektivtrafikken. Ingen scener må vekk. Grunnforholdene er gode nok. Og byggingen kan gjennomføres uten dramatiske, flerårige stengninger.</p><p class=\"paywall hyperion-css-1j42uic\">Vi trenger ikke frykte utfordringene ved dette grepet. Det farlige er at feil premisser får styre fremtiden til Norges viktigste teaterhus.<br/></p><figure data-test-tag=\"image\" class=\"image extendedContent stretch-image-asset-on-mobile landscape hyperion-css-1dzjuby\"><img class=\"image-asset hyperion-css-1d1flb4\" data-test-tag=\"image-asset\" src=\"https://premium.vgc.no/v2/images/971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&amp;format=auto&amp;h=1318&amp;w=1862&amp;s=e10dd86fce0a69e8826481a0ece44a65e3a14ce5\" srcSet=\"https://premium.vgc.no/v2/images/971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&amp;format=auto&amp;h=1318&amp;w=1862&amp;s=e10dd86fce0a69e8826481a0ece44a65e3a14ce5 1862w,https://premium.vgc.no/v2/images/971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&amp;format=auto&amp;h=1019&amp;w=1440&amp;s=d5a2a32e86172d9838d0ccb84ae3ca17f3d2215f 1440w,https://premium.vgc.no/v2/images/971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&amp;format=auto&amp;h=725&amp;w=1024&amp;s=d5c91e936ae24f8e103f9764fe0d969f3cd21996 1024w,https://premium.vgc.no/v2/images/971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&amp;format=auto&amp;h=694&amp;w=980&amp;s=13ba92e100236782a5b5c25af4b4ed2a8483194a 980w,https://premium.vgc.no/v2/images/971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&amp;format=auto&amp;h=552&amp;w=780&amp;s=4a97ffc9ba4495f2ec92206e167ea0c09e1cda3f 780w,https://premium.vgc.no/v2/images/971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&amp;format=auto&amp;h=411&amp;w=580&amp;s=fad28d46abec3c5a505e51b75937c6f38407bb14 580w,https://premium.vgc.no/v2/images/971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&amp;format=auto&amp;h=269&amp;w=380&amp;s=a1233ae4e3d6d02919ca32a2679291cc2e0687be 380w,https://premium.vgc.no/v2/images/971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&amp;format=auto&amp;h=142&amp;w=200&amp;s=b1f72e36019ec125848b536b1b0bb0fb43135ae9 200w,https://premium.vgc.no/v2/images/971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&amp;format=auto&amp;h=71&amp;w=100&amp;s=6e62384d2071426a45bb710cf294e1bb06aff2d7 100w\" alt=\"Illustrasjonen viser ny fasade vendt mot Karl Johan.\" sizes=\"(min-width: 380px) 980px, 100vw\" loading=\"eager\" fetchpriority=\"high\" style=\"aspect-ratio:1862 / 1318\"/><figcaption class=\"image-figcaption hyperion-css-1ksg4fz\" data-test-tag=\"image:caption\"><span class=\"image-caption\" aria-hidden=\"true\">Illustrasjonen viser ny fasade vendt mot Karl Johan.</span><span class=\"image-byline hyperion-css-161dy2i\"> Illustrasjon: LPO Arkitekter</span></figcaption></figure><h2 class=\"paywall hyperion-css-npxxyf\" data-test-tag=\"paragraph-header\">Regjeringen: teater uten biscener – ferdig i 2040</h2><p class=\"paywall hyperion-css-1j42uic\">Like før sommeren 2025 gikk regjeringen inn for en løsning som i realiteten skyver hele prosjektet tiår frem i tid. Ifølge vedtaket skal Nationaltheatret stå ferdig først i 2040–41 – uten biscener. Teatret reduseres til et skall: én scene igjen, resten omgjort til tekniske rom og kantine. Samtidig skal det vurderes en mulig «teater-hub» i Oslo øst.</p><p class=\"paywall hyperion-css-1j42uic\">Forslaget er både dyrt, omstendelig og byutviklingsmessig uklokt. Det krever nye lokaliseringsutredninger, ny reguleringsplan og vurdering av hele 14 mulige tomter. Det er et enormt arbeid som skyver reell oppstart av selve rehabiliteringen langt frem i tid.</p><p class=\"paywall hyperion-css-1j42uic\">For kunstnere og ansatte som allerede er utslitt etter år med uvisshet, er dette som en endeløs generalprøve der ingen får vite når forestillingen skal begynne.</p><p class=\"paywall hyperion-css-1j42uic\">Som Aftenpostens Frank Rossavik<a data-test-tag=\"internal-link\" href=\"/meninger/kommentar/i/rPwWAK/nationaltheatret-kan-bli-forstoerret\" class=\"hyperion-css-1raymq9\" rel=\"\" target=\"\" aria-label=\" skriver\" theme=\"opinion\"> skriver</a>:</p><div class=\"advertory-aftenposten-netboard-wrapper__article \"><div id=\"netboard_2\" class=\"advertory-aftenposten-netboard__article\"></div></div><p class=\"paywall hyperion-css-1j42uic\">«Jafferys forsøksvise avklaring [er] lite utredet. Løsningen hadde ikke modnet. Den kom i desperasjon.»</p><h2 class=\"paywall hyperion-css-npxxyf\" data-test-tag=\"paragraph-header\">«Vi har svært få identitetsskapende bygg i Norge» </h2><p class=\"paywall hyperion-css-1j42uic\">Jon Fosse uttrykker det grunnleggende poenget: «Eg støtter forslaget uten tvil. Vi har svært få identitetsskapende bygg i Norge, og dei få vi har må vi ta vare på.»</p><p class=\"paywall hyperion-css-1j42uic\">Dette handler ikke om nostalgi. Det handler om ansvar for et bygg som bærer deler av vår nasjonale selvforståelse.</p><p class=\"paywall hyperion-css-1j42uic\">Nationaltheatret er ikke bare en arbeidsplass. Det er et symbol på norsk modernitet – et kulturelt kraftsenter plassert der landet tok form som nasjon. Å splitte teaterets scener mellom sentrum og en uspesifisert lokasjon, bryter med både kunstneriske behov og historisk fornuft.</p><p class=\"paywall hyperion-css-1j42uic\">Ingen nasjon med respekt for seg selv fragmenterer sitt fremste teater.</p><h2 class=\"paywall hyperion-css-npxxyf\" data-test-tag=\"paragraph-header\">Et alternativ som kan samle</h2><p class=\"paywall hyperion-css-1j42uic\">«Ny framtid for Nationaltheatret» tilbyr en løsning som bevarer og moderniserer, som samler alle scener under samme tak, som er billigere og raskere, og som kan gjennomføres nå.</p><p class=\"paywall hyperion-css-1j42uic\">Forslaget styrker sentrum, styrker teaterkunsten og styrker kulturarven. Det gir oss et teaterhus som tåler fremtiden – og samtidig bærer historien videre.</p><div class=\"opinion extendedContent paywall hyperion-css-15ic3dq\"><blockquote data-test-tag=\"blockquote\" class=\"hyperion-css-qsvb07\">Dette handler ikke om nostalgi. Det handler om ansvar for et bygg som bærer deler av vår nasjonale selvforståelse</blockquote></div><figure data-test-tag=\"image\" class=\"image extendedContent stretch-image-asset-on-mobile landscape hyperion-css-1dzjuby\"><img class=\"image-asset hyperion-css-u06ts1\" data-test-tag=\"image-asset\" src=\"https://premium.vgc.no/v2/images/1452798b-2536-4622-8a1c-62dc83516540?fit=crop&amp;format=auto&amp;h=1536&amp;w=2048&amp;s=0f541651a8f4a2b0cb3bc69861aecd11ca08e9c9\" srcSet=\"https://premium.vgc.no/v2/images/1452798b-2536-4622-8a1c-62dc83516540?fit=crop&amp;format=auto&amp;h=1536&amp;w=2048&amp;s=0f541651a8f4a2b0cb3bc69861aecd11ca08e9c9 2048w,https://premium.vgc.no/v2/images/1452798b-2536-4622-8a1c-62dc83516540?fit=crop&amp;format=auto&amp;h=1080&amp;w=1440&amp;s=df723948e05e72a827f22ddb5e94f7c789ed076b 1440w,https://premium.vgc.no/v2/images/1452798b-2536-4622-8a1c-62dc83516540?fit=crop&amp;format=auto&amp;h=768&amp;w=1024&amp;s=e5cdea2cafc934646052aab48f24e29876f82107 1024w,https://premium.vgc.no/v2/images/1452798b-2536-4622-8a1c-62dc83516540?fit=crop&amp;format=auto&amp;h=735&amp;w=980&amp;s=9f1b58b942d0e1a56e20c3059ee73d43fe75aa7c 980w,https://premium.vgc.no/v2/images/1452798b-2536-4622-8a1c-62dc83516540?fit=crop&amp;format=auto&amp;h=585&amp;w=780&amp;s=69a10851079ac9bdc36fe62694db303fabcc2d85 780w,https://premium.vgc.no/v2/images/1452798b-2536-4622-8a1c-62dc83516540?fit=crop&amp;format=auto&amp;h=435&amp;w=580&amp;s=60da80aa94fdfd3d26db0b67c7c44a68f31d1949 580w,https://premium.vgc.no/v2/images/1452798b-2536-4622-8a1c-62dc83516540?fit=crop&amp;format=auto&amp;h=285&amp;w=380&amp;s=01f9ac150cf54b4f883a55cebe58876e0648ed64 380w,https://premium.vgc.no/v2/images/1452798b-2536-4622-8a1c-62dc83516540?fit=crop&amp;format=auto&amp;h=150&amp;w=200&amp;s=cb45bd3497a7aa3d98fa5ddd769878611bc59c9e 200w,https://premium.vgc.no/v2/images/1452798b-2536-4622-8a1c-62dc83516540?fit=crop&amp;format=auto&amp;h=75&amp;w=100&amp;s=e3b5187d5c175156a82995c3755a7061ecf482be 100w\" alt=\"Skisse av det nye bygget sett fra luften. Det vil bli liggende symmetrisk overfor Universitetet på den andre siden av Karl Johan.\" sizes=\"(min-width: 380px) 980px, 100vw\" loading=\"eager\" fetchpriority=\"high\" style=\"aspect-ratio:2048 / 1536\"/><figcaption class=\"image-figcaption hyperion-css-1ksg4fz\" data-test-tag=\"image:caption\"><span class=\"image-caption\" aria-hidden=\"true\">Skisse av det nye bygget sett fra luften. Det vil bli liggende symmetrisk overfor Universitetet på den andre siden av Karl Johan.</span><span class=\"image-byline hyperion-css-161dy2i\"> Illustrasjon: LPO Arkitekter</span></figcaption></figure><h2 class=\"paywall hyperion-css-npxxyf\" data-test-tag=\"paragraph-header\">En bønn til våre folkevalgte</h2><p class=\"paywall hyperion-css-1j42uic\">Vi ber Stortinget om to ting:</p><p class=\"paywall hyperion-css-1j42uic\">1. Stans foreliggende løsning, som hverken er kunstnerisk, økonomisk eller kulturpolitisk bærekraftig.</p><p class=\"paywall hyperion-css-1j42uic\">2. Sørg for at «Ny framtid for Nationaltheatret» blir utredet av regjeringen som et reelt alternativ. Det kreves bare en brøkdel av midlene Statsbygg allerede har fått – og skal få – for å utrede en langt mer omfattende og kostbar løsning.</p><div class=\"advertory-aftenposten-netboard-wrapper__article \"><div id=\"netboard_3\" class=\"advertory-aftenposten-netboard__article\"></div></div><p class=\"paywall hyperion-css-1j42uic\">Her får politikerne den sjeldne muligheten til å gjøre noe riktig i tide.</p><p class=\"paywall hyperion-css-1j42uic\">Denne gangen har Stortinget den muligheten.</p><p class=\"paywall hyperion-css-1j42uic\">Sats på en ny fremtid for Nationaltheatret – før det er for sent.</p><p class=\"paywall hyperion-css-1j42uic\">Forslaget «Ny framtid for Nationaltheatret» støttes av:</p><p class=\"paywall hyperion-css-1j42uic\"><em>Håvard Gimse, Stephan Barratt-Due, Linda Øvrebø, Kjell Nordstrøm, Morten Borgersen, Ingar Helge Gimle, Lars Saabye Christensen, Håkon Gullvåg,  Liv Ullmann, Jon Fosse, Anders Baasmo, Kari Simonsen, Anne Katrine Dolven, Lars Elling, Kjell Erik Killi Olsen, Trine Skei Grande, Kåre Conradi, Bentein Baardson, Joachim Trier,  Per Horn, Valgerd Svarstad Haugland, Ellen Holager Andenæs, Åse Kleveland, Oddvar Bull Tuhus, Jan Vincents Johansen, Terje Mærli, Ragnhild Mærli, Kari-Ann Grønsund, Bjarte Hjelmeland, Henrik Mestad, Sverre Bjærtnes, Hanna-Maria Grønneberg Bjærtnes, Thea Stabell, Anne Karen Hytten, Catrine Telle, Hilde Andersen, Laila Goody, Karin Hellansjø, Kjetil Bang-Hansen, Sverre Anker Ousdal, Cecilie Broch Knudsen, Annelita Meinich, Anne Enger, Bjørn Ransve, Jan Kjærstad, Anne Marie Ransve, Dag Hofseth, Anne Weiglin, Ine Jansen, Linn Skåber, Christine Stoesen, Margrethe Aabye, Kirsti Holm Glad, Agnete Haaland, Per Frøystein Gørvel, Hege Schøyen, Gerd Holmboe Ottesen, Sissel Berdal Haga Thon, Øyvind Fjeldstad, Rune Slagstad, Knut Olav Åmås, Nils Ole Oftebro, Leif Engh, Marianne Hellum, Sigmund Larsen, Hildegunn Rise, Mari Maurstad, Thomas Thiis-Evensen og Andreas Diesen.</em></p><p class=\"paywall hyperion-css-1j42uic\"><strong><em>Arbeidsgruppen for Ny framtid for Nationaltheatret: </em></strong><em>Eilif Holte (prosjektleder),</em><strong><em> </em></strong><em>Lars Haukeland og Alexsander Tunby Rossland (LPO Arkitekter), Ellen Horn, Erik Rudeng, Peter Butenschøn og Erik Collett.</em></p></article><div id=\"widget-recirculation-matrix-inline\" class=\"paywall hyperion-css-10ge17e\"><div class=\"bundle hyperion-css-6nuwex\"><ol class=\"hyperion-css-1700tdj\"><li class=\"hyperion-css-1sdqocr\"><a data-test-tag=\"teaser-small:link-internal\" href=\"/kultur/kommentar/i/gwOkXq/ildsjeler-med-nytt-forslag-om-nationaltheatret-vil-lage-paabygg-i-klassisk-stil\" class=\"imagePosition-right recipe-small hyperion-css-yvqgh2\" rel=\"\" target=\"\" aria-label=\"Kommentar av Erling Dokk Holm: Vil bygge på Nationaltheatret i klassisk stil: - Kan se ut som en genistrek\"><div class=\"hyperion-css-bjn8wh\"><div class=\"hyperion-css-1gd6fuo\"><img class=\"image-asset hyperion-css-1veipau\" data-test-tag=\"image-asset\" src=\"https://premium.vgc.no/v2/images/ffb60157-6931-4975-bdba-56054a3fde6e?fit=crop&amp;format=auto&amp;h=1536&amp;tight=true&amp;w=2048&amp;s=0c9edf00d65b4632c176349723e30dce74cc3e2a\" srcSet=\"https://premium.vgc.no/v2/images/ffb60157-6931-4975-bdba-56054a3fde6e?fit=crop&amp;format=auto&amp;h=1536&amp;tight=true&amp;w=2048&amp;s=0c9edf00d65b4632c176349723e30dce74cc3e2a 2048w,https://premium.vgc.no/v2/images/ffb60157-6931-4975-bdba-56054a3fde6e?fit=crop&amp;format=auto&amp;h=1080&amp;tight=true&amp;w=1440&amp;s=61ab369deabb3859282e6c5ade1fff5a70bfac24 1440w,https://premium.vgc.no/v2/images/ffb60157-6931-4975-bdba-56054a3fde6e?fit=crop&amp;format=auto&amp;h=768&amp;tight=true&amp;w=1024&amp;s=102f9e07d33f5ff43e845145292a46b94eb3d0ad 1024w,https://premium.vgc.no/v2/images/ffb60157-6931-4975-bdba-56054a3fde6e?fit=crop&amp;format=auto&amp;h=735&amp;tight=true&amp;w=980&amp;s=97154ce636b1e98c736cc77d73cf25d164f7c3d5 980w,https://premium.vgc.no/v2/images/ffb60157-6931-4975-bdba-56054a3fde6e?fit=crop&amp;format=auto&amp;h=585&amp;tight=true&amp;w=780&amp;s=b7438167ba545c08c5838301a0441b2ab202dd6f 780w,https://premium.vgc.no/v2/images/ffb60157-6931-4975-bdba-56054a3fde6e?fit=crop&amp;format=auto&amp;h=435&amp;tight=true&amp;w=580&amp;s=e70b4905319b995aa32696c940822d01264a2d8d 580w,https://premium.vgc.no/v2/images/ffb60157-6931-4975-bdba-56054a3fde6e?fit=crop&amp;format=auto&amp;h=285&amp;tight=true&amp;w=380&amp;s=5aa87aeb3dc32ad7136550aa9774196d9d61c5b5 380w,https://premium.vgc.no/v2/images/ffb60157-6931-4975-bdba-56054a3fde6e?fit=crop&amp;format=auto&amp;h=150&amp;tight=true&amp;w=200&amp;s=e874fe1a9516703a64baed14d2b456c68f3a1967 200w,https://premium.vgc.no/v2/images/ffb60157-6931-4975-bdba-56054a3fde6e?fit=crop&amp;format=auto&amp;h=75&amp;tight=true&amp;w=100&amp;s=82075241667e9a7e43086cdc36c3edf61185d3a6 100w\" alt=\"\" sizes=\"106px\" loading=\"lazy\" fetchpriority=\"auto\" style=\"aspect-ratio:2048 / 1536\"/></div></div><div class=\"hyperion-css-1hlrz9z\"><div class=\"hyperion-css-djqnd\">Les også</div><div class=\"opinion hyperion-css-1xjdxia\"><h2 class=\"hyperion-css-b9tnbt\">Kommentar av Erling Dokk Holm: Vil bygge på Nationaltheatret i klassisk stil: - Kan se ut som en genistrek</h2></div></div></a></li></ol></div></div><div id=\"brandmetrics-survey\" class=\"advertory-brandmetrics-survey\"></div><div class=\"hyperion-css-1lkfsxc\"><button aria-label=\"Vis kommentarer\" title=\"Vis kommentarer\" type=\"button\" class=\"hyperion-css-1q6qqhb\"> <!-- -->Vis<!-- --> <!-- -->kommentarer</button></div><div class=\"hyperion-css-1yxx8oe\"><div class=\"hyperion-css-1jbnpry\"><button type=\"button\" title=\"Kopier URL til utklippstavle\" aria-label=\"Kopier URL til utklippstavle\" class=\"hyperion-css-pdsgro\">Kopier lenke</button><a data-test-tag=\"internal-link\" href=\"/tips\" class=\"hyperion-css-1f62hkp\" rel=\"\" target=\"\" aria-label=\"Tips oss\">Tips oss</a></div></div><div id=\"widget-recirculation-matrix\" class=\"extendedContent paywall hyperion-css-177q39v\"><h2 class=\"hyperion-css-r57xc5\" data-test-tag=\"widget:title\">Les videre</h2><div class=\"bundle extendedContent hyperion-css-cbecqi\"><ol class=\"hyperion-css-1700tdj\"><li class=\"hyperion-css-1lcs599\"><a data-test-tag=\"teaser-medium:link-internal\" href=\"/meninger/debatt/i/Av4baE/hva-skjer-med-nationaltheatret\" class=\"imagePosition-top medium opinion-teaser hyperion-css-bvr9ut\" rel=\"\" target=\"\" aria-label=\"Bør ikke Nationaltheaterets eiere kaste et blikk på dette forslaget?\"><div class=\"hyperion-css-bjn8wh\"><div class=\"hyperion-css-1k8sl4j\"><img class=\"image-asset hyperion-css-y2evm6\" data-test-tag=\"image-asset\" src=\"https://premium.vgc.no/v2/images/ea7a284e-fd80-4459-bd63-4875446f9417?fit=crop&amp;format=auto&amp;h=1536&amp;w=2048&amp;s=1916ad52a3afce58b13d3110683742cb16c69819\" srcSet=\"https://premium.vgc.no/v2/images/ea7a284e-fd80-4459-bd63-4875446f9417?fit=crop&amp;format=auto&amp;h=1536&amp;w=2048&amp;s=1916ad52a3afce58b13d3110683742cb16c69819 2048w,https://premium.vgc.no/v2/images/ea7a284e-fd80-4459-bd63-4875446f9417?fit=crop&amp;format=auto&amp;h=1080&amp;w=1440&amp;s=25089a2761f69a7a8ed65227e9b6da39f2c5d2b6 1440w,https://premium.vgc.no/v2/images/ea7a284e-fd80-4459-bd63-4875446f9417?fit=crop&amp;format=auto&amp;h=768&amp;w=1024&amp;s=279af4776abbf9d9b5c8be3ea49f7c9d1147ef1d 1024w,https://premium.vgc.no/v2/images/ea7a284e-fd80-4459-bd63-4875446f9417?fit=crop&amp;format=auto&amp;h=735&amp;w=980&amp;s=40cad7f59c5612297ce5c4af382acbd7b750d412 980w,https://premium.vgc.no/v2/images/ea7a284e-fd80-4459-bd63-4875446f9417?fit=crop&amp;format=auto&amp;h=585&amp;w=780&amp;s=589cf497e8d55ee2616293475d183b3a676601aa 780w,https://premium.vgc.no/v2/images/ea7a284e-fd80-4459-bd63-4875446f9417?fit=crop&amp;format=auto&amp;h=435&amp;w=580&amp;s=d8a5221f18562dcdd2064a15e674f09249a6f510 580w,https://premium.vgc.no/v2/images/ea7a284e-fd80-4459-bd63-4875446f9417?fit=crop&amp;format=auto&amp;h=285&amp;w=380&amp;s=b9c785a78eba0d7eae99de56eb69467ac4dbf922 380w,https://premium.vgc.no/v2/images/ea7a284e-fd80-4459-bd63-4875446f9417?fit=crop&amp;format=auto&amp;h=150&amp;w=200&amp;s=86d63c74b9a29b817b9db9ea831c5892f6c030a6 200w,https://premium.vgc.no/v2/images/ea7a284e-fd80-4459-bd63-4875446f9417?fit=crop&amp;format=auto&amp;h=75&amp;w=100&amp;s=aa96eb58000acc0c609a472ff0c882c41678cfb3 100w\" alt=\"\" sizes=\"(min-width: 981px) 980px, 100vw\" loading=\"lazy\" fetchpriority=\"auto\" style=\"aspect-ratio:2048 / 1536\"/></div></div><div class=\"hyperion-css-1hlrz9z\"><div class=\"teaser-label hyperion-css-52yh2p\">DEBATT<div class=\"timestamp friendly hyperion-css-10eh1jy\" data-test-tag=\"timestamp\"><span class=\"hyperion-css-ea91rp\">Publisert:</span><div><time itemProp=\"datePublished\" dateTime=\"2025-10-23T13:19:36Z\" aria-label=\"2025-10-23T13:19:36Z\" pubdate=\"pubdate\">23. oktober</time></div></div></div><div class=\"opinion hyperion-css-1ucd1we\"><h2 class=\"hyperion-css-1hyuqep\">Bør ikke Nationaltheaterets eiere kaste et blikk på dette forslaget?</h2></div></div></a></li><li class=\"hyperion-css-1lcs599\"><a data-test-tag=\"teaser-medium:link-internal\" href=\"/oslo/i/93gv1E/marianne-heske-foreslaar-et-egg-i-tre-som-midlertidig-scene-for-nationaltheatret\" class=\"imagePosition-top medium news-teaser hyperion-css-bvr9ut\" rel=\"\" target=\"\" aria-label=\"Midlertidig Nationaltheater: Har ruget frem en grensesprengende idé\"><div class=\"hyperion-css-bjn8wh\"><div class=\"hyperion-css-1k8sl4j\"><img class=\"image-asset hyperion-css-mvypft\" data-test-tag=\"image-asset\" src=\"https://premium.vgc.no/v2/images/919a4443-3022-40a5-a845-63406ef6277d?fit=crop&amp;format=auto&amp;h=1536&amp;w=2048&amp;s=28342f75623f4f564c81ea1b05d2a724fb5dca9d\" srcSet=\"https://premium.vgc.no/v2/images/919a4443-3022-40a5-a845-63406ef6277d?fit=crop&amp;format=auto&amp;h=1536&amp;w=2048&amp;s=28342f75623f4f564c81ea1b05d2a724fb5dca9d 2048w,https://premium.vgc.no/v2/images/919a4443-3022-40a5-a845-63406ef6277d?fit=crop&amp;format=auto&amp;h=1080&amp;w=1440&amp;s=37dde3ec0db61fc7362454553c7bb77466b5375e 1440w,https://premium.vgc.no/v2/images/919a4443-3022-40a5-a845-63406ef6277d?fit=crop&amp;format=auto&amp;h=768&amp;w=1024&amp;s=407cc655f6fa56447ac4b40ed5fd2f4324e35c23 1024w,https://premium.vgc.no/v2/images/919a4443-3022-40a5-a845-63406ef6277d?fit=crop&amp;format=auto&amp;h=735&amp;w=980&amp;s=c460a32fbc4c42ae6ff1f151d03006268ea0c01b 980w,https://premium.vgc.no/v2/images/919a4443-3022-40a5-a845-63406ef6277d?fit=crop&amp;format=auto&amp;h=585&amp;w=780&amp;s=a3a68066591009319f774cee8b3dcf4ff851e84d 780w,https://premium.vgc.no/v2/images/919a4443-3022-40a5-a845-63406ef6277d?fit=crop&amp;format=auto&amp;h=435&amp;w=580&amp;s=3c562943eea620f1f185a6ee1f89c94594eaf2fc 580w,https://premium.vgc.no/v2/images/919a4443-3022-40a5-a845-63406ef6277d?fit=crop&amp;format=auto&amp;h=285&amp;w=380&amp;s=6867c773e38fd53e479f6a8e4fead810985f5b53 380w,https://premium.vgc.no/v2/images/919a4443-3022-40a5-a845-63406ef6277d?fit=crop&amp;format=auto&amp;h=150&amp;w=200&amp;s=c4243367705ded83e28572fe1a848a3c8b01eef0 200w,https://premium.vgc.no/v2/images/919a4443-3022-40a5-a845-63406ef6277d?fit=crop&amp;format=auto&amp;h=75&amp;w=100&amp;s=e2afb42c81aad486a847ca1d97747bbb8f4758b8 100w\" alt=\"\" sizes=\"(min-width: 981px) 980px, 100vw\" loading=\"lazy\" fetchpriority=\"auto\" style=\"aspect-ratio:2048 / 1536\"/></div></div><div class=\"hyperion-css-1hlrz9z\"><div class=\"teaser-label hyperion-css-52yh2p\">OSLO<div class=\"timestamp friendly hyperion-css-10eh1jy\" data-test-tag=\"timestamp\"><span class=\"hyperion-css-ea91rp\">Publisert:</span><div><time itemProp=\"datePublished\" dateTime=\"2025-11-05T17:44:44Z\" aria-label=\"2025-11-05T17:44:44Z\" pubdate=\"pubdate\">5. november</time></div></div></div><div class=\"opinion hyperion-css-1ucd1we\"><h2 class=\"hyperion-css-1hyuqep\">Midlertidig Nationaltheater: Har ruget frem en grensesprengende idé</h2></div></div></a></li><li class=\"hyperion-css-1lcs599\"><div class=\"advertory-aftenposten-netboard-wrapper \"><div id=\"netboard_recirc\" class=\"advertory-aftenposten-netboard\"></div></div></li><li class=\"hyperion-css-1lcs599\"><a data-test-tag=\"teaser-medium:link-internal\" href=\"/meninger/kronikk/i/oELW0W/menn-aapner-seg-men-for-en-chatbot\" class=\"imagePosition-top medium opinion-teaser hyperion-css-bvr9ut\" rel=\"\" target=\"\" aria-label=\"Movember handler om å få menn til å åpne seg. Men hva om mange faktisk allerede gjør det – bare ikke med oss?\"><div class=\"hyperion-css-bjn8wh\"><div class=\"hyperion-css-1k8sl4j\"><img class=\"image-asset hyperion-css-3xldo2\" data-test-tag=\"image-asset\" src=\"https://premium.vgc.no/v2/images/4fc4b150-0130-49ba-bd38-d6e5ab06ff2e?fit=crop&amp;format=auto&amp;h=1536&amp;w=2048&amp;s=d22a3a7d33262111556ab8875b34c858e955bdd8\" srcSet=\"https://premium.vgc.no/v2/images/4fc4b150-0130-49ba-bd38-d6e5ab06ff2e?fit=crop&amp;format=auto&amp;h=1536&amp;w=2048&amp;s=d22a3a7d33262111556ab8875b34c858e955bdd8 2048w,https://premium.vgc.no/v2/images/4fc4b150-0130-49ba-bd38-d6e5ab06ff2e?fit=crop&amp;format=auto&amp;h=1080&amp;w=1440&amp;s=5dae4d5646bc531024c205d7b3760936bcd92114 1440w,https://premium.vgc.no/v2/images/4fc4b150-0130-49ba-bd38-d6e5ab06ff2e?fit=crop&amp;format=auto&amp;h=768&amp;w=1024&amp;s=40a8b1c53c8d32579b2fa1eeea7f6c2cdf6226a9 1024w,https://premium.vgc.no/v2/images/4fc4b150-0130-49ba-bd38-d6e5ab06ff2e?fit=crop&amp;format=auto&amp;h=735&amp;w=980&amp;s=4f5fd71298c0a0b683cb708d1a07f5659ef9f80c 980w,https://premium.vgc.no/v2/images/4fc4b150-0130-49ba-bd38-d6e5ab06ff2e?fit=crop&amp;format=auto&amp;h=585&amp;w=780&amp;s=51e4cf16d6dcd8db0bdc41283967fdad760aaf03 780w,https://premium.vgc.no/v2/images/4fc4b150-0130-49ba-bd38-d6e5ab06ff2e?fit=crop&amp;format=auto&amp;h=435&amp;w=580&amp;s=b934a2f0365474bda76828c43e1f1b561e495385 580w,https://premium.vgc.no/v2/images/4fc4b150-0130-49ba-bd38-d6e5ab06ff2e?fit=crop&amp;format=auto&amp;h=285&amp;w=380&amp;s=19a6e6a19dbfafbb5998fda683ccf2e2737b07e7 380w,https://premium.vgc.no/v2/images/4fc4b150-0130-49ba-bd38-d6e5ab06ff2e?fit=crop&amp;format=auto&amp;h=150&amp;w=200&amp;s=f6d7ada7b9fd03bf65a87d71bb8e1313edb7f762 200w,https://premium.vgc.no/v2/images/4fc4b150-0130-49ba-bd38-d6e5ab06ff2e?fit=crop&amp;format=auto&amp;h=75&amp;w=100&amp;s=8b8df7164e67748839400401d0726b47de8b9c19 100w\" alt=\"\" sizes=\"(min-width: 981px) 980px, 100vw\" loading=\"lazy\" fetchpriority=\"auto\" style=\"aspect-ratio:2048 / 1536\"/></div></div><div class=\"hyperion-css-1hlrz9z\"><div class=\"teaser-label hyperion-css-52yh2p\">KRONIKK<div class=\"timestamp friendly hyperion-css-10eh1jy\" data-test-tag=\"timestamp\"><span class=\"hyperion-css-ea91rp\">Publisert:</span><div><time itemProp=\"datePublished\" dateTime=\"2025-11-22T21:25:04Z\" aria-label=\"2025-11-22T21:25:04Z\" pubdate=\"pubdate\">22. november</time></div></div></div><div class=\"opinion hyperion-css-1ucd1we\"><h2 class=\"hyperion-css-1hyuqep\">Movember handler om å få menn til å åpne seg. Men hva om mange faktisk allerede gjør det – bare ikke med oss?</h2></div></div></a></li></ol></div></div><div id=\"widget-inline-list\" class=\"extendedContent paywall hyperion-css-1wv24dq\"><div class=\"bundle hyperion-css-6nuwex\"><ol class=\"hyperion-css-19mvxvm\"><li class=\"hyperion-css-1og0r8\"><a data-test-tag=\"internal-link\" href=\"/tag/nationaltheatret\" class=\"hyperion-css-vpoaev\" rel=\"\" target=\"\" aria-label=\"Nationaltheatret\"><span class=\"hyperion-css-0\">Nationaltheatret</span></a></li><li class=\"hyperion-css-1og0r8\"><a data-test-tag=\"internal-link\" href=\"/tag/arkitektur\" class=\"hyperion-css-vpoaev\" rel=\"\" target=\"\" aria-label=\"Arkitektur\"><span class=\"hyperion-css-0\">Arkitektur</span></a></li><li class=\"hyperion-css-1og0r8\"><a data-test-tag=\"internal-link\" href=\"/tag/reguleringsplan\" class=\"hyperion-css-vpoaev\" rel=\"\" target=\"\" aria-label=\"reguleringsplan\"><span class=\"hyperion-css-0\">reguleringsplan</span></a></li></ol></div></div><div class=\"advertory-aftenposten-netboard-wrapper__article \"><div id=\"netboard_5\" class=\"advertory-aftenposten-netboard__article\"></div></div><div class=\"observer-placeholder\"><noscript></noscript></div><div class=\"hyperion-css-1q3hux1\"><button aria-label=\"Tilbake til forsiden\" title=\"Tilbake til forsiden\" type=\"button\" class=\"hyperion-css-1t4sy44\">Tilbake til forsiden</button></div><div class=\"advertory-aftenposten-netboard-wrapper__article advertory-aftenposten-bottom-ad\"><div id=\"netboard_6\" class=\"advertory-aftenposten-netboard__article\"></div></div></div><div></div></div><div id=\"superright-side\" class=\"hyperion-css-1927kqg\"><div class=\"advertory-aftenposten-skyscraperright_1-wrapper\"><div id=\"skyscraperright_1\" class=\"advertory-aftenposten-skyscraperright_1\"></div></div></div></div><footer role=\"contentinfo\" class=\"hyperion-css-1ykq07t\"><div class=\"container\"><div class=\"links\"><ul><li><a class=\"actionLink\" href=\"https://www.aftenposten.no/tips\">Tips oss</a></li><li><a href=\"https://www.aftenposten.no/meninger/debatt/i/Ooyk/informasjon-om-debattinnlegg-og-kronikker-til-aftenposten\" class=\"actionLink\">Send inn debattinnlegg</a></li><li><a href=\"https://www.aftenposten.no/rettelser\" class=\"actionLink\">Endringslogg</a></li><li><a class=\"actionLink\" href=\"https://www.aftenposten.no/slik-jobber-vi-i-aftenposten\">Slik jobber vi i Aftenposten</a></li></ul><ul><li><a class=\"actionLink\" href=\"https://kundeservice.aftenposten.no/s/\">Kundeservice</a></li><li><a class=\"actionLink\" href=\"https://schibstedforbusiness.com/no/merkevarer/aftenposten/\">Annonsere i Aftenposten</a></li><li><a class=\"actionLink\" href=\"https://info.privacy.schibsted.com/no/schibsted-norge-personvernerklaering/\">Personvernpolicy</a></li><li><a class=\"actionLink\" href=\"https://info.privacy.schibsted.com/no/schibsted-norge-personvernerklaering/\">Informasjonskapsler</a></li></ul><div class=\"logos\"><div data-loaded=\"true\" class=\"hyperion-css-15fvjg8\"><noscript><img width=\"\" src=\"https://cdn.aftenposten.no/ap/images/footer/circular-ap-logo.png\" alt=\"aftenposten-logo\"/></noscript></div><a href=\"https://www.redaktor.no/ressurser/etiske-og-juridiske-rammeverk/redaktorplakaten\" target=\"_blank\" rel=\"noopener noreferrer\" aria-label=\"Lenke til Redaktørplakaten etiske og juridiske rammeverk på Redaktor.no\" class=\"hyperion-css-hkgcqn\"><noscript><img src=\"https://cdn.aftenposten.no/ap/images/footer/ansvarsmerket.svg\" alt=\"Ansvarsmerket\"/></noscript></a></div></div><div class=\"info\"><ul><li><span>Sjefredaktør og adm. direktør: </span><span class=\"name\">Trine Eilertsen</span></li><li><span>Nyhetsredaktør: </span><span class=\"name\">Tone Tveøy Strøm-Gundersen</span></li><li><span>Politisk redaktør: </span><span class=\"name\">Kjetil B. 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\"}},\"text-lead\":{\"type\":\"text\",\"text\":{\"value\":\"Nationaltheatret, et drama i altfor mange akter.\"},\"subtype\":\"lead\",\"layout\":\"contentWidth\"},\"text-timestamp\":{\"type\":\"text\",\"subtype\":\"timestamp\",\"text\":{\"value\":\"Publisert: 28.11.2025 11:31\",\"markup\":[]},\"friendly\":false,\"top\":true,\"showPublished\":true,\"externalClassName\":\"paywall\",\"lazy\":false},\"newsletter-signup\":{\"type\":\"newsletter-signup\",\"newsletterPublication\":\"ap\",\"newsletterId\":\"ba1a0e9b-996c-46bb-9ec7-8ac5c851fdc8\",\"newsletterName\":\"Se. Lese. Høre. Gjøre.\",\"newsletterDescription\":\"Debattredaktør Erik Tornes sender deg de mest interessante anmeldelsene og debattene.\",\"newsletterSignupMessage\":\"Takk, din påmelding er registrert. Administrer dine nyhetsbrev på \\\"Min side\\\".\",\"needsSubscription\":false,\"secondaryNewsletter\":{\"newsletterPublication\":\"ap\",\"newsletterId\":\"5272064d-7078-4c71-bfcd-08c95f5a507e\",\"newsletterName\":\"Morgenbrief\",\"newsletterDescription\":\"Få en kjapp oversikt over de største nyhetene, rett i innboksen, hver morgen.\",\"needsSubscription\":false},\"externalClassName\":\"paywall\"},\"article-marker-content-start\":{\"type\":\"article-marker\",\"subtype\":\"content-start\",\"externalClassName\":\"paywall\"},\"text\":{\"type\":\"text\",\"text\":{\"value\":\"Nationaltheatret forfaller. Etter tiår med utredninger står vårt nasjonale teater fortsatt uten en løsning som både bevarer kulturarven og gir bygget funksjonaliteten et moderne hovedsceneteater trenger. \"},\"externalClassName\":\"paywall\"},\"text-0\":{\"type\":\"text\",\"text\":{\"value\":\"Nå reiser et bredt lag av norske kulturpersonligheter, fagfolk og tidligere teaterledere seg og ber Stortinget om én ting:\"},\"externalClassName\":\"paywall\"},\"text-1\":{\"type\":\"text\",\"text\":{\"value\":\"Vurder alternativet «Ny framtid for Nationaltheatret» før det er for sent.\"},\"externalClassName\":\"paywall\"},\"text-2\":{\"type\":\"text\",\"text\":{\"value\":\"Dette handler ikke om snarveier. Det handler om fornuft – og om vilje til å handle.\"},\"externalClassName\":\"paywall\"},\"text-heading\":{\"type\":\"text\",\"text\":{\"value\":\"Rimeligere, raskere og bedre\"},\"subtype\":\"heading\",\"externalClassName\":\"paywall\"},\"text-3\":{\"type\":\"text\",\"text\":{\"value\":\"Forslaget «Ny framtid for Nationaltheatret» er utviklet av en arbeidsgruppe ledet av sivilingeniør Eilif Holte, med LPO arkitekter som hovedarkitekter. De representerer erfarne fagmiljøer innen arkitektur, byggeledelse og offentlig prosjektstyring.\"},\"externalClassName\":\"paywall\"},\"text-4\":{\"type\":\"text\",\"text\":{\"value\":\"Konklusjonen er tydelig: Det er fullt mulig å rehabilitere teateret og bygge et moderne, funksjonelt tilbygg – innen 2030.\"},\"externalClassName\":\"paywall\"},\"text-5\":{\"type\":\"text\",\"text\":{\"value\":\"Løsningen med et nytt tilbygg bevarer hovedbygget, moderniserer bakscene-arealene og sikrer at alle biscener kan forbli under samme tak. Samtidig skapes Teaterplassen – et nytt utendørs byrom mellom Nationaltheatret og Universitetsplassen. Med dette får Oslo et kulturkvartal i europeisk format, midt i hjertet av hovedstaden.\"},\"externalClassName\":\"paywall\"},\"text-6\":{\"type\":\"text\",\"text\":{\"value\":\"Dette er ikke et visjonsprosjekt. Det er en faglig gjennomarbeidet plan, teknisk, praktisk og økonomisk.\"},\"externalClassName\":\"paywall\"},\"image-7\":{\"caption\":{\"value\":\"Det er fullt mulig å rehabilitere teateret og bygge et moderne, funksjonelt tilbygg – innen 2030, skriver innleggsforfatterne.\"},\"imageAsset\":{\"id\":\"38c8e2f6-9645-4e2e-b11e-a59d48767364\",\"size\":{\"width\":9080,\"height\":8490},\"hotspot\":{\"x\":171,\"y\":1623,\"width\":7988,\"height\":5996},\"urls\":[{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&format=auto&h=1915&w=2048&s=30a6eb239f00a9eb704562ca6a9db1abe7125551\",\"width\":2048,\"height\":1915},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&format=auto&h=1346&w=1440&s=d1854545b84b23dbd39a82ae65c35d513009f927\",\"width\":1440,\"height\":1346},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&format=auto&h=957&w=1024&s=8d71a126d059844de64f2013a12f9cf4f5cfd359\",\"width\":1024,\"height\":957},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&format=auto&h=916&w=980&s=6c8360ca49a13ff20f2e4a5256f10ab615220921\",\"width\":980,\"height\":916},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&format=auto&h=729&w=780&s=38dbc37265d8edc34451475dd87af5c428a41e62\",\"width\":780,\"height\":729},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&format=auto&h=542&w=580&s=0a014d784770036cb5d3b0886fff1c6454ad1c1b\",\"width\":580,\"height\":542},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&format=auto&h=355&w=380&s=f72b315ef7d920244133535269bdb22dd90cc0fc\",\"width\":380,\"height\":355},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&format=auto&h=187&w=200&s=74e92778102f96ae91b98f5a26dc7bb41c6c7c68\",\"width\":200,\"height\":187},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F38c8e2f6-9645-4e2e-b11e-a59d48767364?fit=crop&format=auto&h=94&w=100&s=17de39018991c7bc8006c88e3e01844401eb1509\",\"width\":100,\"height\":94}]},\"characteristics\":{\"figure\":false,\"sensitive\":false},\"type\":\"image\",\"externalClassName\":\"paywall\",\"layout\":\"extendedContent\",\"presentationProperties\":{\"bylinePrefix\":\"Illustrasjon: \"}},\"text-heading-8\":{\"type\":\"text\",\"text\":{\"value\":\"Mytene må legges bort\"},\"subtype\":\"heading\",\"externalClassName\":\"paywall\"},\"text-9\":{\"type\":\"text\",\"text\":{\"value\":\"I debatten har det festet seg myter som står i veien for gode beslutninger: at grunnforholdene er for dårlige, at bygget ligger for tett på T-banen, at scener må rives, at gjennomføringen er for komplisert.\"},\"externalClassName\":\"paywall\"},\"text-10\":{\"type\":\"text\",\"text\":{\"value\":\"Alt dette er tilbakevist av prosjektets fagfolk. Prosjektet kommer ikke i konflikt med kollektivtrafikken. Ingen scener må vekk. Grunnforholdene er gode nok. Og byggingen kan gjennomføres uten dramatiske, flerårige stengninger.\"},\"externalClassName\":\"paywall\"},\"text-11\":{\"type\":\"text\",\"text\":{\"value\":\"Vi trenger ikke frykte utfordringene ved dette grepet. Det farlige er at feil premisser får styre fremtiden til Norges viktigste teaterhus.\\n\"},\"externalClassName\":\"paywall\"},\"image-12\":{\"caption\":{\"value\":\"Illustrasjonen viser ny fasade vendt mot Karl Johan.\"},\"byline\":{\"title\":\"Illustrasjon: LPO Arkitekter\"},\"imageAsset\":{\"id\":\"971ce41e-0a9d-4758-b578-b8dec7b5f26d\",\"size\":{\"width\":1862,\"height\":1318},\"hotspot\":{\"x\":151,\"y\":108,\"width\":1615,\"height\":1210},\"urls\":[{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&format=auto&h=1318&w=1862&s=e10dd86fce0a69e8826481a0ece44a65e3a14ce5\",\"width\":1862,\"height\":1318},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&format=auto&h=1019&w=1440&s=d5a2a32e86172d9838d0ccb84ae3ca17f3d2215f\",\"width\":1440,\"height\":1019},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&format=auto&h=725&w=1024&s=d5c91e936ae24f8e103f9764fe0d969f3cd21996\",\"width\":1024,\"height\":725},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&format=auto&h=694&w=980&s=13ba92e100236782a5b5c25af4b4ed2a8483194a\",\"width\":980,\"height\":694},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&format=auto&h=552&w=780&s=4a97ffc9ba4495f2ec92206e167ea0c09e1cda3f\",\"width\":780,\"height\":552},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&format=auto&h=411&w=580&s=fad28d46abec3c5a505e51b75937c6f38407bb14\",\"width\":580,\"height\":411},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&format=auto&h=269&w=380&s=a1233ae4e3d6d02919ca32a2679291cc2e0687be\",\"width\":380,\"height\":269},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&format=auto&h=142&w=200&s=b1f72e36019ec125848b536b1b0bb0fb43135ae9\",\"width\":200,\"height\":142},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F971ce41e-0a9d-4758-b578-b8dec7b5f26d?fit=crop&format=auto&h=71&w=100&s=6e62384d2071426a45bb710cf294e1bb06aff2d7\",\"width\":100,\"height\":71}]},\"characteristics\":{\"figure\":false,\"sensitive\":false},\"type\":\"image\",\"externalClassName\":\"paywall\",\"layout\":\"extendedContent\",\"presentationProperties\":{\"bylinePrefix\":\"Illustrasjon: \"}},\"text-heading-13\":{\"type\":\"text\",\"text\":{\"value\":\"Regjeringen: teater uten biscener – ferdig i 2040\"},\"subtype\":\"heading\",\"externalClassName\":\"paywall\"},\"text-14\":{\"type\":\"text\",\"text\":{\"value\":\"Like før sommeren 2025 gikk regjeringen inn for en løsning som i realiteten skyver hele prosjektet tiår frem i tid. Ifølge vedtaket skal Nationaltheatret stå ferdig først i 2040–41 – uten biscener. Teatret reduseres til et skall: én scene igjen, resten omgjort til tekniske rom og kantine. Samtidig skal det vurderes en mulig «teater-hub» i Oslo øst.\"},\"externalClassName\":\"paywall\"},\"text-15\":{\"type\":\"text\",\"text\":{\"value\":\"Forslaget er både dyrt, omstendelig og byutviklingsmessig uklokt. Det krever nye lokaliseringsutredninger, ny reguleringsplan og vurdering av hele 14 mulige tomter. Det er et enormt arbeid som skyver reell oppstart av selve rehabiliteringen langt frem i tid.\"},\"externalClassName\":\"paywall\"},\"text-16\":{\"type\":\"text\",\"text\":{\"value\":\"For kunstnere og ansatte som allerede er utslitt etter år med uvisshet, er dette som en endeløs generalprøve der ingen får vite når forestillingen skal begynne.\"},\"externalClassName\":\"paywall\"},\"text-17\":{\"type\":\"text\",\"text\":{\"value\":\"Som Aftenpostens Frank Rossavik skriver:\",\"markup\":[{\"type\":\"link:internal\",\"offset\":31,\"length\":8,\"uri\":\"article:rPwWAK\",\"expandedUri\":\"https:\\u002F\\u002Fwww.aftenposten.no\\u002Fmeninger\\u002Fkommentar\\u002Fi\\u002FrPwWAK\\u002Fnationaltheatret-kan-bli-forstoerret\"}]},\"externalClassName\":\"paywall\"},\"text-18\":{\"type\":\"text\",\"text\":{\"value\":\"«Jafferys forsøksvise avklaring [er] lite utredet. Løsningen hadde ikke modnet. Den kom i desperasjon.»\"},\"externalClassName\":\"paywall\"},\"text-heading-19\":{\"type\":\"text\",\"text\":{\"value\":\"«Vi har svært få identitetsskapende bygg i Norge» \"},\"subtype\":\"heading\",\"externalClassName\":\"paywall\"},\"text-20\":{\"type\":\"text\",\"text\":{\"value\":\"Jon Fosse uttrykker det grunnleggende poenget: «Eg støtter forslaget uten tvil. Vi har svært få identitetsskapende bygg i Norge, og dei få vi har må vi ta vare på.»\"},\"externalClassName\":\"paywall\"},\"text-21\":{\"type\":\"text\",\"text\":{\"value\":\"Dette handler ikke om nostalgi. Det handler om ansvar for et bygg som bærer deler av vår nasjonale selvforståelse.\"},\"externalClassName\":\"paywall\"},\"text-22\":{\"type\":\"text\",\"text\":{\"value\":\"Nationaltheatret er ikke bare en arbeidsplass. Det er et symbol på norsk modernitet – et kulturelt kraftsenter plassert der landet tok form som nasjon. Å splitte teaterets scener mellom sentrum og en uspesifisert lokasjon, bryter med både kunstneriske behov og historisk fornuft.\"},\"externalClassName\":\"paywall\"},\"text-23\":{\"type\":\"text\",\"text\":{\"value\":\"Ingen nasjon med respekt for seg selv fragmenterer sitt fremste teater.\"},\"externalClassName\":\"paywall\"},\"text-heading-24\":{\"type\":\"text\",\"text\":{\"value\":\"Et alternativ som kan samle\"},\"subtype\":\"heading\",\"externalClassName\":\"paywall\"},\"text-25\":{\"type\":\"text\",\"text\":{\"value\":\"«Ny framtid for Nationaltheatret» tilbyr en løsning som bevarer og moderniserer, som samler alle scener under samme tak, som er billigere og raskere, og som kan gjennomføres nå.\"},\"externalClassName\":\"paywall\"},\"text-26\":{\"type\":\"text\",\"text\":{\"value\":\"Forslaget styrker sentrum, styrker teaterkunsten og styrker kulturarven. Det gir oss et teaterhus som tåler fremtiden – og samtidig bærer historien videre.\"},\"externalClassName\":\"paywall\"},\"text-blockquote\":{\"type\":\"text\",\"text\":{\"value\":\"Dette handler ikke om nostalgi. Det handler om ansvar for et bygg som bærer deler av vår nasjonale selvforståelse\"},\"subtype\":\"blockquote\",\"externalClassName\":\"paywall\",\"layout\":\"extendedContent\"},\"image-27\":{\"caption\":{\"value\":\"Skisse av det nye bygget sett fra luften. Det vil bli liggende symmetrisk overfor Universitetet på den andre siden av Karl Johan.\"},\"byline\":{\"title\":\"Illustrasjon: LPO Arkitekter\"},\"imageAsset\":{\"id\":\"1452798b-2536-4622-8a1c-62dc83516540\",\"size\":{\"width\":3200,\"height\":2400},\"urls\":[{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F1452798b-2536-4622-8a1c-62dc83516540?fit=crop&format=auto&h=1536&w=2048&s=0f541651a8f4a2b0cb3bc69861aecd11ca08e9c9\",\"width\":2048,\"height\":1536},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F1452798b-2536-4622-8a1c-62dc83516540?fit=crop&format=auto&h=1080&w=1440&s=df723948e05e72a827f22ddb5e94f7c789ed076b\",\"width\":1440,\"height\":1080},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F1452798b-2536-4622-8a1c-62dc83516540?fit=crop&format=auto&h=768&w=1024&s=e5cdea2cafc934646052aab48f24e29876f82107\",\"width\":1024,\"height\":768},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F1452798b-2536-4622-8a1c-62dc83516540?fit=crop&format=auto&h=735&w=980&s=9f1b58b942d0e1a56e20c3059ee73d43fe75aa7c\",\"width\":980,\"height\":735},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F1452798b-2536-4622-8a1c-62dc83516540?fit=crop&format=auto&h=585&w=780&s=69a10851079ac9bdc36fe62694db303fabcc2d85\",\"width\":780,\"height\":585},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F1452798b-2536-4622-8a1c-62dc83516540?fit=crop&format=auto&h=435&w=580&s=60da80aa94fdfd3d26db0b67c7c44a68f31d1949\",\"width\":580,\"height\":435},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F1452798b-2536-4622-8a1c-62dc83516540?fit=crop&format=auto&h=285&w=380&s=01f9ac150cf54b4f883a55cebe58876e0648ed64\",\"width\":380,\"height\":285},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F1452798b-2536-4622-8a1c-62dc83516540?fit=crop&format=auto&h=150&w=200&s=cb45bd3497a7aa3d98fa5ddd769878611bc59c9e\",\"width\":200,\"height\":150},{\"url\":\"https:\\u002F\\u002Fpremium.vgc.no\\u002Fv2\\u002Fimages\\u002F1452798b-2536-4622-8a1c-62dc83516540?fit=crop&format=auto&h=75&w=100&s=e3b5187d5c175156a82995c3755a7061ecf482be\",\"width\":100,\"height\":75}]},\"characteristics\":{\"figure\":false,\"sensitive\":false},\"type\":\"image\",\"externalClassName\":\"paywall\",\"layout\":\"extendedContent\",\"presentationProperties\":{\"bylinePrefix\":\"Illustrasjon: \"}},\"text-heading-28\":{\"type\":\"text\",\"text\":{\"value\":\"En bønn til våre folkevalgte\"},\"subtype\":\"heading\",\"externalClassName\":\"paywall\"},\"text-29\":{\"type\":\"text\",\"text\":{\"value\":\"Vi ber Stortinget om to ting:\"},\"externalClassName\":\"paywall\"},\"text-30\":{\"type\":\"text\",\"text\":{\"value\":\"1. Stans foreliggende løsning, som hverken er kunstnerisk, økonomisk eller kulturpolitisk bærekraftig.\"},\"externalClassName\":\"paywall\"},\"text-31\":{\"type\":\"text\",\"text\":{\"value\":\"2. Sørg for at «Ny framtid for Nationaltheatret» blir utredet av regjeringen som et reelt alternativ. Det kreves bare en brøkdel av midlene Statsbygg allerede har fått – og skal få – for å utrede en langt mer omfattende og kostbar løsning.\"},\"externalClassName\":\"paywall\"},\"text-32\":{\"type\":\"text\",\"text\":{\"value\":\"Her får politikerne den sjeldne muligheten til å gjøre noe riktig i tide.\"},\"externalClassName\":\"paywall\"},\"text-33\":{\"type\":\"text\",\"text\":{\"value\":\"Denne gangen har Stortinget den muligheten.\"},\"externalClassName\":\"paywall\"},\"text-34\":{\"type\":\"text\",\"text\":{\"value\":\"Sats på en ny fremtid for Nationaltheatret – før det er for sent.\"},\"externalClassName\":\"paywall\"},\"text-35\":{\"type\":\"text\",\"text\":{\"value\":\"Forslaget «Ny framtid for Nationaltheatret» støttes av:\"},\"externalClassName\":\"paywall\"},\"text-36\":{\"type\":\"text\",\"text\":{\"value\":\"Håvard Gimse, Stephan Barratt-Due, Linda Øvrebø, Kjell Nordstrøm, Morten Borgersen, Ingar Helge Gimle, Lars Saabye Christensen, Håkon Gullvåg,  Liv Ullmann, Jon Fosse, Anders Baasmo, Kari Simonsen, Anne Katrine Dolven, Lars Elling, Kjell Erik Killi Olsen, Trine Skei Grande, Kåre Conradi, Bentein Baardson, Joachim Trier,  Per Horn, Valgerd Svarstad Haugland, Ellen Holager Andenæs, Åse Kleveland, Oddvar Bull Tuhus, Jan Vincents Johansen, Terje Mærli, Ragnhild Mærli, Kari-Ann Grønsund, Bjarte Hjelmeland, Henrik Mestad, Sverre Bjærtnes, Hanna-Maria Grønneberg Bjærtnes, Thea Stabell, Anne Karen Hytten, Catrine Telle, Hilde Andersen, Laila Goody, Karin Hellansjø, Kjetil Bang-Hansen, Sverre Anker Ousdal, Cecilie Broch Knudsen, Annelita Meinich, Anne Enger, Bjørn Ransve, Jan Kjærstad, Anne Marie Ransve, Dag Hofseth, Anne Weiglin, Ine Jansen, Linn Skåber, Christine Stoesen, Margrethe Aabye, Kirsti Holm Glad, Agnete Haaland, Per Frøystein Gørvel, Hege Schøyen, Gerd Holmboe Ottesen, Sissel Berdal Haga Thon, Øyvind Fjeldstad, Rune Slagstad, Knut Olav Åmås, Nils Ole Oftebro, Leif Engh, Marianne Hellum, Sigmund Larsen, Hildegunn Rise, Mari Maurstad, Thomas Thiis-Evensen og Andreas Diesen.\",\"markup\":[{\"type\":\"style:em\",\"offset\":0,\"length\":1193}]},\"externalClassName\":\"paywall\"},\"text-37\":{\"type\":\"text\",\"text\":{\"value\":\"Arbeidsgruppen for Ny framtid for Nationaltheatret: Eilif Holte (prosjektleder), Lars Haukeland og Alexsander Tunby Rossland (LPO Arkitekter), Ellen Horn, Erik Rudeng, Peter Butenschøn og Erik 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genistrek\"},\"label\":{\"value\":\"Les også\"},\"text\":{\"value\":\"En gruppe ildsjeler legger frem et helt nytt forslag som snur debatten om Nationaltheatret på hodet. 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Generated by @schibsted/sourcepoint 5.2.3 (2025-11-28T11:00:44.400Z) */\n!function(){const e=[\"jsSdkVersion\",\"id\",\"realm\",\"clientId\",\"pulseTracker\",\"referrer\",\"state\",\"pulseObjectName\",\"showInWebview\",\"identityObject\",\"identityObjectName\",\"disableSentry\",\"disableNativeConsentCheck\",\"enableUserCentric\",\"groupId\"],n=[\"jsSdkVersion\",\"id\",\"realm\",\"clientId\",\"pulseTracker\",\"referrer\",\"state\",\"pulseObjectName\",\"showInWebview\",\"identityObject\",\"identityObjectName\",\"disableSentry\",\"disableNativeConsentCheck\",\"enableUserCentric\",\"groupId\"];function t(e,n){if(null==e)return{};var t={};for(var o in e)if({}.hasOwnProperty.call(e,o)){if(n.includes(o))continue;t[o]=e[o]}return t}const o={\"showInWebview\":\"tcf\",\"groupPmId\":1005476,\"propertyHref\":\"https://www.aftenposten.no\",\"accountId\":1047,\"propertyId\":4607,\"baseEndpoint\":\"https://cmp.aftenposten.no\",\"consentLanguage\":\"no\",\"clientId\":\"5698d5066c09e50a026ab4fe\"};function r(){\"undefined\"!=typeof document&&document.location.href.indexOf(\"sp_debug=1\")>0&&console.debug(\"[CMP]\",...arguments)}function s(e,n,t,o,r){const s=new URL(e);s.searchParams.append(\"utm_source\",\"cmp\"),s.searchParams.append(\"utm_medium\",\"psi\"),s.searchParams.append(\"referrer\",o||window.location.href),t&&s.searchParams.append(\"client_id\",t),n&&s.searchParams.append(\"environment_id\",n),r&&s.searchParams.append(\"state\",r),window.location.href=s.href}function i(e){return null===e?null:Boolean(parseInt(e))}function c(e){let n=e+\"=\",t=decodeURIComponent(document.cookie).split(\";\");for(let e=0;e<t.length;e++){let o=t[e];for(;\" \"==o.charAt(0);)o=o.substring(1);if(0==o.indexOf(n))return o.substring(n.length,o.length)}return\"\"}const a=[\"Mixed\",\"PSI\",\"SCC\",\"TCF\",\"PMC\"],u=\"default\",l=\"cmp\",p=\"cache\",d=\"accepted\",f=\"rejected\",g=\"unknown\",m=Object.freeze({purposes:{CMP_ANALYTICS:{optIn:!1,status:g},CMP_MARKETING:{optIn:!1,status:g},CMP_ADVERTISING:{optIn:!1,status:g},CMP_PERSONALIZATION:{optIn:!1,status:g}},source:u});function y(e,n,t,o){r(\"Pulse: \"+t+\"(actor, data):\",n,o),b(e,(e=>{e&&\"function\"==typeof e.track&&e.track(t,{schema:\"http://schema.schibsted.com/events/tracker-event.json/314.json\",object:Object.assign({},o,y.pulseCommonData),provider:{component:\"CMP\"},actor:n})}))}function b(e,n){if(e.psi.pulseTracker)return n(e.psi.pulseTracker);const t=e.psi.pulseObjectName||\"pulse\";return\"function\"!=typeof e[t]?console.error(\"No Pulse integration detected. 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   "source_updated_at" : "2025-11-27 15:09:13",
   "summary" : "Les oppropet fra kulturpersonligheter, fagfolk og tidligere teaterledere.",
   "tags" : null,
   "title" : "Ingen nasjon med respekt for seg selv fragmenterer sitt fremste teater",
   "twitter_title" : null,
   "version" : 1
}